The big dream collab is here! TIME AFTER TIME with DUBVISION and EMMA HEWITT: youtube.com/watch?v=4JTTEatRzus

OCEANS MUSIC VIDEO: youtube.com/watch?v=rAQl-TTI4bQ

Same legendary music project, new DJ. For bookings: booking(at)http://dashberlin.com

Dash Berlin is a music project founded and created by award-winning music producer and songwriter Sebastiaan Molijn in 2006. Contrary to popular belief, it was Molijn who named his project ‘Dash Berlin’. Together with his long time youth friend and co-producer Eelke Kalberg, Seb was the driving creative force behind the performing (now ex) frontman. Finally back in charge of his beloved music project, Molijn is ready to bring back the highly requested original Dash Berlin sound that touched the hearts of millions of music fans around the globe…

booking@timo-heidrich.de

Biographie Timo Heidrich :
Timo was born in the year 1980 in Betzdorf, a city at the foot of the beautiful landscape called Westerwald. Until he was haunted at the age of 23 years from a few injuries, the love for football dominated his life. Suddenly he had a lot of free time by the involuntary stop, which intensified his love for music. Musically, Timo was always addicted to the electronic sounds from the very beginning. Since the mid-nineties it was the good old techno to hardcore, to the dirty Schranz. After a few years and especially countless parties, then came a memorable summer, packed with happy house beats. After that the beats became very minimal. And it is still exactly this style that captivates Timo on the dancefloor. Listen more precisely, he mixes his own sound of minimal, techno and experimental elements. Following the motto learning by doing and of course, the inspiration of other artists, he has developed for himself a live set, in order to present it to the first 2007, then. Since then, the studio and his live set-up increased. At the Hamburg label “040 Recordings”, Timo celebrated his first release and has supported a number of artists with its sophisticated remixes. As a live act, he surprises with familiar elements from film and television and is also beyond the border already known for his driving, experimental sounds. Now he produces his tracks for labels like “Construct Rhythm” and “Kreisssaal”. Timo Heidrich is highly motivated and looking for new challenges, so we can look forward to more projects that will bear his signature.

Tour tickets available here: https://ffm.bio/tritonal

Formed in 2008 in Austin, TX, by Chad Cisneros and David Reed, Tritonal are one of the most successful US electronic music duos of the past decade, today counting nearly 1B collective streams across their discography, which comprises three artist albums, +200 originals and remixes, and six Top 10 hits on Billboard's electronic charts.

In May 2011, Tritonal released their debut album, ‘Piercing the Quiet,’ one of their first successes. They followed up with the three-part ‘Metamorphic’ EP series (2013-2014), which marked Tritonal’s expansion into new genres and featured their breakout hits, “Now or Never” and “Anchor.”

In Sept. 2016, Tritonal released their second album, ‘Painting With Dreams,’ which has garnered +140M streams on Spotify alone. Their third album, ‘U & Me’ (June 2019), which features collaborations with Sultan + Shepard, platinum singer-songwriter Mozella and multi-platinum artist Rachel Platten, reached the Top 10 on Billboard’s Dance/Electronic Album Sales chart. Tritonal’s 4th and most recent album was released at the beginning of 2021 as an hour long meditation piece. Unique to their existing catalog, Reverence was made in the height of the pandemic from more of a calling than anything else to serve their fans and provide art with a motive of introspection.

Cisneros and Reed are also co-owners of the tastemaker label Enhanced Music, which counts nearly 2,000 releases since its launch in 2008. Dubbed “the label that delivers tune after tune” by Mixmag, Enhanced celebrated its 10-year anniversary in 2018 via the expansive '10 Years of Enhanced' compilation.

In addition to ‘Tritonia,’ their globally streamed weekly radio show, Tritonal have headlined the world’s leading festivals, including EDC Las Vegas, Lollapalooza, and Ultra Music Festival.

Follow our Tritonia Selects playlist on Spotify and check out all the tracks we’ve played in this episode of Tritonia: https://tritonal.fanlink.to/TritoniaSelects

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

The mixes will be added / updated every now and then.
For your promo tracks please send it to this account <a href="http://soundcloud.com/dac" rel="nofollow" target="_blank">DaC</a>

If you have some requests or mixes that you think are rare please message me. Thanks

Previously Ranked 1 in the United States and 15 In THE WORLD for Hard Trance on thedjlist.com in 2008, GHOSH continues to be a leading force in the electronic music scene both in the U.S. and abroad. His motto, “Only Good Can Judge Me,” has become as well recognized and respected as the prominent DJ himself. GHOSH spins hard, yet effortlessly produces his deep and edgy, emotive trademark sound. True to his hard trance roots, at the end of his sets he leaves the crowd feeling as though they’ve moved on from something. We hear elements of trance’s origin in his style. Genres merge and we receive everything from European-influenced hard trance, with its dark elements, to classic trance sounds of the more melodic nature. His style is reminiscent but truly unique.

His inspiration to spin evolved out of a deep love for electronic music, a style he always searched for growing up in the Middle East. It was his arrival in the States in 1995 that saw the emergence of a long-awaited sound, and ultimately a career as one of trance music’s most renowned DJs. In 1995, GHOSH immersed himself in the music scene and attended events and parties, absorbing the club culture around him. In 2001, he earned himself a following after impressing club managers, club patrons, and established DJs with his unrivalled demos. His ability to captivate crowds secured him a guest residency at the famous Soma club, spinning alongside such names as Sander Kleinenberg, Tiesto, and Sasha.

GHOSH’s name soon became synonymous with tech/tribal trance. In 2006, he performed at the renowned “Caffeine” and earned a reputation for his strong presence and ability to engage the crowd with intense sets. In that same year, he received an invitation back to his native land, Kuwait, to host events and introduce radio stations to EDM. This offered the opportunity to tour through Kuwait, Yemen, and such celebrated places for nightlife in the Middle East as Dubai and Lebanon. In addition to hosting various Club Nights and events, radio stations had both his “Self Sacrifice” and “Twin Head” tracks in heavy rotation.

GHOSH then returned to the U.S. and conquered the electronic music scene many times over. With more hype than any other DJ in his area, GHOSH has a following that surpasses some of the largest headliners to play in his genre. The momentum has garnered him even more residencies, including the world-famous Church Seven Candles. He continues to play many of the largest shows in North America, such as this year’s 2008 Global Dance at Red Rocks and Electric Daisy Carnival, where he performed to a sold-out crowd of over 12,000.

GHOSH continues to focus his energy on the tech trance scene, a scene he repeatedly influences. Akram Artist Management, where he has landed a prime standing, is his most recent endeavor. He has finally found his sound and his place as one of the foremost tech trance DJs the industry has ever seen. Although the world can also expect him to focus his attention on building an international presence, GHOSH still remains true to the heart of electronic music. His core principle, as mentioned in his last interview, is that “People inspire me, as does a deep passion and belief that music is integral to humans’ well being and their emotions.”

mujtababaloch is following