Second show in the monthly series for Charlie Dark's Run Dem Radio station. Playing a selection of favourites and recent discoveries. Covering a wide selection of genres, from Modern Soul through to rare grooves from Japan.

Run Dem Radio #2

Pre-order the album / stream the track: https://orcd.co/rudemovementsrmx

Following a limited 7” vinyl release of SunPalace edits in 2020, BBE Music finally delivers the full-length versions of Moodymann and Kenny Dope’s ‘Rude Movements’ remixes, alongside brand new interpretations by François K, Frankie Feliciano and OPOLOPO, plus a special edit by Phil Asher.

François Kevorkian needs no introduction to fans of House and electronic music. Featuring keys by Eric Kupper, his ‘SATS Dub’ and ‘TradMix’ versions of ‘Rude Movements’ are simply classic works, summoning House music’s golden era forward in time, to the here and now. Bonus spaced-out ‘Flerken Space Bubbles’ and beat-less ‘Atmosphere’ revisions are also included in the digital version: both invaluable tools for DJs. Ricanstruction label founder and long-time champion of the good groove, Frankie Feliciano delivers a slick and faithful update of ‘Rude Movements’, with a slight Latin soul twist. Swedish mix-king OPOLOPO turns in a typically live-sounding, funky and dancefloor-ready jam (ready whenever the dancefloor is, anyway) The full, extended version of Moodymann’s remix retains the original ‘jammed’ feel of Rude Movements, adding stellar flute, sax and piano solos to that hypnotic vibe. Kenny Dope’s Afro-Latin inspired ‘Dancefloor Powder’ version is joined this time by a rough’n’ready, street tough ‘O’Gutta’ mix; calling all b-boys and b-girls! For the expanded digital package, we are also including a special edit by our sorely missed brother Phil Asher, created for his own DJ sets and now available to all.

Made famous by David Mancuso at his New York Loft Parties, ‘Rude Movements’ was an obscure Brit-funk b-side recorded in the home studio of Mike Collins. The track’s unique sound, coupled with pristine sonics and production values caught the audiophile ears of Mancuso, and the rest is history. Soon the track found its way into the hands of Loft Party denizens Larry Levan, Nicky Siano, Frankie Knuckles and Danny Krivit and continues to influence House and electronic producers through to this day.

SunPalace - Rude Movements (OPOLOPO Remix)

What's It Gonna Be (This Time)

What's It Gonna Be (This Time) ft Stephane Deschezeaux

Effortlessly dismantling the barriers between R&B, soul, funk, disco and jazz sounds, MF Robots present long player ‘Break The Wall’, on BBE Music. 

Astonishing musicianship, pristine production and top-tier songwriting, ‘Break The Wall’ immediately calls to mind those iconic American rhythm sections of the 70s and 80s. The music is energising, uplifting and the potent result of a highly accomplished musical partnership maturing, growing and hitting their stride together in lock-step. 

Jan Kincaid and Dawn Joseph met as members of one of the UK’s most successful Acid Jazz bands, which influenced Mark Ronson, D’Angelo, Jamiroquai, Erykah Badu and The Roots to name a few. Founding the Brand New Heavies was an important chapter for Jan, but once he and vocalist and songwriting partner Dawn began working together, the chemistry was instant and irresistible. It was time to turn the page, and soon MF Robots was born. 

“When we made our first album, we didn’t have a band as such. We basically made a lot of the record at home and called on other musicians as and when we needed them. Our sound was developing organically, and when we finally released the record to great critical acclaim, it was time to get out on the road,” says Jan. “We put together a band of likeminded young musicians, playing intimate gigs and big festivals all over Europe and beyond, growing tight as a unit, so that when it came time to think about making this, our second album, we knew we had an extra level of musicianship full of personality that could realise our vision.” 

Inviting band members Alex Montaque (keys), Naz Adamson (bass), Mark Beaney (guitar), Jack Birchwood (trumpet), Ben Treacher (sax) to improvise and contribute their own ideas over song-sketches laid out by Jan and Dawn gives ‘Break The Wall’ a special sense of offthe-cuff brilliance. Even on the polished final product you can detect a collaborative, fluid and unhurried approach to production that’s all-too rare these days. 

