Masterpiece sir, simply a masterpiece. Love and respect Marco. You don't have to thank me for liking and feeding back. It's the real thing. Your soul really shines and you never hide it, behind it. That is what makes everything you produce so special..

Grazie Marco per la siempre attentivo supporte grande !

https://archive.org/details/petroglyph480MarcoLucchi-Ancient_modes free download

extremely intriguing sounds and tones, very mystical

A tribute to a track I made way back when.
https://feelings-puree.bandcamp.com/album/album-31-the-fall

Forest Cry (2022)

Les Nuages Tendanciels

This week's podcast features music made by Naviar's community inspired by Marco Alessi’s poem “What's a month for the sea / as the waves touch my feet / a shiver, endless”

Tracklist:

rikardfvs - As the Waves touch my feet
zenbytes - waves touch my feet
LazenbeeIndustries - a month for the sea
Halcyon Hum - What's A Month
GLSmyth - A Shiver, Endless

https://www.naviarrecords.com/naviarhaiku528-whats-a-month-for-the-sea/ 

Credits:

music intro: “This ruined house” by Tuonela
voice intro: Ian Joyce
cover image: frank mckenna
voice reciting the poem: Marco Sebastiano Alessi

Naviar Broadcast is a radio programme curated by Naviar, broadcasted on Resonance Extra every Wednesday at 7pm UK time. Thirty minutes of experimental music made in response to a weekly assigned haiku poem.
To have your music featured on the show, you'll have to participate in the Haiku music challenge: https://www.naviarrecords.com/about/naviar-haiku
support the show: https://www.naviarrecords.com/support-us/

Naviar Broadcast #308 – What's a month for the sea – Wednesday 28th February 2024

Disquiet Junto Project 0639: Path Ways (4 of 3)

My second piece is a cross between points 2 and 3.
As a starting piece I chose the piece by encyn, a true gem of this compilation.
I recovered what was originally supposed to be my 637, then abandoned because the track had already been chosen. In this case without channel limitations.
Starting from this 636 I followed the family tree and chose some 637s and 638s to mix on the starting track.

'Neat Disorder' by Wodwo and encym--disquiet0637--2of3
https://soundcloud.com/user-364196783-552705040/neat-disorder-disquiet0637-layer-1-by-encym-layer-2-by-wodwo

2024-03-15 Ataxophobia, Right? by encym & Jimmy Lem (disquiet0367)
https://soundcloud.com/blisterpop/2024-03-15-ataxophobia-right-by-encym-jimmy-lem-disquiet0367

Diluted Disorder - with encym (disquiet0637) by ray_cobley
https://soundcloud.com/ray_cobley/diluted-disorder-with-encym-disquiet0637

disquiet 0638.5 by Andreas_Kitzmann 
https://soundcloud.com/andreas-kitzmann-27370936/disquiet-06385

4WAY (disquiet0639paths)

Only the moon remains
floating in the memory upon
Kinokawa River
 
There's so little information about this amazing renga poet that I decided to share another poem written by him. This one is part of a longer sequence, written in 1463:

Only the moon remains
floating in the memory upon
Kinokawa River—
pale glistening waves,
the blank wake of drowned men.
 
About this poem, the author said: "Among the hundreds and thousands who have drowned and perished in this river
due to the disorders in this province were those whom I knew in former days. Often
I would walk along the river, gazing at the moon."

(Heart's Flower - The Life and Poetry of Shinkei)

Shinkei (1406-75) was a renowned renga poet and critic, best known for his two-part work "Sasamegoto" (Murmured Conversations). To find out more about this interesting and largely unknown poet-priest, I recommend reading Heart's Flower - The Life and Poetry of Shinkei by Esperanza Ramirez-Christensen

Haiku by Shinkei: https://www.goodreads.com/en/book/show/3348384

more halF unusuaL

halF onlY [naviarhaiku538]

Marco Lucchi, based in Modena, Italy, and Henrik Meierkord, based in Stockholm, Sweden, have a lengthy collaboration to their reciprocal credit, and they accomplish it far and near alike. A testament to the interplay of their work together is that a listener might be hard-pressed to discern which of their recordings are the result of long-distance file-trading, and which occurred when the two managed to be in the same place at the same time.

