Music From Memory [Label]

Yoppoy

experimental

Nuova playlist privata

tofino

These are some of my favorite tracks that have inspired me to make music.

N.B.2002 Inspirations

Music From Memory

Jimi Tenor & Kabu Kabu - Dede (Baumhaus Remix)

Motorbass - Flying Fingers

Ma Chi No Go Mi

Disruptive Muzak Clip (out now on Death of Rave)

Salutations à tous, je vous présente l'enregistrement de la reprise de Boris Vian dans un univers Swing et innatendue... A vos claviers... Prêts.... PARTAGEZ !! :)

Fais-moi mal Johnny (Boris Vian)

soundofromances.bandcamp.com/album/sor-…6-doguu-ep

released 01 September 2014
Release from "sound of romances" 

Uho Uho Story (foodman×D.J.Fulltono)

Liquid Diamonds

Morning Song (Original)

Open (Original)

Narrow River (Original)

Friends (Original)

Bumpin' On Sunset (Original)

Dreamboat Annie

Crazy On You

Cassette ~ noumenalloom.bandcamp.com/album/compilation-two

Digital ~ itunes.apple.com/us/album/noumena…n-2/id1137740415

Metome ~ Come To Me

Camile From OHM Makes Me Feel Loved' Out Now -
Technicolour / Stream / Download: https://machinewoman.lnk.to/wlch

Taken from 'When Lobster Comes Home' released 25th August 2017 via Ninja Tune imprint Technicolour.

Follow Machine Woman -
Facebook: http://found.ee/mwom-fb
Twitter: http://found.ee/mwom-tw
Soundcloud: http://found.ee/mwom-sc
Spotify: http://found.ee/mwom-sp

When Lobster Comes Home [TCLR022]

Machine Woman - 'Camile From OHM Makes Me Feel Loved'

After the releases with original works from Tronik Youth, A Jokers Bizarre (Jokers Of The Scene + Club Bizarre) and Dj Rocca, with great remixes from artists such as Red Axes, Timothy J. Fairplay, Justin Robertson or MR TC, now it's the turn of the Spanish trio Cannibal Ink to make its debut on Rotten City.
They are Antonio Canca, Guillermo Iraola and Andres Navarrete. Fruit of the union of its old moniker Voodoo Corporation, Antonio & Andres joined Guillermo to look for those sounds that had frequented their neurons during the last years. EBM, New Wave, Industrial and Cosmic Disco are the palette of sounds that make up their DNA.
With releases in labels like Ombra International, and remixed by amazing artists such as Emperor Machine or Moscoman, now it's time to give welcome to these guys to Rotten City with an EP composed by two wicked original pieces full of electronics & dark ethnic sounds for the dance floor plus remixes from the mexicans Zombies In Miami and the lisergic italian duo Mushrooms Project. The first track on the A side is Samarkanda, a trip into the middle east. Slow and mechanical funk mixed with arabian sounds giving an ethnic touch to the darkness of the track.
After, we find The Souk, continuing the style of Samarkanda but in this case more narcotic, acid and deep than the previous.
On the B side we find the amazing 'Audio Guide Remix' from Zombies In Miami, and as the name says, it introduces us in the mode of a guided ceremony, in a shamanic ritual that will make us find our own fears so we can let them go on the dance floor letting us flow through much more exciting places than the ones our mind normally is. Close your eyes and prepare to ride. Finally, the remix of Mushrooms Project offers another good trip for the head. Longer, deeper, more narcotic if is possible than the original and retaining that ancient and dark atmosphere. Startling.

LISTEN ON YOUTUBE

PREMIERE : Cannibal Ink - The Souk (Mushrooms Project Remix)

Astrid

Legowelt - Legendary Freaks In The Trash Of Time

Five years after the illustrious Paranormal Soul LP, techno derelict Danny Wolfers aka Legowelt returns on Clone with “Legendary Freaks In The Trash Of Time”. A vivid collection of twelve genre-defying tracks: from late-night hermit house to Memphis rap influenced slowjam electro, from Amiga 1200 technorave to cosmic spaceweed trance, including the whole universe in between. All blended together in a mix of  subdued sensuality and psychedelic splendour, this album is flavoured with Legowelt’s typical crunchy LO-FI sampler and synthesizer aesthetic. Wolfers’ own hand-drawn sleeve artwork illustrates the album’s mood without the need for much further promotional blurb… colourful stories embodying societal malaise and its dwellers - yet with a dash of aspiration. Music for misfits, witches, dreamers, cyberpunks, outsiders, geeks, and freaks. Legowelt’s people.

