Does anyone have an Id for 8:19? gorgeous

Tiger Year All Around

An album that struck me deeply this year was the debut by Gothenburg based artist Astrid Øster Mortensen. On “Gro Mig En Blomst”, she crafts eerie, timeless, and warm songs from her voice, field recordings, and various instruments, all to great effect. The mix she’s recorded for Motion Cast features songs from Sweden, Denmark, Iceland, and the US, as well as some music of her own. Highly recommend checking out the label that released her album, Förlag För Fri Musik, as well. I’m just scratching the surface of the Gothenburg scene but the range of styles coming from this crew is intriguing!

https://soundcloud.com/user-62778839

Facit - Pomodoriana Theme
Astrid Øster Mortensen - Xylo
Stirnir - Xuxan Flower
Värmland-forsamlingen af 2016 - 3 Stranger
Irena and Vojtech Havlovi - Vanity of Wings
Þóranna Björnsdóttir A​.​K​.​A Trouble - Hverfing
Clarissa Connelly - The Hills Are Crying
Merit Hemmingson - Vallåtpolska efter Blecko-Anders
Facit - Smell of The Elderly
Tucker Carlson's Jonestown Massacre - Khoma (Magnus Opus)
Blod - Brudmarsch Från Mölndal
Astrid Øster Mortensen - didn't understand anything/still don't get it (demo)
Heidi Berry - Gloria
Austin James Christ - Gonna Make It
Astrid Øster Mortensen - harpe (demo)

MotionWardMix

Motion Cast Vol. 77: Astrid Øster Mortensen

"L'intérieur sauvage" 18 - Elazer - 28/10/21

Today’s cold and overcast day in Brooklyn finds us wanting something warm. Something to heat both the mind and body. Fortunately, our guest for today has provided an auditory tale that is sure to provide both. Francesco Piunti is a masterful curator and head of the Deep Breakfast ambient series. His passion and knowledge shine through each mix he releases both personally and via the artists he taps for his growing platform. Introductions aside, pour a cup of coffee, tea, what have you and cozy up to the sounds of Francesco Piunti.


Tracklist:
Innesti - Nothwithstanding
Halftribe - Nighttime Worlds
Federico Durand - Cedrón
Andrew Sherwell - Chapter V of Shadow & Glass
Anthéne - Lapse
zarr. - Liminal
Innesti - In Letters
Marine Eyes - On This Fresh Morning
Simon McCorry - Flow 01
Carlos Ferreira & deer meadow - Modern Landscapes
Faru - Moment To Moment
Andrew Sherwell - Chapter I of Ash & Bone
Mount Shrine - Held Breeze
Geir Jenssen - Stromboli Dub
Loscil - Refraction 2
Fragile X - Reverie

Francesco Piunti on Soundcloud: @francescopiunti

Deep Breakfast Series on Soundcloud: @deepbreakfastseries
Deep Breakfast Series on Facebook: https://www.facebook.com/DeepBreakfastSeries/
Deep Breakfast Series on Instagram: https://www.instagram.com/deepbreakfastseries/

www.itsdelayed.com
www.instagram.com/_itsdelayed_
www.facebook.com/itsdelayed
t.me/itsdelayed

Sundays are for... Francesco Piunti

gallery

lilli zylka - pleasure gallery s2 e5

2022 kicks off with a mix by long time dear friend and Lullabies For Insomniacs mastermind Izabel (@lullabiesforinsomniacs) who recorded the mix live in Melbourne outdoors during a Wax'O Paradiso event. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Izabel, nice to have you kicking off the mix series in this new year. You're in sunny Australia now but before that you'd been living in Europe for quite some years. What made you decide to move back?

IZ: Europe was home for almost 7 years, I left Australia in my early 20’s thinking I would be away for some months but fell in love in Amsterdam and spent years living in the city. In 2018, I moved to Berlin where I lived for a year, I found inspiration through all walks and was surrounded by great crew but grew tired of life in the big smoke. I wanted new challenges and yearned to be amongst nature, so left the city and travelled south to the Atlantic where I spent time in France, Spain and Portugal before heading to Corsica. I slept in a tent or stayed with friends and got on by doing seasonal work. I had not been back to Australia to see family and friends for many moons and was homesick, so decided to make my way across the Indian Ocean. Australia had heavy border restrictions, so plans to return were slow.

