seriously!  just destroyed a beautiful piece!

kraut

Moritz Von Oswald remix of the Tony Allen song 'Ole'. Taken from the 'A Tony Allen Chop Up' compilation.

Moritz Von Oswald - Ole (Remix)

Out on Trouble In Mind Records July 29th, 2014

Riddells Creek (i. Stinging Petal ii. Mourning Mass iii. John Stoat)

FREE DOWNLOAD 320 kbps MP3  

ENJOY // SHARE ;) <3

Ricardo Villalobos & Max Loderbauer - Reannounce (Minitronik Aka Matke Edit) FREE DOWNLOAD //

A Dreems edit of Jon Hassell. Free DL for the peoples. 

for the wav hit this link :

https://www.dropbox.com/s/5fad2ne9qra343l/Chemistry%20-%20Re%20Dreamt%20by%20Dreems%20%5BPRECISE%20MASTER%5D.wav?dl=0


Jon Hassell - Chemistry (Re Dreamt By Dreems)

digital: https://boomkat.com/labels/80793
vinyl: 
http://www.redeyerecords.co.uk/vinyl/68184-bh022-marco-bernardi
http://honestjons.com/shop/label/Berceuse_Heroique
https://boomkat.com/labels/80793
http://www.juno.co.uk/labels/Berceuse+Heroique
http://www.piccadillyrecords.com/counter/search.php?search=Berceuse+Heroique&label=1
http://www.rushhour.nl/store_master.php?search=berceuse+h%E9roique&idxGroup=&SearchMode=&Submit=Searchhttp://www.deejay.de/BH021_-_Dont_Dj_-_Hexentrix_-_12-Vinyl__201751


BH21 Don't DJ - Hexentrix

Frisson musical

Walking Around the D

The B2 to the Recast EP featuring Mike Ink, DJ Guy, & Terrestre aka Murcof released 11/09/2017 on Future Primitive.

A second release for London's Future Primitive Records brings to the fore a new hand-picked selection of hard to find - if not overlooked - tracks from Wolfgang Voigt, DJ Guy and Fernando Corona, aka Murcof. All of the music to feature on this four-track Recast EP was previously subject to tape or CD only release.

Lifted from his only album as Love Inc., Wolfgang Voigt's "Income" sits primo as the A1, holding firm 22 years after its original release. Predating Voigt's work as GAS, its caustic chords, shimmering melodies and chilled 85BPM vibe render it a production borne from the classic dub techno blueprint of the early-to-mid '90s. An early take on "slo-mo" techno.

The cassette tapes of DJ Guy have again been raided, with Future Primitive joining a select cast of followers to rejuvenate the Welshman's productions with an edit that appeared on his tape for Crisis Urbana.

Both B-side tracks "Botas De Oro" and "Secondary Inspection Theme" come from Murcof's one-time Terrestre alias, a project from the early-2000s which fuses textural, slow-motion and minimal house sensibilities with Mexican Banda and NorteNo music - aka Nortec, a micro-sub-genre to come out of Tijuana. Loose percussion, swung drums and winding rhythms are made all the more esoteric through the subversively climactic nature of Terrestre's music.
12" due mid-September 2017.

Terrestre aka Murcof - Secondary Inspection Theme (FPR002)

Excerpt from Pierre Bastien's Live album ''The Mecanocentric Worlds of Pierre Bastien'' out on 27th October on Vinyl and Digital.

More info at www.discrepant.net

Pierre Bastien - May Yam (Excerpt from The Mecanocentric Worlds of Pierre Bastien)

Ursula Bogner: Winkel Pong
Format: 7” Vinyl/DL
Label#: faitiche15
Release date: Sept 8th 2017
 
Faitiche is delighted to announce the release of a new Ursula Bogner record (faitiche15). Winkel Pong contains three previously unreleased pieces from the archive of the sound researcher who died in 1994. In 2008, Jan Jelinek put together a first album from Bogner’s tape archive (CD/LP Recordings 1969-1988, faitiche01). A second followed in 2011, compiled this time by Andrew Pekler (CD/LP Sonne = Blackbox, accompanying the book of the same name with texts, photographs and Bogner’s graphic oeuvre). For Winkel Pong the tape archive was passed on to Lucrecia Dalt. The Berlin-based Colombian sound artist and musician chose three tracks from the 1980s (exact dates unknown), editing the tape recordings for their release on Winkel Pong.
 
