Heerlijke tune voor een zonsondergangetje. Hoe heet deze ?

From dinner to dancing - recorded at Feedamsterdam 14.05.2022

Make It A Night To Remember

A mix that brings it back to basics. After learning on a Pioneer XDJ and mixing on CDJ 3000s, I wanted to get closer to the feel of vinyl. Since I haven’t built my vinyl collection yet, I decided to mix on CDJ-350s — early USB decks with minimal visual feedback. 
This is the first mix on these decks and features some of my favourite house tracks with funk and disco influences, plus a track I recently made! 

Hope you enjoy!

Munay Mix - May

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Yoyaku Instore Session with Edward

Paramida live from The Beach Stage at Love International festival 2025

Live from the Adriatic 2025: PARAMIDA

Fever EP

Jennifer Loveless - Fever

Welcoming one of our personal favourite's from the big apple! A positive conductor of all things deep and dreamy, NYC's @yibingg is a longtime resident on The Lot Radio with an impeccable ear for contemplative sonics, ever thoughtfully sliced and diced with a big signature smile :)

Time to hit recline and let Yibing tranquilify your mind.

Q. What sounds or feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being best enjoyed in?

A. I’ve always been drawn to uplifting sounds, but I also love deep, percussive music and melancholic minor key melodies, which I think there’s a lot of in this mix. Hopefully a nice journey to drift into and daydream with :)

I really wanted this mix to be a sort of homage to the sound of MDC and the AU music community (as I hear it), which I connect with deeply. I find it so playful, psychedelic and beautiful. It definitely took me a while to untangle this, especially knowing it was for one of the most goated series out there… One that’s inspired me time and time again.

Personally, my favorite place to test mixes is on my bike. Maybe not the safest spot to zone out, but it’s become part of my post recording ritual. 

Q. Are there any songs in the mix that you were especially excited to share, and what is it about these tracks that resonate with you so much?

A. Atone's "Lost & Found"! I became obsessed with Tonal Ocean's Atone Special after it aired on NTS last year. Atone is, of course, an Australian project from the mind of Andrew Fitzgerald. I've listened to that mix countless times. "Atonement" is really just such a perfect record to me.  

I played "Lost & Found" last year at a festival that Doc Tom and CZ Wang curated called In The Open. It's still one of my favorite sets I've ever played and a memory I will cherish forever... I felt people really locking in during it and I was surrounded by some of my closest friends too… Music & friendship - truly nothing better than it.

Q. Tell us about the evolution of Tranquilamente Radio on The Lot Radio, you play such a wide variety of beautiful music on the show, do you approach each show with a theme of sorts or just let things flow naturally?

A. It's wild to think that I've been involved with radio in one shape or another for over a decade at this point... Through so many changes, radio in its different iterations has remained the only constant.

When I started the show on The Lot Radio almost five years ago, it was deep during the pandemic and I wanted to foster a space for more laidback, at-home listening music. The inspiration for the title of the show was the Pacific Ocean - thinking about oceans as connectors of all these beautiful ~music waves~ around the world.

I have done some themed shows over the years - I do an indie rock special every year, as a nod to my roots and to what I was playing back at KCSB, a college radio station in California where everything started. I also did a Canto-pop special a while back with some music I grew up listening to. More recently, I did a Music From Memory special that I really enjoyed, using the opportunity to really dive deep into everything that's come out from that label. I definitely want to keep doing more of that.

I find it exciting that even though the show is pretty eclectic, it’s developed a sound of its own. I definitely have a predilection for weirdo, left-field music and I love that the show can be a platform where me and my guests are encouraged to explore different sounds beyond the club. I think doing the show has also taught me and motivated me over the years to bring that sound into my sets too.

MDC.314 Yibing

Live from The Patio – Sweely (live)

From humble beginnings attending off grid parties in Iran to holding down residencies at clubs such as Panoramabar and Robert Johnson, PARAMIDA has, over the past few decades, grown to become a barometer for high grade electronic music. With such a wide remit for the gems that she has at her disposal, PARAMIDA is an artist that is consistently moving and evolving. Having founded one of the most en vogue labels in Love On The Rocks and in doing so cemented a self belief that has stood her well in progressing through the ranks at a cosmic pace. [continue reading at...https://trommelmusic.com/music/podcast/alphatheta-podcasts/trommel-232-paramida-powered-by-alphatheta/]

Trommel.232 - PARAMIDA [powered by AlphaTheta]

A seminal, pioneering figure in the 90s and 00s UK tech house scene, a mix from Pure Science is as bucket list as they come. With his first Australia tour over New Years approaching fast, the mysterious tech house luminary reappears from his subterranean science den with a whopping five(!!) hour live set, full of moody unreleased gems and carefully reimagined classics from his genre shaping 30+ year discography.