Out: 30-10-2017
Order vinyl: https://clone.nl/item47894.html

Follow us here:
https://www.youtube.com/CloneRotterdam
https://www.facebook.com/CloneRecords/

https://clone.nl

Legendary Freaks In The Trash Of Time

Order @ Clone.nl

Legowelt -  Legendary Freaks In The Trash Of Time [CWCS009LP]

NairLess - Renaissance

Music From Memory © 2018

Vinyl: www.musicfrommemory.com
Digital: music-from-memory.bandcamp.com/

B2 - Michal Turtle - Jovan's Island (6:06)

A4 - Michal Turtle - Dub This Heavy (6:00)

A3 - Michal Turtle - Uiko's Return To Jeka (5:58)

Order here:
https://www.juno.co.uk/products/out-2-showcase/673610-01/

Jeremy Campbell and R. Zanzibar return as Out 2 with their debut full length, Showcase.  Following their recent Moving EP, the duo expand their mix of New York off-kilter pop lyrical poetics riding over percussive desk-dub funk grooves.  

After collaborating on releases for Lectric Sands and L.I.E.S (Zoovox and Locks & DDM) the Brooklyn team dug deep in the studio to create 6 vocals and their dub versions in a true ‘showcase’ style. 

With that, after its appearance in longer ‘discomix’ form, the album starts with the original version of Moving. Just under 3 minutes of hectic New York funk – chop guitar, punch bass and blasting horn jump ups.  Rolling straight to the Version, Campbell’s mixing desk skills let it all hang out and back.  Snares rattle, hats ride, bass in and out, a voice  rightly interjects “…are we moving?”

Sliding in to Dancing, the tryptamines start to flow and skip atop a steppas beat. The “raps”, dubs and fx weave their way in to your subconscious as electrons whirl in a warm psychedelic fuzz.  This is further exemplified in side closer, Pale Fens.  The improvised vocals fit seamlessly among the beats, bass and guitar haze.  As the skin, lips, eyes, pull you in, the Version takes it deep.  Sole guitar solo and the rest rides from the desk.  Perry, Bovell, Sherwood. The beauty in the space between is the essence of music itself. 

Side 2 starts with a crowning gem, Some Air’s Red There.  Flute rides a hook that is simplicity in its ingenuity.  Zanzibar in his wayward element… “she said I had the wrong rhythm?”  By now ears twisted to what the Version brings, the laidback vibes, with wind solo, drift to an Upstate/White Isle summer’s day that is long remembered. 

Don’t Stop comes on as a No NYC love paean.  Congas, rhythm guitar and impro’ lyrical flow, contorting bass, flange, flange, flange.  Run all day, we don’t stop.  Version just glides and glides.  Finally, to close, Run is the lazy finale dub (master)piece.  A simple Jammy’s style riddim; a midi-funk groove. It swings low alongside lyrical imaginings, encapsulating Out 2’s place in the New York firmament, where disco, punk, hip hop were and are very much fellows with the often overlooked, but amazing dub reggae that has been produced in the city for decades.

B1. Some Air's Red There

R.M - Déambulation

200% GALCHER (promo do not share)

Galcher Lustwerk - See You When I See You

Unknown Artist - Bayes

Unknown Artist - Untitled

Ryan Parks is a mixed media artist, music producer/performer, and CEO/founder of critically robust cassette tape label, https://soundcloud.com/harshriddims. He was born in College Park, GA and grew up skating all around Atlanta, soaking up the dense kaleidoscopic cultural ooze found both in and outside the perimeter of Atlanta. Aside from his visual practice which usually takes shape as mixed media (Jacob Lawrence/Matisse inspired in my opinion!) collage, he has been releasing music as https://soundcloud.com/fit-of-body for seven years. Fit of Body crafts soulful house ballads that draw on freestyle, Bell Hooks, old school Detroit techno, jazz, and southern rap passed through a No Wave paradigm. Fit of Body has previously released work on CGI, DKA, Ransom Note, and his own label, Harsh Riddims. 

