Marco Lucchi & idematoa - Omnia florent - reimagined by Wilfried Hanrath

Music supporter for underrated talented artists
I am not weird, I am just neurodivergent person...

@voidbornhorde
@rawpinkbmp
@flat-stone
@zuheodosha
@jalastram
@kabomani
@solanmusic
@nobioyet
@0x4B

- Virtual Instruments
- Audacity
- FL Studio 20
- Cubase LE AI Elements 6
- Interface Scarlett 2i2
- Condenser Microphone(CM25)
- Audio-Technica ATH-M50X
- Arturia MiniLab - USB/MIDI Controller
- Nikon D3200
- Adobe Photoshop CS2
- M-Audio Axiom 61
- M-Audio Oxygen 61
- M-Audio Hammer 88
- M-Audio BX5 D3 (Studio Monitors)
- JVC HA-RX330-E
- Native Instruments
- AKG Headphone
- SONY SRS-D25
- Samsung S10Edge
- Xiaomi Redmi 9C
- WaveEditor Record & Edit Audio (Sound-Base Audio, LLC)

https://freesound.org/people/jalastram/

I am a composer and producer of instrumental music in several genres, including ambient soundscapes, electronica, orchestral and chamber music.  

Musical influences include John Coltrane, Igor Stravinsky, Gustav Holst, Claude Debussy, Maurice Ravel, Tangerine Dream, Robert Prince, Frank Zappa, Brian Eno, Heinrich Ignaz, Franz von Biber.

My Method of Composing and Producing
------------------------------------------
I'm sharing my method of composing and producing music recordings in case other composer-producers like me might find ideas worth exploring in their own work. I use this method for Classical, Avant-Pop or Neo-Folk Instrumental genres, not for Ambient and Soundscape pieces. Non-composers might find this explanation interesting, but having a bit of music theory background will definitely help. I consider myself a humble learner when it comes to music theory. 

I owe a debt of gratitude to British musician and educator Gareth Green, whose Music Matters online courses and free YouTube lessons have taught me so much over the past few years. Thanks to his instruction, I’ve moved from struggling to compose music by trial and error to something more enjoyable and productive. The knowledge I've gained has taken my work in new and expanding directions. As the saying goes, “Theory is not a cage — it’s a map. It doesn’t make the journey for you, but it keeps you from getting lost.” 

When I start a new piece, I begin by choosing a key, and picking a scale drawn from one of these sources:
 
1) Western Tonal / Functional Harmony - major or minor chords I II III IV V VI VII
2) Modal Harmony - Dorian, Phrygian, Lydian, etc.
3) Slonimsky's "Thesaurus of Scales and Melodic Patterns" 
4) Messiaen’s "Seven Modes of Limited Transposition" 

For many pieces, I also decide on a progression, one as a simple as I IV V, or something more elaborate.  

Next I create a "scales and progressions" piano track in my DAW (digital audio workstation software) and enter the chords I to VII in my chosen key. These harmonized scales serve as a basis for writing multipart harmonies and finding pivot chords for key modulations. 

At the start, I know what instruments I want to use, making adjustments along the way. I tend to write chord parts first, then melodies created through a mix of improvisation and direct input in the DAW. Sometimes I start with a melody.

I develop melodies and variations of a phrase by some combination of: a) passing it from one instrument to another, transposing it by an interval that sounds pleasing, b) reversing it, c) inverting it around the tonic (first) note of the scale. These are well-known methods. 

After completing a section, I choose another scale and maybe a new key and repeat the process until I have a draft of the entire piece. Then I export a recording and listen to it “offline”, take notes of errors and new ideas, and incorporate them back into the piece. Often this “compose / listen / compose” cycle is repeated many times. These iterative cycles include adding new ideas, polishing transitions between sections, changing the arrangement, and incorporating expressive details like accents, and articulations (staccato, sustain, portato etc.). I’m often working several different pieces at once. 

Last is mixing and mastering: balancing the loudness between instruments and adjusting elements like reverb, compression, and equalization. I tend to mix as I compose, even though many producers frown on that approach. I find mixing as I go helps me envision the completed piece and make adjustments to the choice of instruments; it self-inspires me when the piece is starting to sound good.  At the end I do a final mix, but as the saying goes, “A mix is never finished — it’s surrendered.”