Gundrun Gut (Malaria!, Einstürzende Neubauten), an activist and reluctant chronicler of Berlin’s underground scene since the 1980s, has worked with Lucrecia Dalt. She is also familiar with Ursula Bogner’s work. Reason enough to ask her for an interview:
 
Jan Jelinek: Gudrun, how does it feel to be constantly obliged to talk about the 1980s Berlin underground as someone who was there at the time?
 
Gudrun Gut: I’ve learned to live with it as there are clearly too few people who witnessed it first-hand. Maybe it’s even important to do these interviews as a woman – so that someone actually says that women, too, have written music history. Men tend not to mention this. But it’s true, people do always ask the same questions.
 
JJ: Did you know about Ursula Bogner in the 1980s? Did you ever meet her?
 
GG: No, I never met Ursula Bogner in person and I only discovered her in 2008 thanks to Faitiche. But that’s no surprise: firstly, I don’t know every single woman artist, and secondly, far too many women artists never see the light of day. In the male-dominated art and music market, women are not considered important – or worse still, they are not understood. Look at artists like Sonia Delaunay, Eva Hesse, Bebe Baron, Delia Derbyshire and Daphne Oram. Some of them have now been discovered – but only recently. A lot has changed in the last few years: there is a growing awareness of art and music made by women.
 
JJ: But isn’t it annoying that the conventional distribution of roles still applies? One example: in many articles, Ursula Bogner has been presented as an “electronic housewife”.
 
GG: When Ursula Bogner is referred to as an electronic housewife, then sadly that reflects the situation of many women artists at the time. Women could only pursue artistic activities in private – transcendence was reserved for men. This has still not been overcome. But today, the home has become a site of professional production for all. I’m talking about bedroom producers: it is totally normal to make art and music at home. And that makes things interesting, because “working at home” is no longer associated solely with women.
 
JJ: For Winkel Pong, Lucrecia Dalt compiled and remixed three pieces from the Bogner archive. You know Lucrecia and you’ve already worked with her. How did you meet?
 
GG: I met Lucrecia through MySpace – I think it was 2007. Back then she was still living in Medellin, Colombia. Lucrecia’s father made loop machines for her that she still uses. The Sound of Lucrecia was part of my 4 Women no Cry compilation series on Monika Enterprise, each with four producers from different countries. She’s great fun to watch as a performer because she has a unique sense of rhythm and feel for music. Above all I’m impressed by her sustained approach as an artist, someone who can and does think around corners. I’m thinking specifically of her album Ou, for which she ploughed her way through post-war German cinema, using it as a source of inspiration for a soundtrack. This is proof that she thinks like an engineer – so it makes perfect sense that she would want to explore the work of Ursula Bogner.
 
Berlin, 2017

Ursula Bogner: Atmosphärische Energie (edited by Lucrecia Dalt)

From the upcoming album, 'Ambivalence', out Oct 26th on Smalltown Supersound.

Yoshinori Hayashi - Bit Of Garden

Black Sabbath - Planet Caravan 
Wilhelm - Mercurial 
Kevin Carey - Try_Again
Randomer - Percussion Workout 2 
Da Poet - Fly Over Palestine
EPROM - Samurai

MERCURIAL

18 Carl Craig and Moritz von Oswald - Uli, Mein Ponyhof (Ricardo Villalobos Remix)

Music to trip to. Music to meditate on. Music to upgrade your DNA. Music to get your whole family dancing. Music to teach you. Music to live by. Music to die to. MUSIC TO MULTIPLY YOUR MIND.

CULT LEAD BY @vonparty & @dreemsdreems

Jon Hassell - Chemistry (Re Dreamt By Dreems)

Multi Culti

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