MFM: Your label Lullabies For Insomniacs had some busy times from 2016 to around 2019, after that it got more quiet and also the format shifted from vinyl to digital and cassette. What can you tell about this transition?

IZ: The transition happened naturally, I was traveling a lot which effected the label and my creative output. The tapes from Unearth Noise and Baldruin are recordings that we had been sitting on for some time but for various reasons kept delaying release. We decided to bring them out on tape as the music was better suited to this format. My sound world has been heavily inspired by the DIY music and tape scenes of Amsterdam and Berlin in the 80’s and there are great tape labels around today that were also motivating, my friend Etkin’s label ‘Kinship’ is one of these.

MFM: And now that you're settled in Australia again, what are your thoughts and plans with the label and music? Did the past 2/3 years change your perspective/vision?

IZ: Visions and inspirations come and go, some solidify and take root while others are fleeting in dream form. My focus has certainly changed as I devote more time to learning new skills and pursuing other crafts like furniture design, ceramics and writing. The music scene here in Melbourne is thriving, there are a lot of great artists and as I was
away for so long there is much to discover.

MFM: What can you say about the set/mix? Perhaps you can describe the setting it was recorded in?

IZ: The records I packed were chosen while isolating at home, this setting could not be more different to the glorious Sunday afternoon on the lawns at the Wax’o event. I played before OK EG who did a live set to celebrate their new record released as the debut on the Wax’o imprint. It was the second time I had the pleasure hearing them perform, their set made way for a great night. I thought a lot about European winter whilst making selections, I do miss spending the end of the year wrapped warm in Winters caress. These reflections and the recent passing of someone close to the family has brought me into a state of deep
introspect these last weeks, the session is both celebratory of life and a lament to lost life. This mix is a recording from the first hour, the second hour I played some psych, dub and percussive jams. 

MFM: Any plans, wishes or anything else for the near future that you'd like to share maybe?

IZ: At the moment I am taking each day as it arrives and am happy to continue on a journey learning and growing and enjoying time with family and friends. In February I will start a little party series in Melbourne with my friend Martha called Dub Cake. All the while my dream to move sea or country side lingers.

MFM Mix 036: Izabel

Mix of the Week #447 is by Mark E
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New release "Leaning Into The Light EP" out now on Delusions Of Grandeur -> https://soundcloud.com/the-dream-chimney/dc-promo-tracks-1024-mark-e-swimming-through-a-diamond

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Mix of the Week #447: Mark E

061022 restaurant recording by norm (@bayetecontact & @memorabiliarecords)

cornerstore during service • #3 • NORM

From Oakland with love comes the 50th submission in the mix series comes by the hand of prolific producer and deejay Space Ghost (@space-ghost-1). Interview (excerpt) down below.

www.musicfrommemory.com 

MFM: Hey Sudi. How's life in California, what's been keeping you busy?

SG: Hey, not much! Just trying to enjoy the summer with friends and get in the studio when I can.

MFM: Looking at your discography it seems that you favor the LP over the EP format, having released well over a dozen albums. How come?

SG: I can’t say that I favor one over the other, just seems that as a musician you strive to write full length LPs. I enjoy LPs for home listening and it feels good to create a nice body of work that flows through a journey. Writing dance singles and eps are trickier for me. It feels harder to write 1-4 really good stand alone songs.

MFM: With such a prolific output, does writing music come easily to you? Can you tell us a bit about how you go about writing and recording, is there a certain flow or method?

SG: Hmm I wouldn’t necessarily say it comes comes easy but I’ve definitely gotten a lot better at getting ideas in my head out into my recordings. It’s still a process of getting into the studio and spending time on it. Sometimes I can spend a whole day or two just spinning my wheels and not being able to get my ideas out. But once I get that perfect dose of creativity and I’m in the right mood, then things can definitely start flowing out. When writing music I often need to start with a very specific idea based on a song I’m listening to at the time. It’s helpful for me to start out with that initial inspiration, whether some chords, style of drums, bassline or a tempo or something. Once I get a few elements working around that idea the song can start to morph and move in any direction, but I really need that specific direction to start. I find that I can often make a rudimentary idea fairly quickly this way and then if it’s inspiring me, I’ll start to try a little bit harder and flush out more of the idea.

MFM: How do you cope with not being inspired or motivated when in the studio?

