A great track - beautifully orchestrated, full of energy and epic grandeur. Loving the cello and vocals.

The cello is great - I have the Tino Guo as well and it's just gorgeous.

I’m a big fan of that prominent shaker I think it really drives the track forward. The rest of the percussion is also very impressive on this one, which libraries are you using? For both drums and cello

i gotta say I really like the name of the song but I really like the beat

Wow, a collaborating with Mrs. Guo, that s a Great thing. And so is the Composition and performance! 👍

very suspenseful piece of music, way to go, this really is great

Desiderium Vivere

Original composition..... Alejandro Gonzalez M.

Spei Waltz

Cliché

Spring Songs
Duration: ca. 20'
Instrumentation: tenor and piano
Performers: American Modern Ensemble - Alok Jumar, tenor; Geoffrey Burleson, piano
Recorded at Opera America's National Opera Center, Marc A. Scorca Hall, New York, NY, USA, June 4, 2019
Publisher: Bill Holab Music: http://billholabmusic.com/store/index.php?keyword=spring%20songs%20-&main_page=advanced_search_result&search_in_description=1
For More Information: https://robertpaterson.com/spring-songs-version-for-tenor-and-piano

I. English Sparrows (Washington Square) (Edna St. Vincent Millay)
II.  April 5, 1974 (Richard Wilbur)
III. Done With (Ann Stanford)
IV. The Widow’s Lament in Springtime (William Carlos Williams)
V. Spring Rain (Sara Teasdale)

PROGRAM NOTES
Spring Songs for tenor and chamber ensemble or piano is my third song cycle celebrating the seasons. As with the first two, Winter Songs for bass-baritone and Summer Songs for soprano, this cycle contains settings of poems by various American poets.

Whereas both Winter Songs and Summer Songs end with scenes in New York City, Spring Songs begins with New York: a setting of English Sparrows (Washington Square) by Edna St. Vincent Millay, a poem about a scene that takes place in the morning in Greenwich Village, a neighborhood in New York City where Millay lived in the early 1900s. The second movement is a setting of April 5, 1974 by Richard Wilbur, a poem Wilbur wrote in honor of Robert Frost’s one-hundredth birthday, and I interpret as being about overcoming self-doubt through wisdom, and about understanding the change of seasons, but also a change of mind. The third movement, Done With by Ann Stanford, I interpret to be about death and rebirth. Stanford symbolizes this by a house being torn down and the ground paved over, the now suffocated plant life yearning to break through. The Widow’s Lament in Springtime, the fourth movement, is a setting of a poem by William Carlos Williams. I interpret this poem as a modernist, pastoral elegy that uses images of nature to lament the death of a loved one. The final movement, a setting of the poem Spring Rain by Sara Teasdale, is about a happy memory of a lover brought about by an evening thunderstorm.

Spring Songs was commissioned by Rick Teller and Kathleen Rogers and was premiered at Carnegie Hall’s Weill Recital Hall by the American Modern Ensemble, Alok Kumar, tenor, and Geoffrey Burleson, piano.

Spring Songs (Piano/vocal) - I. English Sparrows (Washington Square) (Edna St. Vincent Millay)

Sage

A push of determination. They will not be conquered. Evil has come, and it pursues its goal with a burning passion. But this wall shall stand.


Soli Deo Gloria!

This Wall Will Stand

Dero

Ground Goes Down

Featuring the amazing Tina Guo live on Cello.

A video can be found here: https://youtu.be/MTcKQ4fZ-aw

Fast Track To Damnation Ft. Tina Guo

This is my song ' white water '
This is an orchestral song.

You can visit my youtube channel, just type
Preetam Gayari

you can visit my facebook page
https://www.facebook.com/PreetamGayariMusic

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Enjoy

White Water

Evening Moods

Based in Wales UK, Mark Stothard, known professionally as mu6ix, is a versatile composer who crafts bespoke music for TV shows, trailers, commercials, video games, and collaborations with local artists. 

With a decade of experience and a solid foundation in music theory and composition, Mark's portfolio showcases an impressive range of genres—from the sweeping grandeur of Cinematic Orchestral and Trailer Music to the cutting-edge sounds of Electronic, Pop, and Rock music. His ability to weave complex emotions into his compositions makes his music not just a background element but a driving force in storytelling, enhancing the narrative and connecting with audiences on a profound level. 

For inquiries about collaborations, commissions, or to simply connect, reach out to Mark at mu6ix.music@gmail.com

Fast Track To Damnation Ft. Tina Guo

mu6ix

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