Any artist is welcome to send us a track via freshonthenet.co.uk anytime between Monday lunchtime and Wednesday evening (or when we receive 200 submissions, whichever is sooner) - and all our moderators, including Tom Robinson, will listen to every track. This is our full inbox from the week beginning Mon 18th October: from Friday afternoon you'll be able to hear our shortlist and pick your favourites on this week's Listening Post which will appear at freshonthenet.co.uk/batch422

If a track you submitted does not appear in this list, it’s probably because another of your tracks appeared in our Fresh Faves or on the BBC Music Introducing Mixtape during the last three months — we ask that artists featured on either wait three months before resubmitting to give others a chance. We also don’t accept short previews or SoundCloud GO tracks that can only be heard as 30 second previews, and tracks made private after submission, which cannot be included in playlists. You will be able to resubmit the track in future. Tracks that have been previously submitted and tracks from banned artists will also be removed.

ENTIRE INBOX: Batch 422

A tennis ball in a sock against the garage door
means your sister’s going to leave you alone for a change.

Phew.

Your dad’s watching cricket in a roomful of smoke,
curtains tight against the sun and you’re not allowed in either 
but what you don’t know is that it’s because he’s hung over. 
All you know is he’s scary.

Your mum’s singing Tammy Wynette in the kitchen 
but something in her voice and the song 
is telling you not to go in there just yet. 

There’s a rattle of a magpie; 
you don’t know it’s a magpie, 
it’s just a bird you don’t even really hear.

Holding Space dust in your mouth makes your tongue go sore 
but you do it because you don’t want anyone to know it’s there. 
Pour some more.

You hold on tight to the rough hips of the tree
because you’re balancing on an orange and red striped beach ball.
You admire your toes: you look like a circus girl. 

It’s Saturday and the sun’s gotta burst soon 
and skin cancer hasn’t been invented yet.
You’ve got six whole weeks 
before you have to go back:
you’ll be in the circus by then.  

You might marry Mickey Dolenz.
Or Pete Duel. 
You’ve already got the hat.

Space Dust

Still

Cover of Gozer Goodspeed's: Gambler's Last Day

Might be a little different from the original...

https://soundcloud.com/gozer-goodspeed/gamblers-last-day-1

The Gozerian (Gambler's Last Day cover version)

A R&B tinged tune about religious hypocrites.

Sugar Free

Where is Your Proof?

A bilingual, atmospheric electro piece peaking as a euphoric dance track and closing with lush, ethereal voices. J’veux des frissons was commissioned by Litzic Music and is a poem written by Sylvie Helly set to music and performed by female indie artist Gaby Duboisjoli. It will be performed live for the first time on 12 October as part of the Arts Council Funded "Women Do South" festival in Clapham, London.

Jveux Des Frissons

Last year, when the world slowed down, I found myself looking inwards and remembering the past. I see my friendships shift in shape, my relationships ebb and flow, and the ground I’m standing on is moving beneath my feet. This record is an introspective dive, pinpointing the moment I recognised a consistency within me that fights to contradict my life in stasis. Beneath the skin deep layers there is an engine: sometimes idle, but never stalling. This motor propels me with a musical momentum. It compels me to speak my truth, words encircled in melody.

I asked my friend Hannah to draw this concept.

On October 30th, I’ll be releasing a 12 track collection. The music is about 50/50 unreleased and remastered versions singles I’ve published over the last year or so. One song is totally re-recorded to feature the beautiful singing of my good talented friend Sanja Cin.  

The process of recording this music is much indebted to a number of longterm collaborating partners:

Firstly, all of the drums and percussion instruments that you hear were lent to me freely by Aidan Poland. Without unrestricted access to his beautiful drum kit, I never could have captured these rhythms.

All of the keyboards and synthesised FX were produced using equipment loaned to me by Matt G. With the exception of tinkering in humble bedroom studio setup, all of the sounds were captured using Matt’s space where I had unfiltered access to microphones, a computer workstation, and most importantly: silence.

The entire record has been subjected to the fine-toothed audio engineering prowess of my good friend David McLaughlin. Dave took my tangled mess of a record and made it shine bright. 

Special thanks also goes to Maria Toase,, who recorded me acoustically when I was somewhat lost, wandering between disbeliefs, and reminded me to believe in myself. The acoustic music from that session form the bones of the track “Killing Time” paired with instrumental layers that I added almost a year later. 

We all walk a path but rarely do we watch where we are going. Without these individuals’ advice and collaboration I would never have achieved what, for me, is a monumental line in the sand along the shores of my dreamworld.

