murkok

Sleep

Deepient

All drone

gettin' slept

Ambient

Remainder of tapes can be purchased through Mimaroglu: http://www.mimaroglumusicsales.com/artists/secret+pyramid.html

Digital files can be purchased at: http://secretpyramid.bandcamp.com/

"Distance I" excerpt

Korg PS-3100 synthesizer

Recorded live at Lucky's Comics as part of Music Waste
Vancouver, BC
7 June 2014


Sarah Davachi live / Korg PS-3100 / 7 June 2014 / Lucky's Comics (Music Waste, Vancouver)

from the album 'sea island' available 11/17

loscil 'sturgeon bank'

05 Christina Vantzou - The Way Out Is Back

02 Roly Porter and Cynthia Millar - Shipping Lane

Album: Nº1 DVD and Remixes
Label: Self - Release

and instantly take effect (loscil remix)

Excerpt from William Basinski's new CD release, Cascade. To be released on April 28th, 2015 on 2062. Distribution by Secretly Canadian Distribution. catalogue number 2062.1501
MMLXII.COM 

Cascade Excerpt

Available on - 

iTunes: http://apple.co/1GICv1B
Spotify: http://bit.ly/1OFn6p9
Amazon: http://amzn.to/1Qxoyck
Google Play: http://bit.ly/1hGNz8T


▲▼ Embers 

♨/ˈɛmbə/ 

"the dying embers in the grate"

Embers

Support On iTunes

A little ambient music for you guys. Good listening. =3

Library

Second track from the same unreleased EP as "Soyuz"

Silhouette

from 'Moon Zero' [CD|LP|DIGITAL]
Denovali Records · den238
available on all formats at [http://denovali.com/moonzero]

Operating out of London’s Cable Street studios, on the vacated docks of empire and in the shadow of Canary Wharf, Moon Zero is the project of producer and composer Tim Garratt. This self-titled debut album is the culmination of the exploratory drone work of his first EPs, 2014’s ‘Tombs’ and ‘Loss’ (Denovali). Drawing on the micro-polyphony of classical modernism and analogue-leaning contemporary electronic music, it's the finest incarnation yet of an aesthetic that’s both minimal and cinematic: an unhurried, massive tapestry of sound built from minute processes and hidden melodic lines.

The music spools out of Garratt’s mind in the form of extensively screwed up synthesizers, bowed cymbals, liquidated instruments and detuned tape loops. Bounced between effects chains, music software, mixing desks and tape, his materials are then inflated and tampered with, in different venues of a particular significance or suggestive atmosphere. The results are enigmatic, hypnotic and register a note of mourning. They are mercifully free of the obligatory club references of electronic music that’s destined for a different mood but nonetheless confines itself to bygone ‘post-club’ tropes. “I was listening to a lot of William Basinski, Bowie's 'Low', Swans, Messiaen, Stars of the Lid, Cluster, Eno… Carl Sagan,” remembers Garratt.

Garratt seeks out spaces in the city which can be turned into echo chambers for his ambient, avant-gardist material. Yearning to derive some meaning from a point in space-time, these resonances turn back and pacify some of the frenzied and alienating forces in both the human and the place. Like the preceding EPs, ‘Moon Zero’ was recorded at St George in the East in Shadwell, London. Having written the preliminary tape loops (this time secluded and out-of-signal in rural Wales) at the end of 2014, he returned to St George in June 2015. “I only had a five hour window to record everything, which I hope gives the record a sense of spontaneity and life”. Religious themes pervade the album, drones imported from ancient sects and the never-silent industrial era – a convergence that is mirrored by the dead history of the Thames and present-day flows of money and data outside his Limehouse studio.

In the time between the project’s inception and the 'Moon Zero’ sessions, Garratt worked on readying his material to perform live. “Because of the lack of pre-recorded material, and as the previous EPs were largely improvised, it meant that I was constantly performing new sets each time I'd play a show. Although this was liberating it was also too dependent on variables that were often out of my control. So with this album I wanted to write a more coherent piece of music which could be loosely recreated in a live scenario.” He refined his method with gigs at Denovali Swingfest in Essen, Germany, Zemlika Festival in Durbe, Latvia and in London, supporting artists like Ben Frost, Hauschka, Jon Hassell, Fennesz and Cold Specks. His shows are regularly proving transcendental. Moon Zero will be touring in Europe in October with label mates Oneirogen and Second Moon Of Winter.


Moon Zero

Moon Zero - A Bevan Rotation

The idea behind the piece is to use the building blocks of sound synthesis taken to new levels thanks to the processing power of computers . This piece was composed using a network of 64 sine oscillators in Max/Msp. Each oscillator was assigned a volume curve in order to create harmonic movement. 

Piece for 64 sine wave oscillators

The whole of a complex structure, especially the world or universe, contrasted with a small or representative part of it.

Swept Away, like dust.

Free Download

Swept - Macrocosm

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Spectre - Abandon

Forgiven

untitled

asleep

Grammar Of Imperfection

From Solidarity Hymn's debut album For a Wandering Beam of Sun. Preorder digital/vinyl on Bandcamp: http://solidarityhymn.bandcamp.com

Pre-save on Spotify: https://distrokid.com/hyperfollow/solidarityhymn/c8j8

For a Wandering Beam of Sun

From the debut album For a Wandering Beam of Sun. Vinyl available at solidarityhymn.bandcamp.com

Here We Slept

From the debut album For a Wandering Beam of Sun. Vinyl available at http://solidarityhymn.bandcamp.com