SG: Honestly it can be a bummer to be in the studio and the ideas aren’t flowing. I’ll just have to step away and do something totally unrelated for a few days.

MFM: Your sound overall has a very soft and melodic touch. The mellow part may be from living close to the Pacific and nature, but where does the melodic part come from? Did you ever learn how to read and play notes?

SG: You know I’m really not sure if I can pinpoint my melodies and where they came from but ya I grew up taking music lessons of all sorts. Piano, drums, guitar, band class, all that stuff. I wasn’t the best at reading music, I learned basic stuff but eventually didn’t progress much farther. Now everything I do is by feel.

MFM: Is there some kind of masterplan for Space Ghost? Like, do you have certain goals to achieve or dreams to chase?

SG: I think my master plan would involve me getting to focus on writing music full time. Honestly I’m not really sure how to get there specifically, seems like everyone gets there on their own path so hopefully mine will end up there as well.

MFM: Tell us about the mix. How did you go about selecting and recording it? Does it have a certain theme or idea to it?

SG: I’ve been wanting to put out a nice lil ambient sort of electronic mix for awhile. Really soft deep introspective vibes. I’ve been holding on to a lot of these tunes for awhile and just listening to my playlist of ambient tunes while traveling or relaxing with friends. After coming back from my NZ/Australian tour, I was ready to play some non dance music for a sec and listen to some other stuff. This mix is just a nice break from DJing a party. I also really want to make an ambient album soon if I have the time, so there are a lot inspirations in this mix.

MFM Mix 050: Space Ghost

June (i)tunes playlist  (Athens, 06-06-24, 37°C)


Isabel Zeumer, Karl Heinz Stegmann, Heinz Becker - Abends
Th Blisks - E v E 
L'Homme Statue - Jardim Secreto
Imaginaria - A State Of Mind
Rex Ilusivii - Letenje Jedrilice
Akis - Erotica
Arp - Il Sogno Di Monica 
Akis - At Sirius
Suso Saiz - Banana Buango-Mix
Sub Sub - Coast
Peak of Normal - Hava 
Folie 2 - SG Supersound 
Alex Ho - Tell Me 
David Datunashvili - Mixed Feelings
Alex Ho - Move
Paris Bis - Unis Dans La Nuit
Ghia - Keep Your House in Disorder 
Con Act - Lucky Dog
Hiroki Ishiguro - Unity
John Beltran - Em Trancoso
Cherly Glasgow - Glued to the Spot

Music For Heatwave I

The breezy sound of the Canadian Riviera, from Mood Hut's Pender Street Steppers.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/pender-street-steppers/episodes/pender-street-steppers-29th-april-2025

Pender Street Steppers 290425

“Cosmo Nights – Love & City Dreams” captures the pulse of nightlife: rooftop parties, neon skyscrapers, and the intoxicating mix of love, lust, and luxury. A fusion of R&B grooves, Afrohouse beats, and electro-pop vibes designed for exclusive clubs and after-hours seduction. Each track is a soundtrack to romance and excess under the city lights, where every kiss and every dance becomes part of an endless urban fairytale. This album is champagne on the lips, sweat on the skin, and neon in the veins — a modern hymn to love and nightlife.


8. Carrie’s Monologue 📝

TrapSoul Instrumental Beats - Miami Session 420H (1)

Camino Real

Seaside (feat. Isabelle Antena)

Incredible soundscape from the talented Leafar Legov at an immaculate Mutek show (11.2017)

If any issue with this upload please pm, will take down 

Close eyes, reflect and luxuriate in

MUTEK Live 161  - Leafar Legov

https://soundcloud.com/dynamons
https://soundcloud.com/intothelightrecords

ILIAS PITSIOS (Into The Light)- SANPO 141

Recording for H.A.N.D. by Bill Spencer, April 2020.

H.A.N.D. MIX 021 – Bill Spencer



My heart is in this ongoing zest for discovering & emphatically listening to melodies in spacious, atmospheric & ethnomusicological airwaves. 


https://www.mixcloud.com/babakalb/.

PLEASE DON'T SEND DEMOS, thanks...

Webshop: https://www.musicfrommemory.com

Amsterdam based record label releasing visionary electronic music from both past and present.

Sublabel: @secondcircle

MFM Mix 036: Izabel

Music From Memory

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