Beguiling soundscape which really pulls the listener in to an exotic and intoxicating sonic realm.

Beautiful blissful sonic wave... rolling over you.... fantastic piece!

Lovely piece, feels like resignation and anticipation...

This is so beautiful!, great collaboration

Sounds for imaginary movies

a rework from Wilfried Hanrath of a track by Marco Lucchi

maggio 2021

Marco Lucchi & Wilfried Hanrath - Ostinato

Moved house over the past few months. Been without a music nook for far too long now. Put this together at a makeshift desk with only headphones for monitoring. It might sound a bit wonky. 
 
Music: Mike Brosco
Photo: Suzanne Rinehart & Jill Fleming

Apart

Dunkelflaute is a German word – literally “dark-lull” and used to describe the situation in renewable energies where there is insuffcient sunlight and or wind to generate electricity by wind turbines or photo-voltatics.

Track created using.
4MS Spherical Wavetable Navigator
MakeNoise Maths
MakeNoise Mimeophon
Mutable Instruments Clouds
Doepfer A-198 Ribbon Controller and ribbon manual
Befaco Rampage.

Dunkelflaute

Oliver And Orlando

Theme for an Imaginary Western - Part 1

“I can stop the heartbeat of angels…”

Revenant

Sun glittering sea (and the everlasting 1972)

Exhaust Pipe

In the shadow of a smokestack rising eating up the air
Kinda gritty look you give me on this street to God knows where
We’re ducking under extrusions in the face of water walls
At least we got each other ‘neath this sky that’s like a war

Eye brows on the ceiling even though we got the word 
Imagining is one thing but reality’s absurd

Part of me is chill
And part of you is screaming
Now that we got choked in earth’s exhaust pipe
I can pull you closer
You can stare me out
It’s getting hard to breath in earth’s exhaust pipe

Creating scenes a hotel room the balm of bodies close
And bricks so thick to hide the world is all that we can hope
Nose in flesh the best to hide like puppies suckling mums
And after rain the swollen streets be scorching in the sun

How did it come to this . . .
I just want to love you . . .

EXHAUST PIPE

Avi Loeb is no stranger to controversy. The prolific Harvard University astrophysicist has produced pioneering and provocative research on black holes, gamma-ray bursts, the early universe and other standard topics of his field. But for more than a decade he has also courted a more contentious subject—namely, space aliens, including how to find them. Until relatively recently, Loeb’s most high-profile work in that regard was his involvement with Breakthrough Starshot, a project funded by Silicon Valley billionaire Yuri Milner to send laser-boosted, gossamer-thin mirrorlike spacecraft called “light sails” on high-speed voyages to nearby stars. All that began to change in late 2017, however, when astronomers around the world scrambled to study an enigmatic interstellar visitor—the first ever seen—that briefly came within range of their telescopes.

The object’s discoverers dubbed it ‘Oumuamua—a Hawaiian term that roughly translates to “scout.” The unavoidably cursory examinations of this celestial passerby showed it had several properties that defied easy natural explanation. ‘Oumuamua’s apparent shape—which was like a 100-meter-long cigar or pancake—did not closely resemble any known asteroid or comet. Neither did its brightness, which revealed ‘Oumuamua was at least 10 times more reflective than one of our solar system’s typical space rocks—shiny enough to suggest the gleam of burnished metal. Most strangely, as it zoomed off after swooping by the sun, the object sped up faster than could be explained by our star’s waning gravitational grip alone. Run-of-the-mill comets can exhibit similar accelerations because of the rocketlike effect of evaporating gases jetting from their sunlight-warmed icy surfaces. But no signs of such jets were seen around ‘Oumuamua.