Top To Bottom

Augmented (radio edit)
Written, produced and mastered by Minimums.
www.Minimums.bandcamp.com

Augmented (radio edit)

Hartoel

Morning Affirmation Remix - Feat Udo And Tnah (Scott Xylo Remix)

Schallfeld Ensemble
Conductor: Leonhard Garms
Recorded on 17.08.2021 at KUG, Theater im Palais, Graz, as part of impuls Festival (www.impuls.cc) - Schallfeld Ensemble as Ulysses Network Young Ensemble in Residence, supported by the Creative Europe Programme of the European Union.
----
Elisa Azzarà - flute
Szilárd Benes - clarinet
Diego García Pliego - saxophone
Maria Flavia Cerrato - piano
Lorenzo Derinni - violin
Myriam García Fidalgo - cello
Margarethe Maierhofer-Lischka – double bass
Leonhard Garms - conductor

Recorded on 17.08.2021 at KUG, Theater im Palais, Graz, as part of impuls Festival (www.impuls.cc) - Schallfeld Ensemble as Ulysses Network Young Ensemble in Residence, supported by the Creative Europe Programme of the European Union.

It - Franck Bedrossian

This is a personal review of the year 2021 - consisting of twelve short musical sections, one per month. The sections were each cut from a RabMusicLab track released in the corresponding month. The tracks were chosen upon their personal or musical importance.

The picture is intended to show a symbol for the passage of time:
It is inspired by the "chronopteric birds" featured in the series of graphic novels "Azimut" by Wilfrid Lupano and Jean-Baptiste Andreae. According to the publisher this is an "incredible Terry Gilliam-esque fantasy tale" and has Time as one of its main subjects.
The photograph shows one of the metal water-spouting birds in the garden of Schwetzingen palace which remind me of these time-related animals in the graphic novel.

The list of tracks:
https://soundcloud.com/rabmusiclab/machinery
https://soundcloud.com/rabmusiclab/le-brouillard-du-desespoir
https://soundcloud.com/rabmusiclab/evening-contemplation
https://soundcloud.com/rabmusiclab/strange-weather
https://soundcloud.com/rabmusiclab/lost-and-found-feat-yaccn
https://soundcloud.com/rabmusiclab/pre-set-in-the-bay-of-plenty
https://soundcloud.com/rabmusiclab/the-devils-harp-of-glass
https://soundcloud.com/rabmusiclab/wilde-rosmarie
https://soundcloud.com/rabmusiclab/three-fifths-remain
https://soundcloud.com/rabmusiclab/vatn-is-vatn
https://soundcloud.com/rabmusiclab/bedtime-for-musical-bots
https://soundcloud.com/rabmusiclab/between-waves-and-stars

This track is following the Disquiet Junto Project 0522.

More on this 522nd weekly Disquiet Junto project – Just Backdated (The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments) – at: https://disquiet.com/0522/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co 1: https://llllllll.co/t/disquiet-junto-project-0522-just-backdated/

There’s also a Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Sonic Diary 2021 (Disquiet0522)

Pre-order/save at https://fanlink.tv/PD6007

German producer ACRAFT delivers an awesome score for a club scene with the tech house banger Club Scene X. Part of our Play at ADE 2025 collection.

Hear more ACRAFT at https://soundcloud.com/acraftmusic

Our annual collection of music for the Amsterdam Dance Event, Play at ADE 2025 drops the first week of October with an incredible selection of house, techno, tech house, and progressive house bangers.

Play at ADE 2025 includes new works by ACRAFT (Germany), Andy Leech (UK), beat.pacific (USA), Bismu & Kris Brain (Poland), Deat Marotta (Germany), Dispar (Mexico), Hectic (UK), Jayson Miro (St. Maarten), Maik D (Italy), OWASSA (USA), Ozzy (USA), PartyBooze (Netherlands), Tech Us Out (USA), and Tweaken (Belgium).

Play it on repeat for an Amsterdam vibe.

Play Records - https://playrecords.net

Play at ADE 2025

Club Scene X

PRE-ORDER/SAVE

[PREV] ACRAFT / Club Scene X

#MGReboot #BassHouse

⚠️🚨NOUVEAU SON en EXCLU 🚨⚠️ disponible en écoute jusqu’à sa sortie officielle le 08.10 !! 

DJ…Si tu veux télécharger le son en EXCLU pour ta playlist, envois moi un DM ! 😉✌🏿

Connect with MG Reboot :
Facebook : @MGReboot https://www.facebook.com/MGReboot​
Instagram : @mgreboot https://www.instagram.com/mgreboot/​
TikTok : https://www.tiktok.com/@mgreboot?lang=fr
Soundcloud : https://soundcloud.com/mgreboot​

© 2025 1Délébile.1Dustry


#techno #technomusic #technolovers #electronicmusic #electro

F*CK

Dem A Pree (NUNOX REMIX) ( FREE DL )

ALUNA - NEON LIGHTS

- techno - °°° find more on my bandcamp page.
°
°
°





for any question, text me here or
muowo@outlook.com

MORE MUSIC HERE:
https://muowo.bandcamp.com/follow_me

Fresh On The Net is a music blog hosted by Tom Robinson and Team Freshnet, offering independent artists an open door and a level playing field for their music. Our inbox is open at http://freshonthenet.co.uk every Monday to Thursday morning - if you share a track with us there it will be heard by every member of our moderation team.

IMPORTANT: 
Only send ONE track, and make sure the dropbox says "OPEN".  Sorry, but tracks sent while the dropbox is closed - or shared drectly with this Soundcloud account - will not get heard.

Hartoel

MuoWo

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