music30

fave listenings of this month

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in the pic: Anna von Hausswolff

"musica assoluta" (agosto 2025)

the pieces I made - or which I have been involved in - this month

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hugs and thanks to the friends who helped me to keep the music flowing

(2025) August works

[UNDER CONSTRUCTION]

Fantaisie track (courte) series no. 595

infinitely open ... except for the beat, no beat, or not enough to call it a beat, or too many of them either in succession or concurrent.

created: 2025/08/25

These tracks were uploaded in July and August 2025,
except for the following, older ones:
. . .

Capitalized tags are SoundCloud's suggestions.

Happy listening!

* Soundcloud time: 1 year = 12 - 23 months.

[TO BE COMPLETED]

hk_fantaisies_tracks_595

Polyend tracker programmed from my score.

Adagio - Polyend

Yekun

Délirium Feat Man In The Shadow

Once then we'll be free

going through old VHS tapes that had been recorded over countless times then eventually stuffed away in a box for decades and you find a clip on a tape, shmooshed between tv shows, horror movies and partial ads, of a moment in time you'd forgotten ever got captured, and had almost completely disappeared from your memory.

forgotten moment in between

Gaudencia

Deception

in this sound cage some less good energies are trapped and banished, but don't be afraid ! they are like in a zoo behind bars and can be fed and gawked at... they can no longer get out because there is no key and they have been entrusted to the all-one or universe in the form of sound to watch over forever. after all, they have been transformed into something good. so let's start transforming all the bad into good !

...works like a vacuum cleaner for bad energy

FRACTALS


Archivio Futuro
is a small collection of live recordings born spontaneously in my studio — fragments of personal moments, sonic explorations, and freedom.
This is where I want to start sharing my music and my vision of the present: made of space, expanded time, and deep sounds.

A sonic vision that doesn’t seek perfection, but authenticity.
A free experience, with no rules or compromises — much like the Italian artists of the '70s and '80s, who created sound libraries that told inner stories through pure experimentation.

Thank you to Nic Ford for inspiring me and for revealing a world I didn’t fully know — the presence of so many incredible Italian artists who, through their creativity, wrote important chapters in both Italian and global electronic music: from Ruscigan , Gianni Safred , Maurizio Bianchi to Alessandro Alessandroni
They blended sonic research, freedom, and vision — an artistic legacy I feel deeply connected to.

A dive into the deepest frequencies.
An archive of my future — and a tribute to the past.

Produced Miixed and Mastered By Marco Yanes at
HUM STUDIOS HANOI 
credits
released July 7, 2025

HUM STUDIOS

Yanes - Archivio Futuro - 06 Parole Incomprese

A Compendium of Beasts Volume 4

Beware the Claws of Palug

Harps and Arps

Composer and Harpist Anne Vanschothorst’s music has been described as innovative, minimal, lyrical, cinematic, and touching yet intense. The same rings true in THAT I DID ALWAYS LOVE, the artist’s musical ode to the great American poet Emily Dickinson. Featuring seven of the poet’s works set to music, Vanschothorst fosters an intimate listening space where two art forms reach a soothing synthesis, amplifying the elegance of Dickinson’s texts with the graceful nature of the harp, a perfect pairing. linktr.ee/thatididalwayslove

05 There's a certain slant of light ft. Annie Einan (voice)

Live improvisation - hardware synths. No AI but pure RHI

In what century?

Marco Lucchi : synthesizer and tape

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playing with
https://soundcloud.com/agnosturaelwar/in-what-century

Carnac

Added some to Marco's track: https://soundcloud.com/musichevirtuali/sets/the-golden-eternity-remix
Thank you for the opportunity, https://soundcloud.com/marcolucchi

Marco Lucchi - Agnostura Elwar: Re-eternity

a track by Marco Lucchi reworked by Mean Flow

Mean Flow & Marco Lucchi - Grout Water

Marco Lucchi : analog synthesizer and electric organ

piccolo studio

Title:
Modulus

Dates:
10-Aug-2025 (inception), 10-Aug-2025 (finalised), 11-Aug-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Photography by Zachary Freund
Artwork arrangement by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/track/modulus

Description:
I have been working on a new digital standalone synthesiser, PulDeFilt since 01-Aug-2025, now at release 06 (10-Aug-2025), time make some music with it :) . It is a fully modular synthesiser, where the theme is eight of every effect in keeping with the Ableton Push2 midi controller that it's music input is base upon. Eight pulse oscillators, eight delay feedback units, eight filter banks, eight amplitude modulation banks -- all inter-twinned through a matrix mixer. All things time or frequency related can be tuned to harmonic, logarithmic or user defined table based frequency ratios, so has a microtonal engine, and can be assigned to any of the eight rows of the Push2 note pads. Sound timbre, frequency and gains can be freely assigned to the bank of eight rotary encoders on the Push2. It can also add to the mix external stereo audio input, in this case the Soma Enner piped into the Soma Cosmos.

So far the recording mechanism is very rudimentary, just one bank of fixed size of 20 minutes, future release will incorporate some form of multi-bank looper.

The tuning here is Just Intonation (JI) using a collection of eight prime numbers of these frequency ratios:
1, 5, 7, 9, 11, 23 , 29, 31
using 100 Hz as the root frequency for oscillator 1 and 200 Hz for oscillator 2.

The pulse oscillators are modulated by a rectangular wave for timbre control, along with a pulse width control.

No spaghetti mess of cables going every where instead a perhaps mind blowing mixer matrix, but I am getting used to it.

The Soma Enner was initially tuned to some of the notes of the JI tuning above or harmonised to them, all done by ear. Then it was a case of play the introduction on the Soma Enner, feed the Soma Cosmos some melodic ideas, add some drum brush playing on the Enner, then start improvising on the PulDelFilt modular digital synthesiser.

Time lines:
Movement 1:
  Soma Enner Introduction
    00:00 - 04:25
 Soma Enner + PulDeFilt
    04:25 - 11:09
Movement 2:
  PulDeFilt
     11:09 - 13:49

There is a story to the track artwork, the photograph was taken by my son Zachary Freund and was caught up in a film processing error. When I saw the picture with these errors, I thought perfect for this composition.

The music was a live recording of an improvisation, any blemishes were not corrected in post.


Modulus

Mean Flow & Marco Lucchi - E.F.S. n1

http://www.ayanefukumi.net/

I feel like I could've done better with the mastering but I couldn't figure out what it is I needed to do.

So here, take it, it's slower than what I'd normally do (160bpm), but it works. :3

Luckycore

RIFFpvÿ WAVEfmt      D¬  ±   dataLvÿ

collaborations, shared projects, ideas ..

http://marcolucchi.bandcamp.com/

https://musichevirtuali.blogspot.com/

www.musichevirtuali.org

https://twitter.com/musichevirtuali

https://www.facebook.com/pages/orchestra-eclettica-e-sincretista/111790807863?fref=ts

Mean Flow & Marco Lucchi - Grout Water

Orchestra Eclettica Sincretista