Music From Memory [Label]

Music From Memory

Record label based in Amsterdam. Run by Jamie Tiller & Tako Reyenga.

sci-fi pics

Buy LP

MFM 011 - Michal Turtle - Phantoms Of Dreamland (2016)

Taken from 'Alex Ho - Move Through It' (MFM058)
Buy Vinyl: https://www.musicfrommemory.com/
Buy Digital: https://music-from-memory.bandcamp.com/
© 2021 Music From Memory

Move Through It

College Crest Walk

B1. Alex Ho - College Crest Walk (6:19)

A4. Alex Ho - Mark (7:20)

A3. Alex Ho - Move Through It (4:57)

Idle Eighty

A2. Alex Ho - Idle Eighty (2:23)

Miss Suzuki

A1. Alex Ho - Miss Suzuki (5:25)

My Edit of "Camella" by Geoffrey Landers with less vocals.
Hope u enjoy!:)

Geoffrey Landers - Camella Edit

Mapai - Dont Wait Too Long (M.I.R.Os Edit)

Prequel tapes is a work of deep synthesis. Teenage recordings orchestrated into densely layered tapestries; a deeply emotional study on a life characterised by a shifting relationship to electronics. The pieces serve as a chronology of desire and reflection, reconciling a nascent passion for industrial music with a history in the club. 

There is a temptation to draw comparisons to Mark Leckey’s excavation of UK rave culture, Lee Gamble’s junglist memories or the hauntological approach of the Ghost Box label, however this is clearly a personal trajectory aesthetically distant from an English past. Oscillating between utopian to claustrophobic, the evolving synth work, deep techno atmospheres and traces of the clangorous energy of early European ambient and industrial tell a distinctly German tale, forged between the forest and the autobahn. 	

iTunes: http://found.ee/innersystems-it 
Ninja: http://found.ee/innersystems

Press: https://www.tailored-communication.com/releases/inner-systems
contact@tailored-communication.com


Inner Systems

I would often wander into the forest after school. This wasn’t Sheffield, or Manchester, as much as I thought I
wanted it to be. Sometimes the mushrooms we picked would make me sick, which added a vital sense of
adventure to the days and weeks that could pass without much happening at all. Something to talk about, a
story we made together. It was a dead city. Not great, not terrible. Nothing to break an illusion. We had no
idea what we were doing, but a reality check was the last thing we were looking for.

Wasted from the youth centre, we would go and listen to people spin records at Skandal. The melodies in The
Cure songs lingered with me for days. I wanted to make my own music. I started to leave early and bang on
metal into a microphone. I saved up and bought a Casio FZ-1 sampler and drum machine. We poured ourselves
into bands. We would stay in and practice, programming MIDI on an Atari ST-1024. Nobody would hear this
music. My Korg MS-10 was stolen by an ex-band mate from our rehearsal basement. I would dive inside
myself, burrowing a tunnel to a new world. Configuring an inner system.

A fascination with Clock DVA became an obsession with techno. KLF. Future Sound of London. The
melancholy was still there, in traces, but it was moving somewhere, looking for company. Growing. Ecstatic.
Ecstasy! I left the basement to share this with others. I moved to the big city and the music got faster. My
process got faster. Collaborations. Plug-ins. That’ll do. Take it to the people! What used to be a personal
practice became a public practice. A call and response. A communal effort. Abstract numbers heard this
music. My technique sharpened. My studio served a function greater than my own; a system outside myself.

Then I found the DAT tapes, and the VHS footage. They had traveled with me. Far from a nostalgic exercise,
this was a reclamation of the original impulse. A reminder of the music I always wanted to make. Reorienting
myself with analog machines and obsolete formats, I stole hours to bring this work into the world. I hope that
it speaks to you...

Prequel Tapes is a work of deep synthesis. Teenage recordings orchestrated into densely layered tapestries; a
deeply emotional study on a life characterised by a shifting relationship to electronics. The pieces serve as a
chronology of desire and reflection, reconciling a nascent passion for industrial music with a history in the club.

There is a temptation to draw comparisons to Mark Leckey’s excavation of UK rave culture, Lee Gamble’s junglist
memories or the hauntological approach of the Ghost Box label, however this is clearly a personal trajectory
aesthetically distant from an English past. Oscillating between utopian to claustrophobic, the evolving synth work,
deep techno atmospheres and traces of the clangorous energy of early European ambient and industrial tell a
distinctly German tale, forged between the forest and the autobahn. 		

Scarlet Fog

ORDER 12" HERE

Carl Gari & Abdullah Miniawy – Nayroz

Carl Gari & Abdullah Miniawy – Darraje

Carl Gari & Abdullah Miniawy – Ya Wayni

Liquid Diamonds

Morning Song (Original)

Open (Original)

Narrow River (Original)

Friends (Original)

Bumpin' On Sunset (Original)

Michal Turtle - Our Man In (4:34)

Michal Turtle - Spooky Boogie (7:24)

Michal Turtle - El Teb (5:38)

Michal Turtle - Ball Of Fire (7:22)

Michal Turtle - Maid Of The Mist (6:19)

Michal Turtle - Village Voice (5:57)

B2 - Millions Of Sensations (4:07)

B1 - Dub Oven (4:27)

A - Skin 'N' Bones (5:18)

PLEASE DON'T SEND DEMOS, thanks...

Webshop: https://www.musicfrommemory.com

Amsterdam based record label releasing visionary electronic music from both past and present.

Sublabel: @secondcircle