There’s guest performances from bassist Gail Ann Dorsey (‘The Love It Takes’, ‘Make Me Happy’) and guitarist Cory Wong ('Shine', 'Make Me Happy'), the former a top-flight session player who’s collaborated with Lenny Kravitz and David Bowie among others, the latter a member of the incredible Vulfpeck collective and an accomplished solo artist in his own right. Mixed by Clinton McCreery and mastered at The Carvery in London, the album was completed in March 2020, just before the World went into COVID19 lockdown. 

As for concept behind the project, “the name of the band, MUSIC FOR ROBOTS, is an entirely tongue in cheek one. It’s a poke at the generic nature of a lot of present day pop music, of a certain “factory” songwriting style and lack of real individuality and personality in ‘manufactured’ music. We want to create strong Soulful music with a timeless classic feel, drawing from a lot of diverse influences that makes you feel good, so maybe you can lose yourself for a little while. We want to create something that touches a feeling in people, the way that we are touched by a lot of great music and want it to still sound good in years to come.”

 In this long player, the duo’s musical mission has been both accomplished, and surpassed. The title ‘Break The Wall’ could not be more apt.

Break the Wall

MF Robots - Brand New Day

After huge support and love for their MGIC EP, this beautiful EP from Edseven & Tan Brown receives a heavy weight remix treatment from Jonny Faith (Tru Thoughts), Steve Spacek (Ninja Tune), Kid Sublime (BBE) and Peret Mako! Sultry vibes on this one!

Exclusive Premiere: edseven "Heart Wars" (feat. Tan Brown) (Steve Spacek Remix)

Morris Mobley - What's On Your Mind (Late Night Dub)
CQQL-002
https://cqqlrecords.bandcamp.com/album/morris-mobley-whats-on-your-mind

Nostalgic, suave, cosmopolitan, lustrous and precise, Morris Mobley is an alter-ego engineered to chill vibes, and simultaneously blow minds. Transport into the neo-noir, a timeless environment of dimly-lit nightclubs, smoky spaces, and hazy visions, where razor sharp vocals dance in tandem with a warm jazz-funk guitar, backed by the analog crispness of icy 808 hits and luxurious synth pads.

“What ‘s On Your Mind” is a single shrouded by sentimental memories, influenced by hard choices and rooted in sophisticated R&B: Side A for the questions, Side B for the answers.

Morris Mobley - What's On Your Mind (Late Night Dub)

After operating since the start of 2020, Inner Tribe has gone from power to power with great releases from the likes of Elf Tranzporter, Clever Austin, Stan Smith, Inkswel, Kid Sublime, Ezroh, Rela, Colonel Red and countless others. Soul music forged by the creative direction of prolific producer and DJ Inkswel. The label has received accolades and support from the likes of Bandcamp Weekly, Okayplayer, Indie Shuffle, Pilerats and Fusicology as well as radio love from Lefto, Worldwide FM and Triple J. 

Featuring in no particular order Beyond June, Elf Tranzporter, Joobie, mfp, Stan Smith, Baba Israel, Green Twins, Active Ingredients, Applejac, Ohmega Watts, Lailah Reich, Erin Buku, Jonny Faith, Edseven, Juzzone, Mista Monk, Dr.Drumah, Craig Smith, Kid Sublime, Tableek, Walla C, JonQuil, Soulparlor, Colonel Red, Jason Hogans aka Brownstudy, Sofatalk, Oliver Night and Seany Bsta. The compilation paints an ethereal backdrop of an imaginary city focussed on Love, Hope and our inner Dreams.

Exclusive Premiere: Erin Buku & Jonny Faith - Tomorrow

“Gotta Give It Up!!!” is soulful, dancy and riddled with funk. The track is inspired by the soul and funk artists of the 70’s and 80’s (such as Rick James and Earth, Wind & Fire) and modernized with a production style that pays homage to the current funk masters like DāM-FunK and Mndsgn. It features an intricate synth-bass line, a horn section, slick rhythm guitar, and gang vocals (reminiscent of the P-Funk era). The release is the second single off of Alistair Blu’s upcoming 4-track EP, titled Shades of Blu, scheduled for release on October 1st.

