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Buy Digital: https://music-from-memory.bandcamp.com/
© 2020 Music From Memory

MFM047 - Fools - Fools' Harp Vol. 1

Music From Memory [Label]

i. 💮 - part 2

KEXP ~ PACIFIC NOTIONS - part 5

More is better

T.Milly👑- Silhouette (Remix)

I do not own this music. Property of Galcher Lustwerk

This Is How We Roll - Galcher Lustwerk

吉村弘 (Hiroshi Yoshimura) Dance PM

Liquid Diamonds

Morning Song (Original)

Open (Original)

Narrow River (Original)

Friends (Original)

Bumpin' On Sunset (Original)

b2 subterrean storm

the mysterious Tanzania Sound System

Please also check out: https://soundcloud.com/djhunebed/mix-003
Or download all my mixes: https://drive.google.com/open?id=1JlF1q_kBCv6qOIqbLGX5U-D1FY4l6woe

A2 Tanzania Soundsystem - Mdomo

Future Reactions Recordings

FR004 - Byron The Aquarius "1988 Ep"

Tracklist:

A1. Do It Just Like U
A2. Feel like Making Love
B1. Full Moon Feat. MDMA
B2. Sun of God (Detroit Mix)
B3. Where Is The Love (Reprise)91

Vinyl 12" - 2017

Mastered by Jose Rico.

If one record could sum up exactly what we are about here at Future Reactions then this is that record. Inspired by the very best of house music from the past yet perfectly programmed for the present and beyond, the 1988 EP is the perfect addition to our label and its producer, Byron The Aquarius, a most welcome newcomer to our family. The American producer’s love of melody and harmony courses throughout this five-track EP, from the underground vibes of Do It Just Like U to the electro-soul of Feel Like Making Love, from the pure soul of Full Moon(featuring MDMA) to the joyful house of Sun Of God (Detroit mix) and culminating in the atmospheric beauty of Where Is The Love (Reprise) 91.

"1988 EP"

FR004. Byron The Aquarius "1988 EP"

Birth. Death. Taxes. https://soundcloud.com/caffeineworldwide coming up with a track which is both a chiller and “certified” “head” “banger”, are perhaps the only inevitabilities afforded to us in this life; the first and last seem A-ok with us though. We’re luckily prem-ing the A1 of ‘Birth of Ya’ EP, out on https://soundcloud.com/french-press-lounge SOON. 

You’re floating through an unknown Amazonian river bend, the thud of the drum break in your chest, the inky waters lapping at your raft, much like the warm keys under laying the track. You’re at ease. The moonlight is guiding you, the delicate sampling is engorging the experience. Strange beasts and creatures just out of your field of vision rustle on the shoreline; transient, they wax on and wax off with the ebb and flow of the tune. Beautiful Harmony. Relativity, Gaia hypothesis, The Big Bang, time, gravity - everything fits, everything is clear. Let it take you there.

Gizza' us a follow: https://www.facebook.com/fourheadsmusic/

Birth of Ya EP

PREMIERE: Caffeine - Birth of Ya [French Press Lounge]

Despite his status as a key figure in the history of Japanese ambient music, Hiroshi Yoshimura's music remains tragically under-known outside of his home country. Empire of Signs – a new imprint co-helmed by Maxwell August Croy and Spencer Doran – is proud to reissue Yoshimura's debut Music for Nine Postcards for the first time outside Japan in collaboration with Hiroshi's widow Yoko Yoshimura, with more fully licensed reissues of Hiroshi's work to follow in the future.

Working initially as a conceptual artist, the musical side of Yoshimura's artistic practice came to prominence in the post-Fluxus scene of late 1970s Tokyo alongside Akio Suzuki and Takehisa Kosugi, taking many subsequent turns within Japan’s bubble economy afterward. His sound works took on many forms - commissioned fashion runway scores, soundtracking perfume, soundscapes for pre-fab houses, train station sound design - all existing not as side work but as logical extensions of his philosophy of sound. His work strived for serenity as an ideal, and this approach can be felt strongly on Music for Nine Postcards.

Home recorded on a minimal setup of keyboard and Fender Rhodes, Music for Nine Postcards was Yoshimura’s first concrete collection of music, initially a demo recording given to the Hara Museum of Contemporary Art to be played within the building's architecture. This was not mere background music in the prior Japanese “BGM” sense of the word, but “environmental” music, the literal translation of the Japanese term kankyō ongaku [環境音楽] given to Brian Eno’s “ambient” music when it arrived in late 70's Japan. Yoshimura, along with his musical co-traveler Satoshi Ashikawa, searched for a new dialog between sound and space, a new way of listening: sound not as an absolute, but as something that interlocks with a physical environment and shifts the listener’s experience within it. Erik Satie's furniture music, R. Murray Schafer's concept of the soundscape and Eno’s ambience all greatly informed their work,  but the specific form of tranquil stasis presented on releases like Nine Postcards is still difficult to place within a specific tradition, remaining elusive and idiosyncratic despite the economy of it's construction. This record offers the perfect introduction to Hiroshi's unique and beautiful worldview: it's one that can be listened to - and lived in - endlessly.

