all the tracks I made - or which I have been involved in - this year

*

big thanks and hugs to the friends and colleagues who helped me to keep the music flowing

(2024) all the works

fave listenings of this month
*
in the pic: Loney, Dear

"musica assoluta" (febbraio 2024)

(2024) February works

Marco Lucchi & idematoa - piano patterns n°15 [Enchâssement]

Marco Lucchi : synthesizer, piano and tape
Henrik Meierkord : cello and viola

found sounds:
https://freesound.org/people/felix.blume/sounds/709287/

*
5 gennaio 2024
*

"I've... seen things you people wouldn't believe...
Attack ships on fire off the shoulder of Orion.
I watched C-Beams glitter in the dark
Near the Tannhäuser Gates.
All those... moments... will be lost in time,
Like tears... in... rain.
Time... to die..."

Rutger Hauer

Like tears in rain [Lied ohne Worte] w/Henrik Meierkord

Diogo Lopes : electronics
Marco Lucchi : synthesizers

gennaio 2024

Diogo Lopes & Marco Lucchi - Drowning

Marco Lucchi : synthesizers

for the current Disquiet Junto challenge
https://disquiet.com/2024/01/11/disquiet-junto-project-0628-alchemical-brothers/

15 gennaio 2024

*

Separation is the stage where we make our thoughts and emotions more defined by practicing introspection, self-awareness, and self-analysis.

A simple example of this process is understanding the difference between our anger and our grief or the conflicting desire to isolate ourselves but also connect with other people.

The process of separation involves truly becoming aware of our authentic feelings towards others and ourselves. In this stage, we choose to experience our anger, frustration, or disappointment towards another or ourselves, rather than reverting back to the old habit of dutifully trying to “forgive and forget” because it is the “right” or comfortable thing to do (or, on the other hand, to react and hold a grudge).

Separation is closely entwined with shadow work in that we must allow all feelings and thoughts within us to surface side by side and become aware of our “darker side.” This practice helps us to isolate particular elements of our character to honestly see and assess them, then to eventually consciously embrace and transform them."

https://lonerwolf.com/spiritual-alchemy/

The 3rd Stage [disquiet # 0628] 447 hz

The 3rd Stage [disquiet # 0628] 447 hz Lucchi/Meierkord

Here's a track from the forth coming album ....
The Rat Palace was our studio from when we first started seriously working together in 2016 until the landlords decided it was time for the artists to go and the tourists to come. It had been Mat's base since 2009 and hosted dozens of artists and musicians since it first started in 2006.
As the name suggests the place was run down, lacked various things like hot water, proper access and heating but it had a vibe, and the people we shared the space with all felt and helped to create it....Art was everything, day after night after day for years.
These 7 improvisations are a tiny fraction of the jams we had there, just a few highlights from 100s of jams. They are raw, unpolished and unconcerned with anything outside the moment. We rarely 'rehearsed' as such at the Rat Palace - just played.
Things come and things go - Vale Rat Palace, you were amazing.

Kirby/Ward -  Rat Palace Sessions Track 1 : Frantic. New Album out March 16

Turning around,
I see my shadow
in the moonlight

Sumitaku Kenshin was a haiku poet who practiced free-form haiku. He started writing poety after being diagnosed with acute myeloid leukemia, and dedicated the last 2 years of his life to haiku, leaving 281 poems, mostly published by the free-form haiku magazine Kaishi.

 

Haiku by Sumitaku Kenshin
Picture by Marco Sebastiano Alessi

Turning in the moon light (naviarhaiku526)

2024-02-02

Reflection Of The Moon On A Calm Surface

Exhibition title: Fukuoka Postcards
https://www.naviarrecords.com/fukuoka-postcards/

Drawing inspiration from his first two years as a father and the recent tenth anniversary of his record label Naviar Records, sound artist Marco Sebastiano Alessi created Fukuoka Postcards, a sound installation focused on the concept of time, and how humans and landscapes perceive it differently.

Marco spent four weeks at Studio Kura in Itoshima, collecting sounds from the local nature, temples, and shrines, looking for places where time seems to have stopped. Creating a collage of soundscapes and applying minimal melodies to convey human presence, Marco aims to create organic music in an endless, ever-changing loop, to represent the impermanence of art and timelessness of nature.

more info

Fukuoka Postcards - 30 min sound installation

Hazed and Amused - Track 3

Marco Lucchi : samples (hyper bass flute) and tape
Henrik Meierkord : cello
idematoa : synthesizers (- Spitfire Audio - Abbey Road Orchestra: 1st Violins Professional - Legato Portamento- Spitfire Audio - Fractured Strings - 4 Celli Statements Up (Same Note)

Marco Lucchi, Henrik Meierkord & idematoa - Warum

Marco Lucchi : piano and synthesizer
*
playing with
https://soundcloud.com/user-99036881/turning-in-the-moon-light-naviarhaiku526
*
for the current Naviar Haiku challenge
https://www.naviarrecords.com/naviarhaiku526-turning-around/

***

Turning around,
I see my shadow
in the moonlight

by: Sumitaku Kenshin

(Tr. Nakaoka Naomi & Kurose Hiroko)

***

febbraio 2024

Marco Lucchi - My shadow in the moonlight [Naviar Haiku # 526] w/Debroc

a track by Marco Lucchi reworked by Mean Flow
*
febbraio 2024

Mean Flow & Marco Lucchi - Esatonale [3]

Marco Lucchi : piano and analog synthesizer
idematoa : soft synthesizers

*

- Piano Patterns n°15 - Marco Lucchi
- Spitfire Audio - Abbey Road One - Soaring High Strings - soaring Legato
- Spitfire Audio - Spitfire Appasionata - Cellos - Legato
- Spitfire Audio - Spitfire Appasionata - Basses - Legato
- Spitfire Audio - Abbey Road Orchestra - 1st Violins - Legato Portamento
- Heavyocity - Intimate Textures Novo Pack 01 - Celli Textures 1 
- Heavyocity - Foundations - Piano 

*

febbraio 2024

Marco Lucchi : synthesizers and tape
*
for the current Disquiet Junto challenge
https://disquiet.com/2024/02/22/disquiet-junto-project-0634-bust-a-move/
*
from F. J. Haydn - Sinfonia n^6 "Le Matin" - 2° movimento - Adagio
*
with the voice of Akemi Takeya
* 
febbraio 2024

Iki no kôzô

Bandcamp

Iki no k​ô​zô # 3 - w/Akemi Takeya [disquiet # 0634]

Marco Lucchi : synthesizers, glockenspiel and tape

*

for the current Disquiet Junto challenge
https://disquiet.com/2024/07/18/disquiet-junto-project-0655-soothing-sounds-ii/

*

23 luglio 2024

Fados 1988-2008 [Webbed Hand wh105]

[1988] lullaby 1977 [disquiet # 0655]

collaborations, shared projects, ideas ..

http://marcolucchi.bandcamp.com/

https://musichevirtuali.blogspot.com/

www.musichevirtuali.org

https://twitter.com/musichevirtuali

https://www.facebook.com/pages/orchestra-eclettica-e-sincretista/111790807863?fref=ts

Marco Lucchi & idematoa - piano patterns n°15 [Enchâssement]

Orchestra Eclettica Sincretista