To Loeb, the most plausible explanation was as obvious as it was sensational: taken together with its possibly pancakelike shape and high reflectivity, ‘Oumuamua’s anomalous acceleration made perfect sense if the object was in fact a light sail—perhaps a derelict from some long-expired galactic culture. Primed by years spent pondering how we might someday find evidence of cosmic civilizations in the sky’s depths, he became increasingly convinced that, with ‘Oumuamua, the evidence had instead found us. In late 2018 Loeb and his co-author Shmuel Bialy, a Harvard postdoctoral fellow, published a paper in the Astrophysical Journal Letters arguing that ‘Oumuamua had been nothing less than humanity’s first contact with an artifact of extraterrestrial intelligence.

The paper has been a smash hit with journalists but has fallen flat with most of Loeb’s astrobiology-focused peers, who insist that, while strange, ‘Oumuamua’s properties still place it well within the realm of natural phenomena. To claim otherwise, Loeb’s critics say, is cavalier at best and destructive at worst for the long struggle to remove the stigma of credulous UFO and alien-abduction reports from what should unquestionably be a legitimate field of scientific inquiry.

The observations suggest this unusual object had been wandering through the Milky Way, unattached to any star system, for hundreds of millions of years before its chance encounter with our star system.

“For decades we’ve theorized that such interstellar objects are out there, and now―for the first time―we have direct evidence they exist,” said Thomas Zurbuchen, associate administrator for NASA’s Science Mission Directorate in Washington, in November 2017.

Immediately after its discovery, telescopes around the world, including ESO’s Very Large Telescope in Chile, were called into action to measure the object’s orbit, brightness and color. Urgency for viewing from ground-based telescopes was vital to get the best data.

Oumuamua (First Contact Album Version)

Claudio ( Acoustic Guitar  & Vocals ) Stephane ( Spanish & electric guitar & backing vocals)

Silly Lovers

When I read that Nikola Tesla first arrived to the United States with only four cents and a pocket of his own poems, I thought what a song that would make! Thinking about the loneliness, trepidation and anticipation he must have felt made this pretty easy to write. This song features Donata Greco on flute, Manuel Trabucco on alto sax, Stefan Pavlov on the fretless bass and Nicola Polidori on the drums.

Four Cents And A Pocket Full Of Poems

A lightless cave full of subjugated humans. We do not know why they sing.

vox: Sarai
music & concept: Krispin Harker
engineering & tech: loki

Empty Anthem

iron

Rooted from a seed, destined to withstand the climb
What started as photosynthetic dreams began the ticking of time.
Slowly sprouting before ones eyes, the journey seemed too far.
The heat of the day caused blooming at night, coloring the sky with stars.

The joy of life was short-lived, as the sky began to mud
In a flash of light, the day went dim and soiled the ground with flood.
Time slows down when rain from heaven finds the plant off guard
The aftermath of lessons in life grows petals back twice as hard
Forced to remain resilient and calm. the plant now moves with ease.
The rain from summer turns frozen for winter-like icicles melting through trees.
With droplets of water penetrating the soil, the ticking of time has begun.
The day is fresh, a now journey awaits, as the plant crawl's back toward the sun.

MW

crawling toward the sun

Samples an episode of Twilight Zone and "Boy With A Gun" by Samurai

nightmare blue

A set of five tracks exploring different facets of auditory suspense. Sparse orchestral strings playing uncanny melodies embedded in a daunting, subtly modulating synthetic bass creates the basis of all five tracks. The feeling of tension and uneasiness is emphasized by abstract sound effects and plucked piano strings. These minimalistic tracks are designed for a stage play, motion pictures, or video games where a haunted, eerie atmosphere is required to send chills down the audience’s spine.

For commercial and derivative licenses, please visit us on Sounzone, where you can buy this track for a number of additional uses. https://www.sounzone.com/artist/covert-acoustics?id=36829&format=producer

Eerie Suspense - Pt3

collaborations, shared projects, ideas ..

http://marcolucchi.bandcamp.com/

https://musichevirtuali.blogspot.com/

www.musichevirtuali.org

https://twitter.com/musichevirtuali

https://www.facebook.com/pages/orchestra-eclettica-e-sincretista/111790807863?fref=ts

Marco Lucchi & Wilfried Hanrath - Ostinato

Orchestra Eclettica Sincretista

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