"Black Box No Cops" is Fit of Body's debut 2MR release, named for Atlanta hallowed skate grounds, Black Box. 

Ryan on Black Box: "Black Box, or Black Blocks ( I grew saying the latter) is on the corner of Baker and Piedmont in downtown Atlanta. I spend a lot of time skating there. Sometimes there are other people skating there, sometimes not. I prefer it when there are other people at the blocks. Black Box is a cop free zone, you cannot be kicked out."

Black Box No Cops

GET LP/CD/TAPE

Fit Of Body - Black Box No Cops [2MR-037]

@domeniquedumont 's  Miniatures De Autorhythm coming out in September 2018 via Antinote

Domenique Dumont - Miniatures De Auto Rhythm - Album Preview

Voyeur

Kaddish

Elysian Spring

Elysian Spring - Blue Sands (1969)

Contribution number ten comes from long time label friend and multi instrumentalist Michal Turtle (@michalturtle). Q&A (excerpt) here below.

www.musicfrommemory.com

MFM: Hi Mike, how's life in beautiful Swiss? What's the story of you leaving the UK for Switzerland actually?

MT: Life is sweet thanks :)I've been here since the end of 1987, of course it was a lady story that brought me here.

MFM: Do you think that moving places changed you as an artist or maybe your approach to (writing) music?

MT: Once I got here, things quietened down a lot. I found a job in a recording studio, and started working with local heroes, some of whom I still do work for. The music scene here, compared to what I was used to in London is very low key, and I soon found quite a lot of time for writing my own stuff. The public has yet to hear (maybe one day) my early 90s output, but I carried on much in the same vein as the London years, albeit with improved technology. (this was my bronze age 
output, as opposed to the stone age London recordings)

MFM: Imagine if your inspiration or motivation ever runs dry, what place would you move to in order to find new?

MT: Geographically, it doesn't seem to matter to me where I work, if I'm on the road or on a long plane flight, I can work just as easily. If I don't have a (piano) keyboard, the writing style changes a little, and becomes more mathematical perhaps.

MFM: You have quite a background in musical education, correct? If you'd have to name one thing studying academically has taught you and which you still value today, what would it be?

MT: For much of the work I have ended up doing, I am grateful for my studies in orchestration and notation. I have written (physical) orchestral parts for real players, and they always worked just fine, and sounded as I imagined.

MFM: Experiment seems to play a vital role in your music, which never sounds the same and always rich of unconventional textures and musical combinations. Is that something you inherited from studying music at academical level?

MT: I would say no to that. My classical education was very traditional, and during it I was also experimenting at home and with other people, but the 2 elements never really overlapped. Luckily in college was a “state of the art” (8 track analog) recording studio, and the guy in charge of it was looking for projects to record. I ended up doing 7 or 8 pieces, multi-tracking everything. After that I was hooked on the recording process. (which I still am)

MFM: Did it ever cross your mind to work on a new album after your first and only one from 1983?

MT: In the late 90s I was discovering my production skills, and did 5 albums with my own project “wearedust” It was very much of that time, but some songs still get airplay on swiss radio, but as you say MFTLR was my only album under the name “Michal Turtle” I have written much new stuff in the intervening years, and there may well be a solo project of new material at some point.

MFM: Such a nice thing from you to join our mix series, thanks. You're not really a DJ right? How then did you approach making the mix?

MT: I've done several now, sometimes they are theme based, and other times it can be stuff I like and that has influenced me. This one is basically that, plus a couple of tracks from old projects (you may spot Lucianne and Tim in there) and a couple of more recent tracks by me.

MFM Mix 010: Michal Turtle

A very extraordinaire-rare UK Demo version for President !
Delivered once again by http://soundcloud.com/hartleys
All Warped in the original 80 Bpm for them DJ's to cut a mix ...

Buy & Support

Gwen McCrae - 90 % Of Me Is You (Ramsey Hercules Edit)

Tracklist: http://www.factmag.com/2013/06/17/fact-mix-387-dj-koze/

FACT mix 387 - DJ Koze (June '13)

PLEASE DON'T SEND DEMOS

www.musicfrommemory.com

Amsterdam based record label releasing visionary electronic music from both past and present.

Sublabel: @secondcircle