@purescience

Q. What an incredible journey this mix is! What sounds or feelings did you draw upon when gathering inspiration for the mix, and what listening environments could you imagine it being best enjoyed in?

A. Thank you for your kind words, Myles. I was initially asked to do a couple of hours, but thought, I would do at least four, and start with a good hour of unreleased ambient / downtempo tracks that I have made, that I wouldn’t necessarily play out to a dance floor, and build up the tempo. So to answer your question, I guess I was pulling out tracks that were made at a close tempo, and gradually build up to a Deep House / Techno range. There are loads of unreleased bits, which I will be featuring on upcoming albums. I guess the vibe was to keep it deep, and not to bang it out or play too obvious, and to add a couple of surprises in there, as it is for the Melbourne Deepcast after all.

Q. Are there any records in the mix that you were especially excited to share, and what is it about these songs that resonate with you so much?

A. I am not playing any records, CDJ’s or harmonicas on this mix.. Lol, Only Ableton Live, Korg ER1 drum machine, Roland System 100 modular (clone), Novation Nova & Evolution uc-33 midi controller.

There is one track that I have only played out once when I was in my teens, and it was written in 1989, when I was 15/16 years old. It’s called Circle, and is on the mix at around 3:43:43 mark (The hypnotic track with the organ).

Q. I know you’ve made special edits of some of your classic Pure Science records for this mix, tell us about how you like to reimagine your music from 20+ years ago, and how your sound has evolved since creating your most iconic records in the late 90s..

A. I’ve been re-recording, mixing, and mastering some of my classic releases, and preparing them for live, i.e. stripping down the parts to the basic form e.g. Kick, Snare, Hats, Claps, Toms, Congas, Percussion, Bass, Keys, Vox, etc, so I can re-arrange the tracks on the fly or break down to my drum machines / synths / recorded modular jams if I feel I want to improvise to the crowd a bit, or I can just concentrate on the blend of tracks, and the selection like a DJ would, and have complete control of the journey..

Q. We’re all very excited to see you play in Melbourne on NYD! Tell us about your hybrid live / DJ setup, is that something you’ve been refining for a while now?

A. I am very excited too, as I have been going through, my old floppy disks going back to 1987, from my old Ensoniq SQ80, as it has just come back from a service, and has had its 10-year internal battery replacement. 
I have been rediscovering tracks that I had totally forgotten about. Specifically a couple of tracks that I love, one is called Moon from 1992, and the other called Tibet from that same era. Both were made a little faster than what I would play out now, and were over 135BPM, but if you slow them down a bit, they just sound chunkier, and PHATer. x  p.s. It’s only hybrid if I DJ too, and I probably won’t have time for that. Live only on this trip. Thank you all for your time, and I hope to see you on the dance floor..

MDC.316 Pure Science

Kicking off our brand new mix series with a special blend of unreleased material from the Horsemen. These are all their own productions and a serious selection that showcases how insanely talented these boys are. This is pure "Dungeon Heat" for your ears & feet .... Enjoy. 

DUNGEON HEAT 001 - HORSEMEN

𝘈𝘮𝘴𝘵𝘦𝘳𝘥𝘢𝘮-𝘣𝘢𝘴𝘦𝘥 𝘋𝘑 & 𝘱𝘳𝘰𝘥𝘶𝘤𝘦𝘳 𝘰𝘯 𝘢 𝘮𝘪𝘴𝘴𝘪𝘰𝘯 𝘵𝘰 𝘣𝘳𝘪𝘥𝘨𝘦 𝘤𝘶𝘭𝘵𝘶𝘳𝘦𝘴 𝘢𝘯𝘥 𝘨𝘦𝘯𝘦𝘳𝘢𝘵𝘪𝘰𝘯𝘴 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘮𝘶𝘴𝘪𝘤.

Munay Mix - May

Munay

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