This is part of Disquiet Junto 0636: Left (1 of 3). See more at https://llllllll.co/t/66416/.

Disquiet Junto 0636: Left - 1 of 3 [disquiet0636]

More on the 636th weekly Disquiet Junto project, Left (1 of 3) — The Assignment: Record the first third of a trio — at https://disquiet.com/0636/

Left to Drone [Disquiet0636]

This track is an asynchronous collaboration with @torstengoerke in the Disquiet Junto Project (details see below): Torsten Goerke published the wonderful guitar track https://soundcloud.com/torstengoerke/jolanaparticleverb-disquiet0636, and now I improvised on the Hohner Organetta to his beautiful chords.

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Printemps Fleuri [with Torsten Goerke] (Disquiet0637)

Built upon 33per's "(Rock the) Firebells" piece: https://soundcloud.com/33per/firebells

This instrument made of fireballs immediately made me think of the two organ pipes I have in my studio. I took them outside and played them with a shop vac. A bit noisy, but there it is.

Added two elements to 33per's track, both are made from samples of the lowest organ pipe. Left lots of empty space.

As the original track is stereo and makes use of that, my mix is also stereo with my parts layered on. I have a version with hard panning if you prefer.

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More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Firebells And Pipes - Stereo - disquiet0637

Disquiet Junto 0637 

                                                              Right 2 of 3 

 

The Assignment: Record the second third of an eventual trio. 

DAW: Ableton 12 

Key: C minor/F minor? 

Time Signature: 4/4 

Length: 1:14 seconds 

Randomly chose track #47 by zoundsabar 

https://soundcloud.com/user-189958162/cowherd-tone-disquiet0636-zoundsabar?utm_source=llllllll.co&utm_campaign=wtshare&utm_medium=widget&utm_content=https%253A%252F%252Fsoundcloud.com%252Fuser-189958162%252Fcowherd-tone-disquiet0636-zoundsabar 

Dropped his .wav file into Granulator 3 in Ableton 12 then played some notes into the track while listening to the original track. Notes were an octave lower than original track and panned to the right.

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

disquiet0637 - Right (2 of 3)

It’s been a rough and exhausting week, so the soothing guitar chords from Torsten Goerke (https://soundcloud.com/torstengoerke) instantly hit my sweet spot (Gruß nach Dresden!).

I extracted the MIDI notes via Ableton, added a granular reverb to it, and played a bit with the pitches. As the guitar line was a bit short, I doubled the part. Also, I added a shortwave radio segment to it.

***
Disquiet Junto Project 0637: Right (2 of 3)
The Assignment: Record the second third of an eventual trio.

While this is the second part of a three-part project, you can participate in one, two, or all three of the parts, which will occur over the course of three consecutive weeks, starting last week. 

Step 1: This week’s Disquiet Junto project is the second in a sequence intended to encourage and reward asynchronous collaboration. This week you’ll be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0636). Note that you aren’t creating a duet — you’re creating the second third of what will eventually be a trio. Important: Leave space for what is yet to come.

Step 2: The plan is for you to record a short and original piece of music, on any instrumentation of your choice, as a complement to a pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are tracks by numerous musicians to choose from (47 as of last count). 

To select a track, you can listen through all those and choose one, or simply look around and select, or you can come up with a random approach to sifting through them.

It is strongly encouraged that you look through the discussion thread for the previous project on the Lines forum because many tracks include additional contextual information there:
https://llllllll.co/t/disquiet-junto-project-0636-left-1-of-3/

Step 3: Record a short piece of music, roughly the length of the piece of music you selected in Step 2. Your track should complement the piece from Step 2, and leave room for an eventual third piece of music. When composing and recording your part, don’t alter the original piece of music at all, except to pan the original fully to the left if it hasn’t been panned left already. In your finished audio track, your new part should be panned fully to the right. 

To be clear: the track you upload won’t be your piece of music alone; it will be a combination of the track you selected in Step 2 and yours.

Step 4: Also be sure, when done, to make the finished track downloadable, because it will be used by someone else in a subsequent Junto project.

Step 5: You can contribute more than one track this week. In normal circumstances, Junto projects have a one-track-per-participant limit. You can do two this time. For the second, it’s appreciated if you try to work with a solo that no one else has used yet. I will keep an updated list in this Google Drive document of what has been utilized:

https://docs.google.com/spreadsheets/d/1kDorIMT9j_nQQPXACYpMPe4B86T2QD5Xvv98XAOS4UE/edit?pli=1#gid=0

The goal is for many as people as possible to benefit from the experience of being part of an asynchronous collaboration. That, foremost, is the spirit of this project.

