Just like a butterfly fluttering its wings.

Very moody! Alsop love the synths creeping in the background!

Deadline: 16th August 2023

All submissions to Haiku 501:

https://www.naviarrecords.com/2023/08/09/naviarhaiku501-lull-in-the-rain/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com
Subscribe/support the project: www.naviarrecords.com/support-us/

haiku #501: lull in the rain… / drifting into the bedroom / a butterfly!

UA: Schlosstheater Rheinsberg, 2018
Katherine Spencer - Flöte

Notenveröffentlichung in dem Buch 70 Rheinsberger ­Solfeggien
Ein Flötenbuch für Friedrich II., hg. von Ulrike Liedtke
----------------------------------------------
Premiere: Castel Theater Rheinsberg, 2018
Katherine Spencer - flute

Sheet music publication in the book 70 Rheinsberger ­Solfeggien
Ein Flötenbuch für Friedrich II. by Ulrike Liedtke

Fréquence du Solfège für Flöte

"Graceful Aging" is played on a 2000 Lance McCollum GA-Italian Spruce/Brazilian Rosewood. 
Tuning: DGDGBE, capo #1.  Pro mix/mastered by Matty Harris. 

Thanks for listening to this new piece recorded, June '23

GRACEFUL AGING

Marco Lucchi : piano and synthesizer

for the current Naviar Haiku challenge
https://www.naviarrecords.com/2023/08/09/naviarhaiku501-lull-in-the-rain/

***

lull in the rain ..
drifting into the bedroom
a butterfly !!

Enomoto Seifu

***

agosto 2023

Marco Lucchi - A butterfly into my bedroom [Naviar Haiku # 501]

:::
my contribution
to
Naviar Records
Haiku Challenge 501

my interpretation of a
haiku
by
Enomoto Seifu
.
.
.

lull in the rain…
drifting into the bedroom
a butterfly!

_llulll_ ::: naviar haiku 501

This track was created for the Naviar Haiku group.
501
https://www.naviarrecords.com/2023/08/09/naviarhaiku501-lull-in-the-rain/

2023-08-10

NLS - 2023 - 08 - 10 Lull In The Rain…  (Naviarhaiku 501)

Started with sustained chords on an old Harmonium added virtual synths and sample based instruments in Logic and Metasynth.
accompanying video:     @pauledmundio  https://www.instagram.com/p/CvyI5h-sAai/

Journey OF a Drifting Butterfly(NaviarHaiku 501)

An electronic composition created in Pure Data.

Drift Like a Butterfly (naviarhaiku501)

X-The Ants Go Marching

What now

The DRUMAX PROJECT present track number 30 ! ... funky time machine :-)
https://soundcloud.com/joerxworx > Composition, Instruments, Arrangement, Sax Solo, Production
https://soundcloud.com/docfritz > Rhythm Design, Drums, Artwork
© 2023 by joerxworx and docfritz / DRUMAX PROJECT
---------------------------- all DRUMAX tracks playlist: https://on.soundcloud.com/vYq6C

DRUMAX No. 30 TIME MACHINE

some instruments, including synth and the pulsating synth bed, mix: tea are sea @tea_are_sea
other instruments, narration, mix: sonic structures and silent stretches
method: some back and forth, with stonerjazz and re-evolution café orchestra sometimes listening in and edging on
narration: the thirteen canto poem finds its way into sound, a canto at a time
image: copyright jo richter, using a detail of my photo of a magazine depiction of the phaistos disc as one element among others

info: there is one more version of this canto to emerge from other collab partners. LOOK FORWARD!

poem / copyright jo richter

How long he stayed, he could not tell.
He worked ferociously, sounding all
existence that had touched upon him into
being: the smell of meadows, the curl of
ripples, the calm that centers in a storm;
the timbre of voices, the straight lines of buildings,
the aloofness of announcers on the radio.
His desk was cluttered, his mind strove clear.

When he did not write, he‘d read up on
the origins of his ancient art: Vergil and Dante,
Marlow and Shakespeare, Homer and Joyce,
Ovidus, Cervantes, Rabelais and Wieland.
He felt the linguistic seeds, blown from foreign
stems, grow filaments deep in his native soil, he
saw them ripen, flower profusely, yielding
their beauty to ever-changing mentalities.

And as his insight widened and he gained
perspective, the rows of encyclopedias
and dictionaries that lined his shelves
slimmed down, as he gave up consulting
English for French and German, these for
Latin and Greek, those for Persian and Sanskrit,
until he only referred to Indo-European roots.
His desk turned clear, his mind became uncluttered.

Eventually, he also slept and dreamt
whenever the veil sank upon him.
Guarded by the spire‘s safe walls, he would
awaken slowly, remembering outlandish
lore, scribbling notes and poems of bizarre
truthfulness and penning recollections of his
archetypal ties. Some of his realistic verse de-
rived from fragments of prolonged poetic trance.

His muse meanwhile taught him to cook, the
art of mixing individual ingredients to bring about
a taste all of its own that nourishes both mind and
physicality. The painters tend to fixate on surface
and colour, she said, the musicians on timing
the process, whereas the poets never get anything
done, enchanted by words like ‚ginger‘ or ‚yeast‘.
All of their dishes taste awful.

canto iv

Departure Canto iv with Tea Are Sea

les bouquets (version longue)

09 C418 - Mutation

heaven In Your Eyes

collaborations, shared projects, ideas ..

http://marcolucchi.bandcamp.com/

https://musichevirtuali.blogspot.com/

www.musichevirtuali.org

https://twitter.com/musichevirtuali

https://www.facebook.com/pages/orchestra-eclettica-e-sincretista/111790807863?fref=ts

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Marco Lucchi - A butterfly into my bedroom [Naviar Haiku # 501]

Orchestra Eclettica Sincretista

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