Several aspects of their respective music-making serve them well as creative partners. First of all, both tend toward the ambient, given as they are generally to a slow pace and to a sensibility that manages to be at once radiant and intimate. Secondly, while both are multi-instrumentalists, there is a complementary nature to their specialties, Lucchi being more of a keyboardist, Meierkord more of a string player. Thirdly, and perhaps most importantly, they are both immersed in techniques drawn from electronic music.

In particular, both men are experienced with live multitrack recording, in which they process and layer their own performances in real time. Meierkord is fond of layering sinuous tones to create scenarios of unique dimensions. It becomes uncertain — even unimportant — to the listener what preceded what, so intricate is his deployment of interplay. Lucchi likewise finds parallels between classical orchestration and the opportunity for drones lent by modern synthesizers; in a small room he can create a vast space. There is often an oceanic depth to such efforts, part composed and part improvisatory, in which playing is a tool toward composition, rather than the other way around.

Throughout their new record, there is an underlying melancholy, a nostalgic beauty, and a reflective consideration — a virtue that is foundational to their ongoing collaboration. The result is particularly rich in plaintive scene setting, as on the glacially paced “La bestia umana,” which emerges from a neighborly field recording of a dog barking, and “Kosmisk Strålning II,” which maintains a dream-like quietude, more shadow than light. One “Like tears in rain”, what sounds like a synthesizer is, in fact, a piano, a recording of which has been stretched beyond the point of it being readily identifiable.

On first listen, their leaning toward unimpeachable steadiness can seem uniform, but listen more closely and you’ll recognize how explicitly they emote on a track like “The Third Stage,” due not just to the reaching melodic surges (which, in turn, match the sampled recordings of bird calls) but to the slight discordances that suggest trouble and tension. In a different manner, there is “A warm and golden October,” which balances breaking-dawn hush with piercing overtones. That track features a motif at the end, played on a celesta; those bell-like tones edge the piece out of dreaminess without entirely breaking the spell.

The greatest outlier — dog barking notwithstanding — may be on “Oändlig,” not just for its fierce pulse, but because of its more immediately electronic vibe. “Oändlig” is an exceptional piece, bringing to mind the minimalism of Terry Riley and the rave classics of Underworld.

Marc Weidenbaum 


Produced and mixed by Marco Lucchi and Henrik Meierkord
Marco Lucchi: mellotron, piano, celesta and synthesizers
Henrik Meierkord: cello, viola, zither, piano, organ and FX
Mastered by Dionis Afonichev (Dionisaf)
Cover picture by Dionis Afonichev (Dionisaf) with AI
Artwork and cover design by Dionis Afonichev (Dionisaf)

https://www.chitrarecords.com

Lieder Ohne Worte

Marco Lucchi & Henrik Meierkord - The Scripture Of The Golden Eternity

S&S Drone

Cloudstarter

More interesting audio @ https://adammajdecki-janicki.bandcamp.com/. Vinyl @ https://herbyrecords.bandcamp.com/album/adam-majdecki-janicki

"Is This Noise Loud Enough For You? - A Tribute To Wagner's Ego"

2024-05-22

NLS - 2024 - 05 - 22

a preview of the upcoming album

1) phrygian meditation
2) Un grande fiume, al tramonto
3) E così dimenticammo le rose
4) Holy Father
5) a small dorian meditation
6) alla fine, la pioggia

maggio 2016

https://archive.org/details/petroglyph480MarcoLucchi-Ancient_modes free download

Marco Lucchi - ancient modes (album preview)

collaborations, shared projects, ideas ..

http://marcolucchi.bandcamp.com/

https://musichevirtuali.blogspot.com/

www.musichevirtuali.org

https://twitter.com/musichevirtuali

https://www.facebook.com/pages/orchestra-eclettica-e-sincretista/111790807863?fref=ts

Marco Lucchi - ancient modes (album preview)

Orchestra Eclettica Sincretista

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