@alistairblu: This track was really fun to make. It all started with that synth-bass line that pulses along throughout the whole tune. I think that’s what inspired me to create a whole song around that groove. I had the first three elements (programmed drums, the main synth pad, and the synth-bass) that gave me a solid starting point to make something special. In order to get that big chorus sound I recruited some awesome musicians, including the very talented vocalist Mel Pacifico and my horn player pals from Busty and the Bass (Scott Bevins on trumpet and Chris Vincent on trombone). 

The track has two instrumental solos in there too. The first is a reverse trumpet solo that Scott initially recorded and that I later processed and chopped up. Then there’s that climactic synth solo that I added near the end. I wanted to combine a bunch of elements of various funk styles, from Parliament-Funkadelic and Rick James to the more contemporary producers of Modern Funk. I’m happy to hear how the track finally ended up.

Purchase

Exclusive Premiere: Alistair Blu "Gotta Give It Up!!!"

MIMS is excited to share “Brotherhood”, the thrilling new single by Glasgow-based ensemble corto.alto, led by trombonist, producer and composer, Liam Shortall. The first song taken from ‘Not For Now’, the ensemble’s most important release to date, due for release later this year on Bristol’s increasingly essential Worm Discs imprint. 

‘Not For Now’ follows an acclaimed series of DIY self-releases and videos, released over the course of a year from May 2019. The highlights were collated on a sold-out vinyl EP on Worm Discs and received support across Radio 6 Music, BBC Radio 2 and BBC Radio Scotland.In this short but productive space of time, corto.alto were awarded for Best Band and Album at the Scottish Jazz Awards 2020, and received a personal invitation by Gilles Peterson to perform at We Out Here 2021. 

Originally conceived as a self-imposed challenge for Liam to release new music every three weeks for a year, corto.alto’s incredible success has postponed any plans to end the project. As Liam puts it, “so I called this E.P “Not for Now”, in reply to “Is That It?”, the last track from “Live at 435”, featuring a hero of mine, Soweto Kinch”. Lockdown gave Liam plenty of time “to better gauge a sense of perspective of where I fit as an artist in the world of music” and find the right balance between “over intellectualised” or “over commercialised” ‘jazz’.

Shortall is able to call on musicians of the highest calibre, from Glasgow and beyond, to give life to his compositions. Among them rising saxophonist Harry Weir, pianist Fergus McCreadie and drummer Graham Costello of STRATA fame. Nubiyan Twist & Onipa co-founder, Tom Excell, not only contributes on percussion, but co-produces ‘Not For Now’ alongside Shortall, adding the midas touch that has undoubtedly contributed to Nubiyan Twist’s incredible success.

“I wrote “Not for Now” as a reminder to myself to focus on the things that should matter to me: friendship, brotherhood, love, family, joy. The same things that are easily forgotten in regular day to day life. Making this release really helped me re-calibrate my priorities moving forward. It’s also a celebration of the relationships and bonds we have with each other, more specifically the connection we have between ourselves and other musicians.”

“Brotherhood” features the spoken word talents of Franz Von, MC and frontman for K.O.G & The Zongo Brigade, delivering effortlessly over irregular time signatures and shrieking brass. Shortall wrote the song after a Mungo’s Hi-Fi and Eva Lazarus gig, inspired to combine the energy of sound system culture with Latin jazz. 

“Brotherhood” sees full release on November 12, with the full mini-album, vinyl and digital, following on November 26 on Worm Discs.

Not for Now

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Exclusive Premiere: corto.alto "Brotherhood" Ft. Franz Von (Forthcoming on Worm Discs)

Australian jazz funk ensemble Kerbside Collection return with dusty grooves of “Round The Corner”, the second single to be taken from their forthcoming fourth studio album of the same name, following the lush & laidback “‘Glaze”.

Referring to some of the ‘unknowns’ and ‘uncertainties’ around the corner post cv-19, “Round The Corner” is also an uplifting groove affirmation looking forward to the positive things, and seasons to come round these kinds of unknown corners, and the new year ahead.  

In contrast to the cruisy, layered and cinematic first single, ‘Round The Corner’ is a tight, dancy, uptempo, jazz funk burner featuring the group’s core trio raw and upfront. The Rubbery, pulsating electric bass guitar of Lachlan Symons, the silky Fender rhodes (and acoustic piano solo), jazzy guitar licks guitar of Andrew Fincher, and the gritty, razor sharp grooves and percussion of drummer paprika, are all wrapped up into this dancefloor-friendly, contemporary live jazz funk track.