In the end, this method gives me a basis for exploration and creativity and helps me stay focused. The goal is always to make a piece of music that feels expressive, cohesive, and emotionally resonant.

collaborations, shared projects, ideas ..

http://marcolucchi.bandcamp.com/

https://musichevirtuali.blogspot.com/

www.musichevirtuali.org

https://twitter.com/musichevirtuali

https://www.facebook.com/pages/orchestra-eclettica-e-sincretista/111790807863?fref=ts

"no uchū" is a small online boutique, where you can buy unique items associated with me and support me directly. European Union only, sorry.

https://nouchu.wordpress.com/

"Live where your heart can be given and your life starts to unfold." – Tommy Hall.

#experimental #improvisation #nowave #stoner #psych #kraut #noiserock #punk #folklore.

Adam Majdecki-Janicki (1985) has been writing poetry, lyrics, composing, playing, and recording since 1998. His most important achievements to date include his debut poetry collection “Siva in Rags” (Kendra Steiner Editions, USA, 2008), the vinyl and CD “Second Hand Man” (Mimics Cool, Poland, 2011), the CD-R and vinyl “Stoned Gypsy Wanderer” (Kendra Steiner Editions, USA, 2014 / Ramble Records, Australia, 2021), the experimental/ambient album “Eimi” (Snow in Water Records, France, 2020), the vinyl album of his group Säure Adler (Ramble Records, Australia, 2021), and countless other physical and digital releases worldwide.

booking/inquiries : tocovervisch@gmail.com


08.07 Pointe Lafayette (Solo)
28.06 Charbon Collectif, Bagnolet
21.06 Chaton indépendant (Vélvélé)
14.06 Non Jazz (Stéphanie Lotion )
08.06 Tour Orion, Milieu Studio (Stéphanie Lotion)
06.06 Plateforme Paris (solo)
04.06 Olympic Café (solo)
29.05 Ground Zero (Stéphanie Lotion)
25.04 Furium, les Nouveaux sauvages ( Stéphanie Lotion)
19.04. Non Jazz, Cantine pas si loin (solo)
25.01 Vanilla café, cmptrmthmtcs (Stéphanie Lotion)
21.12 Pan café (solo)
13.12 Théatre Berthelot, Montreuil, Collectif Coax et Instants chavirés (Stéphanie Lotion)
30.11 La Berge, Saint Aignan, 41 (Stéphanie Lotion)
05.11 Olympic café, Sport National (solo)
19.10 Tour Orion, l'Amorce des consignes (solo)
02.10 Shakirail, dernière de vaagues de chaleur (Stéphanie Lotion)
28.09 Festival l'Ode Mère (Stéphanie Lotion)
20.09 Consulat (solo)
12.07 Sport National Café de Paris (solo)
27.06 Beaux arts Paris (Stéphanie Lotion)
01.06 Le boulingrin Rouen (solo)
13.06 Beaux arts Paris performance avec Margot Bernard
05.06 l'international (Vélvélé)
04.05 Feux avec (Stéphanie Lotion et Vélvélé)
16.04 Instants Chavirés (solo) Quasi
16.03 à DOC performance avec Laure Mathieu 

__
12/01/24 Chapelle Port Royal avec Stéphanie Lotion 
13/12/23 Pointe Lafayette avec Velvélé (silence kills concerts)
10/11/23 Zorba, (La sale pépinière) solo 
03/11/23, Café de Paris, Sport National avec France Connect
26/10/23 Supersonic avec Velvélé
18/08/23 Pallistock festival 
11/04/23 Instants Chavirés, solo show

Experimental Elektronik 
Meine eigenwillige Interpretation von elektronischer Musik. Ich bin beeinflusst von meinen alten Helden- alle aufzuzählen würde den Rahmen sprengen. Nur einige: DJ Hell, Dave Clarke, Laurent Garnier, Surgeon, Dopplereffekt, Drexciya, Arpanet, die ganzen Detroit Leute, Aphex Twin und eigentlich alle die den Sound der 90er geprägt haben.  Das waren so viele. Verdammt gute Musiker.
Vielen Dank für,s Folgen.
Ich schaffe es momentan arbeitsmäßig nicht alles gegenzuhören. Ich hoffe Ihr verzeiht mir das. Keine KI in den Tracks..

1/3 of Hell Feeder  https://soundcloud.com/hell-feeder
AKA Babalon Anon https://soundcloud.com/babalon-anon
https://soundcloud.com/babalon-anon-spoken-word
Additional Audio Tweaking https://soundcloud.com/rexoid-1

Experimenting with rhythm and sampled sounds. 
Moody Industrial grooves and dark soundscapes.
Direct message regarding remixes. 