Length: The length is up to you. Stick close to the length of the track yours adds to.

Deadline: Monday, March 18, 2024, 11:59pm (that is: just before midnight) wherever you are.

About: https://disquiet.com/junto/

Newsletter: https://juntoletter.disquiet.com/

License: It’s required for this sequence of projects to set your track as downloadable and allowing for attributed remixing (i.e., an attribution Creative Commons license).

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Right Beside You (with Torsten Goehrke) [disquiet0637]

[disuquiet0637] EGEG - ModMix

The Assignment: Record the second third of an eventual trio.

These instructions are fairly lengthy. Please read carefully.

While this is the second part of a three-part project, you can participate in one, two, or all three of the parts, which will occur over the course of three consecutive weeks, starting last week. 

Step 1: This week’s Disquiet Junto project is the second in a sequence intended to encourage and reward asynchronous collaboration. This week you’ll be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0636). Note that you aren’t creating a duet — you’re creating the second third of what will eventually be a trio. Important: Leave space for what is yet to come.

Step 2: The plan is for you to record a short and original piece of music, on any instrumentation of your choice, as a complement to a pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are tracks by numerous musicians to choose from (47 as of last count). All but one are in this playlist:

Is still on the line (duet with Andreas Kitzmann) - disquiet0637

I added a bit of static to CoralineAda’s and Leon Clowes’ mezmerizing duo as an attempt to heighten the tension of the “missed connection” implied by the vocal sample. The static was created with the Landscape Stereofield and tamed somewhat by one of Hainbach’s presets for the Zoia.

Disquiet0638.6

sound art for disquiet0639

More on the 639th weekly Disquiet Junto project, Path Ways (4 of 3) — The Assignment: Rework musical trios using the constituent parts — one of two ways — at https://disquiet.com/0639/

semantic soundscape [raincat remix] DeDe_euclidian_undermulden (disquiet0639remix)

Disquiet Junto Project 0639: Path Ways (4 of 3)
The Assignment: Rework musical trios using the constituent parts — one of two ways.

These instructions are fairly lengthy. Please read carefully. Originally this trios sequence of projects would have ended with the completion of the trios after three consecutive weeks. However, those went particularly well, so let’s see if we can push it a little further.

Please note: You needn’t have participated in any of the prior Junto projects to participate in this one.

Step 1: In the previous project, we completed musical trios. Project 0638 was the third of three consecutive projects. In the first one, 0636, musicians recorded solos. In the second, 0637, musicians took those 0636 tracks, nudged them to the left side of the stereo spectrum, and then added their own music to the right, forming duets with a hole in the middle. In project 0638, other musicians introduced a third track down the center of the 0637 recordings, completing the trios. You can revisit the music via the blog posts disquiet.com/0636 1, disquiet.com/0637 2, and disquiet.com/0638 2, and you can follow the forking paths through the related Google Drive spreadsheet 9.

Step 2: The goal of this project is to rework the material that accumulated over the course of the previous three projects. There are two main ways to go about this. One is to simply choose one or more tracks and remix, combine, mash-up, or otherwise transform them. The other is to move on to Step 3.

Step 3: Choose one 0636 track, a solo, that yielded more than one 0638 trio. (These are highlighted in light blue, or maybe it’s teal, in the leftmost column of the spreadsheet 9.) Trace the various routes that 0636 track took. Perhaps it also led to some 0637 tracks that never went any further. Perhaps there are various 0638 versions based on varied 0637 versions. In any case, record a piece of music that lets the listener experience the branching paths that the original 0636 track took over the course of the three phases of the trios project sequence. Clearly you will be using a linear form to represent variations, so how to achieve that will require some compositional ingenuity. But you’re up to the task.

Tasks Upon Completion:

Label: Include either “disquiet0639remix” (if you follow the loose rules of Step 2) or “disquiet0639paths” (if you follow the more specific rules of Step 3) in the name of your track.

Upload: Post your track to a public account (SoundCloud preferred but by no means required). It’s best to focus on one track (but if you post more than one, clarify which is the “main” rendition).

Share: Post your track and a description explanation at https://llllllll.co/t/disquiet-junto-project-0639-path-ways-4-of-3/

Discuss: Listen to and comment on the other tracks.

Full circle (ft @Raincat, @tristan_louth_robins, @xhg, @krakenkraft, @SinnySounds) disquiet0639paths

This is an account for various experiments and snipptes.
My main musical project, is Electric Kitchen. See the link:

Firebells And Pipes - Stereo - disquiet0637

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