“Round The Corner” embodies some of the current resurgence of live jazz-house crossover sounds coming out of Australia (Horatio Luna, First Beige etc), whilst also reminiscent of Incognito, The Rebirth and Herbie Hancock’s 70’s jazz fusion years. Another sumptuous taste of what to expect on this special new record from ‘down-under’ out on modern funk and soul label Légère Recordings.

Exclusive Premiere: Kerbside Collection "Round The Corner" (Forthcoming on Légère Recordings)

Various Artists -
The Far Out Beat Tape

RELEASE DATE: 27/01/15
CAT. NO: FARODIGI 71
FORMAT: Digital Download

The Far Out Beat Tape brings together some of the finest forays into beat-driven electronic music from the label’s extensive back catalogue. From classics to rarities, of varying tempos and styles, this mixtape eliminates binary genre classification and carves out a place for Brazil on the map of the global beat diaspora.
When celebrated digger, DJ and Brazilian music connoisseur Joe Davis set up Far Out Recordings in 1994, it was an incredibly exciting time for dance music in the UK. House, techno and rave were splintering off into varying directions, jungle was blowing up and the future was wide open. While Far Out may be more widely known for its modern day iterations of MPB, jazz and samba, it has always kept itself firmly on the cutting edge of electronic music as this release amply demonstrates.
Far Out entered the scene with an unparalleled devotion to the music of Brazil’s past and present, but always with a keen eye on the future of UK dance, sensing a lucrative forward path in the marriage of the two which in many ways was an early precursor to the forward thinking blends of rugged dance sounds and organic, groove anchored jazz-funk, fusion and samba that was characteristic of Masters At Work’s Nuyorican Soul project and later the West London based Broken Beat movement. 
This compilation serves as both a handy sampler and an overview of a myriad of sounds and styles that Far Out has contributed to the worlds of broken beat, hip-hop and beyond. From the intrepid genre-leaping explorations of pioneering veterans Mark Pritchard, IG Culture and 4Hero to alternative hip-hop legend Peanut Butter Wolf to young up-and-comer Ben Hauke, the full spectrum is represented here. 
Simone Seritella’s atmospheric groover ‘Sambalanco’, originally released on Solaria, a subsidiary of Far Out, kicks off proceedings, a rare gem and one that even the label’s most avid followers may be unfamiliar with. On a broken tip, IG Culture’s remix of legendary Azymuth bassist Alex Malheiros’ ‘The Wave’ which marries the worlds of broken beat, hip hop with the sounds of Brazil to stunning effect, while 4hero’s remix of Friends From Rio’s ‘Vera Cruz’ is an exemplary exercise in their uniquely inventive and fearless excursions in grooving funk.
The deeper, more cerebral fare of ‘Lullaby’ and ‘Without You’ come courtesy of Far Out stalwart Troubleman – one of the many guises of Mark Prichard whose overwhelmingly prolific output, spanning the worlds of hip-hop, techno, jungle, funk, dubstep and onward into the experimental dance stratosphere, is close to peerless. Another true dance music original, Theo Parrish, turns in a typically seductive left-field house stepper with his remix of the Far Out Monster Disco Orchestra’s ‘Keep Believing’. Meanwhile, the perpetually funky Quantic’s sunny reworking of Sabrina Malheiros’ ‘Passa’ is a bass heavy RnB banger.  
The tape culminates with remixes of two of Brazil’s most celebrated artists, Azymuth and Marcos Valle. The former’s ‘Manha’ receives a subtle reworking from Stones Throw head honcho Peanut Butter Wolf, while Budgie transforms Valle’s ‘1975’, bringing the tracks futuristic synths to the fore to create a moody late-night boogie classic
Together, the selections on this release provides listeners with the diverse flavours from Far Out’s vital contributions to the global network of beats and forward-thinking groove music that the label has been and continues to be an integral part of.

Vera Cruz (4 Hero Remix)

Future Classics & Forgotten Treasures — Selections for the Adventurous Music Listener (Founded in 2007 by Lexis)

Exclusive Premiere: Alistair Blu "Gotta Give It Up!!!"

Music Is My Sanctuary

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