Music for Nine Post Cards

Hiroshi Yoshimura (吉村弘) - "Water Copy" from Music for Nine Post Cards (EOS01) OUT 11/17/2017

Hiroshi Yoshimura - Green [1986] [Full Album]

00:00 morning star
19:32 paradise 
35:11 starry night

Takashi Kokubo (小久保隆) - Jamaica ～ Waves And Light And Earth (ジャマイカ～波と光と大地) (1993) [Full Album]

The More You Know

Westbourne Ave

How Do You Feel About Getting Married? Out Now - https://Dijon.lnk.to/Married

Jesse was late again, but I don’t mind I’ll wait for him
Jesse gets mean sometimes
But I don’t mind, he’s got a lot on his mind.
And dammit Jesse. It’s true. I do love you
And dammit Jesse. It’s true. I do trust you

Jesse’s a mess again
So I lie awake with him
And he’s holding on to something I can’t see
But it’s alright, I’m safe with him

And dammit Jesse. It’s true
I do, love you
And dammit Jesse. It’s true, I do trust you

And he could be bad, and turn his back;
He could break all his promises. But when I see Jesse I smile.
When I see Jesse I smile.
He could be bad, and turn his back;
He could break all his promises. But when I see Jesse I smile.
When I see Jesse I smile.

Facebook: bit.ly/2D6ueuQ
Twitter: bit.ly/2MVYUDL
Instagram: bit.ly/2D4GqMs
YouTube: bit.ly/2SbBY9e
Spotify: spoti.fi/2Tva0Sv
Apple Music: apple.co/2MPolGU

jesse

I See You

Taken from 'Fools - Fools' Harp Vol. 1' (MFM047)
Buy Vinyl: www.musicfrommemory.com
Buy Digital: https://music-from-memory.bandcamp.com/
© 2020 Music From Memory

Fools' Harp Vol. 1

A5. Fools - Snodae (3:35)

A4. Fools - Deefyfe (4:23)

A3. Fools - Aeg Old (4:49)

A2. Fools - Source (4:31)

A1. Fools - Rintocco (4:13)

In the late 90’s, east-side LA was in the throws of a post-indie explosion; a network of stoned bands ranging from neo-psychedelia to pseudo-country overran Spaceland (our generation’s Troubadour) and the local Silverlake Lounge. I was playing freakbeat records twice a week in dive bars, half of Spacemen 3 was crashing at my house (my drop-out roommate was Sonic Boom’s tour drummer) and it was during this blur that I met Raymond Richards, a clean-cut all-American pedal steel guitarist playing in Mojave 3 (the country-tinged 4AD side project of shoegaze royalty, Slowdive). I was instantly swept off my feet, head over heels in love with Raymond's weeping tone — the most chill-inducing, emotionally responsive dialog I’d had with music since discovering Satie as a child — it was then and it is now, truly haunting. After a year of personnel trials, my roommate and I stole Raymond for our own band, and not only did he smother our songs with his enchanting steel, he was virtuosic with a variety of atypical instruments such as baritone guitar and theremin, he utilized them all. The band was short-lived — I split to jam with Ariel Pink, Raymond fled to Portland, then me subsequently to New York City — but in founding the ESP Institute years later, there was always a recurring mental note; "we must make Raymond’s pedal steel album." I had managed to wrangle his blessed performance on a remix for Project Club’s 'El Mar Y La Luna', but it took almost a decade until I once again wore the producer hat and we began working on 'The Lost Art Of Wandering', a title borrowed from Sam Shepard’s 'Stories'. Spiritually candid, expansive yet enveloping, this is the strung-out, visceral country music that simply radiates from Raymond. Each song is his set of coordinates in a vast open terrain, holding a sentimental familiarity, a truthful longing for the simple comforts that diffuse life’s complications, a place to get lost. —Lovefingers

Produced by Lovefingers
Cover image - Barbara and Michael Leisgen, Eintauchen [detail], 1972

[ESP070] The Lost Art Of Wandering

Buy from ESP

[ESP070] RAYMOND RICHARDS - B3 - Idaho Falls, Idaho - SNIPPET

Sharing my reflections on the past on my new single Hold You Tight 💞 love to hear if it’s resonates..

https://joyamooi.fanlink.to/HoldYouTight

Production by Blazehoven
Mix by Cambrian Studios
Master by David van Dijk

- Nine And A Half -

Hold You Tight - Single

Hold You Tight

Flow Now is about being back in my flow state of creating - where nothing else matters because I have music and the hope that one day I will be great. Selfishly selfless for the sake of healing people. What do you think?

Follow Froogle

bit.ly/froogleig
bit.ly/frooglespotify

Flow Now

PLEASE DON'T SEND DEMOS

www.musicfrommemory.com

Amsterdam based record label releasing visionary electronic music from both past and present.

Sublabel: @secondcircle