Reposting:
Dark Ambient, Industrial, Hip Hop, Spoken Word, Trap, Dubstep, Classical, Soundtracks, Ambient, Dark Folk, Future Garage, Hardcore Techno, Drum & Bass, Breakcore, Drumstep, Speedcore, World, Contemporary Classical, Miniatory, Martial, Electro, Electronic, Ska, Dancehall, Electro-Swing, Experimental, Lo-Fi, Soundscapes, Old School Jazz & Blues, Noise, Trip Hop, Rap, Alt Rock, Baroque, Bassweight, Drone, Downtempo, Gypsy Swing, Ritual, Orchestral, Choral, EDM, Dub, 8-Bit, Operatic, Doom Metal, Grime, Afro-House, Chamber, Filth, Krump, Duduk, Bhangra, Breakbeat, Tribal, Mixes, Turntablism, Found Sound, Field Recordings, Post-Rock, Cloud Rap, Gabba, Schranz, Musique Concrète, Hauntology, Mash-Ups, Screwed N' Chopped, Bro-Step, Witch House, Glitch, Ragga, Atmospheric, Cinematic, Chip-Tune, EVP (Electronic Voice Phenomena), Piano, Prepared Piano, Lindy Hop, Latin, Plague Wave, Jungle, P-Funk, G-Funk, Jeep Beat, Performance Poetry, Slam Poetry, Storytelling, Podcasts, Moombahton, Reggaeton, Rare Groove, Dungeon, Drill, Big Beat, Modulation, Dream Pop, Drift Phonk, Neo-Classical, Halftime.

"The spectator views that which you have created.
The artist perceives that which you sought to achieve."
Babalon Anon

ZARINE (Dj Zarine) is one of the drum & bass DJs and producers whose work has brought considerable popularity to this style.
Starting his career in 97, he started promoting the Jump Up style in Russia. This always positive and open person still carries the culture of broken rhythms to the masses.

He received a classical music education. He studied conducting. He also plays guitar (played death metal, hardcore, techno death, was a session guitarist.) Sound engineer, worked with many well-known musicians, both foreign (Henry Rollins Band, Young Gods, Braut schlägt im Auge), and Russian, such as: the King and the Jester, Bricks, Torba-na-Kruche, Nom, TV, Calibri, Two Planes, Brigade row, Spitfire, and others.

His creative pseudonym, the female name ZARINE, owes his love for decadence, and the eponymous name of one of his projects-ZARINE (sarin) with the crossed-out letter " E " at the end. In 1996, after playing his first ever set at the CLEO club, he decided to keep the name.

The first single, "DnB Wize", was recorded in 1999 and released as a compilation album on a no-longer-existing foreign label. This was followed by releases - "Drunk n Bass" and "Art Core", "Eazy Drums" - released on the now-defunct KDK records 

Later there were releases on "Dj Parade", "World of the Drum n bass" - Dj SS took the single "GO ON" recorded together with Liza K. Audio design of the magazine "SPB. RU". Release of the album "Leading the rats". Working with Goldie, Aphrodite.

To date, singles have been released on Italian, French, German, and English labels.

EP "Blind fury / Water party", "Ghost of the Rock n roll", "Atmos robotics", " May Be Vibes? (feat. PropheC)". Remixes of DnB monsters, Future Cut, Konflict, Posij, Ray Keith, Huge, Gridlock, Keaton, as well as Fugees, Eminem

Today, ZARINE is the owner of the "HS Recordings" label. He is a resident of the English radio resource MIXCLOUD, and enjoys the support of the Russian radio Record.

The soul that will always be misunderstood.

Our world is full of unfairness and I hate it, because I am noone... I am mental ill for others... and I cant change it...

I am only honest to people, but they don't wanna hear truth because it is pain.

Noone is perfect you need accept it.

DnB/remixes profile: https://soundcloud.com/patros15-vol-2
Drone/Impro profile: https://soundcloud.com/patros15-vol-3

This is the Blagovrecords record company page. We do the recording, digital processing (mastering and mixing), assist in the preparation and composition of the material and publish our musicians.

Marco Lucchi & idematoa - Omnia florent - reimagined by Wilfried Hanrath

Orchestra Eclettica Sincretista