The Mosaic of Transformation

Understanding Body Messages

The Afrorack

Inspired

Made this track for Le1f and he killed it. It's not always easy writing with a vocalist in mind, but I see the matrix when I write for Le1f.   http://www.planet.mu/discography/ZIQ361

Onyx Ft Le1f

Zelalem + The Zelalem Mixtape available now on @igetrvng.com.

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The Zelalem Mixtape

Homenaje al poeta cartaginense Vicente Huidobro y a su obra Ella, del libro De Ver y palpar, escrito el año 1941.

Ella - Sistema Beat Andino (homenaje aVicente Huidobro)

“Post tenebras, Love” is an exercise in restraint. Though Switzerland’s Yungve, France’s OK Lou and Canada’s Casey MQ all play several instruments, their collaboration is surprisingly minimalist. Still, the effect is overwhelming. The sparse central groove is so subtly infectious that you begin to wonder whether it was in your head before you heard it. When that instrumentation is coupled with the harmonious placement of almost choral keys, each calculated element takes on new depth. “Post tenebras, Love” is what a jazz orchestra would sound like if they spent all of their time listening to Steve Reich and early Aphex Twin.

Apply now for Red Bull Music Academy Berlin 2018: http://redbullmusicacademy.com/apply

Various Assets – Not For Sale 2016

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Yungve, OK Lou, Casey MQ - Post tenebras, Love

Airhead - Pyramid Lake

pre-order the single here
http://randsrecords.greedbag.com/buy/pyramid-lake-0/

includes free downloads with a vinyl purchase

Airhead - Pyramid Lake

“The Ethnic Heritage Ensemble’s music…seeks to spark a time in which heightened sensibility and higher consciousness will universally be known." Howard Mandel, jazz critic and author

Recently celebrating an extraordinary 45 years in music, the Ethnic Heritage Ensemble, led by legendary Chicago drummer and percussionist Sir Kahil El’Zabar, are pleased to announce the release of their latest album, ‘Be Known: Ancient/Future/Music’, released 10th May via Spiritmuse Records.

An artist truly in a league of his own, El’Zabar is acknowledged throughout the world as the leader in the vanguard of spiritual groove and afro-futuristic jazz with a significant contribution in the continuation of the scene over the last four decades. His driving compositions - simple themes that gain complexity through repetition and improvisation - have been recorded with such jazz heavyweights including Pharoah Sanders, Kalaparusha Maurice McIntyre and “Light” Henry Huff and he has toured with some of the biggest names in jazz including Dizzy Gillespie, Cannonball Adderley, Nina Simone, Stevie Wonder, Archie Shepp, Lester Bowie, Nona Hendryx, Billy Bang, Hamiet Bluiett, and David Murray.

Forming EHE shortly after El'Zabar graduated from the fabled school of the Association for the Advancement of Creative Musicians in 1973, he teamed up with tenor saxophonist Edward Wilkerson, Jr. with the goal “To combine concepts of African American music with its earlier roots in traditional African music, to produce new motifs and sounds true to their origins yet firmly pointed in a new artistic direction”. Forty-five years later and the rich and compelling, ever-evolving sound the band are known for, is still going strong. 

Together with the Art Ensemble of Chicago, the Ethnic Heritage Ensemble are one of the two remaining original groups in the world today that were nurtured in the AACM. "I knew in my heart, that this band could endure," El'Zabar attests. "My concept was based in logic as it pertains to the history of Great Black Music. In other words, the Ethnic Heritage Ensemble has a strong rhythmic foundation, innovative harmonics and counterpoint, well-balanced interplay and polyphony among the players for highly developed ensemble dynamics. We are strong individual soloists with an in-depth grasp of music history, originality, fearlessness and deep spirituality.”

Alongside multi-percussionist and vocalist El’Zabar, the Ethnic Heritage Ensemble’s current line-up includes Corey Wilkes on trumpet, who has worked with numerous jazz masters, including Wynton Marsalis, Kurt Elling and with El’Zabar for 15 years, multi-instrumentalist Alex Harding on baritone sax and Ian Maksin on cello, known as one of the most versatile and innovative musicians of his generation, having worked with such diverse artists as Andrea Bocelli and Sting.

Following on from the success of the 2014 album ‘Black is Back: 40th Anniversary Project’, ‘Be Known: Ancient/Future/Music’ is an electrifying mix of spiritual jazz and African rhythms. Compositions such as the thrilling ‘Blew It’ are built around fundamental brass improvisations with a swing-induced groove, while El’Zabar’s vocal chants on ‘Pharoah’ whip up a trance-like fervour, as we are taken on a sacred journey of enlightenment and deep listening. 

With artwork designed by the Toronto-based interdisciplinary artist Nep Sidhu (Erykah Badu/Shabazz Palaces), EHE’s ability to consistently push new boundaries with Afrocentric rhythms and free-flowing jazz says a great deal about El’Zabar’s commitment to the music and the message.

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Exclusive Premiere: Ethnic Heritage Ensemble "Pharoah"

FFX - Sektu

Download & Stream here: https://strut.lnk.to/BayitiRemix
Alostmen - Kologo: https://strut.lnk.to/KOLOGO

rRoxymore re-imagines the Frafra rhythms of Ghana's Alostmen, building from a dubby half speed pulse into a heads down exercise in breakbeat techno, spun through a prism of sub bass and Detroit-inspired pads. Bayiti is an exercise in dancefloor afro-futurism, uniting sounds and sonics equally at home in Accra, Berlin, London and Detroit. The first in a series of remixes from the Alostmen's recent Kologo release.

Alostmen - Bayiti  (rRoxymore Remix)

Future Classics & Forgotten Treasures — Selections for the Adventurous Music Listener (Founded in 2007 by Lexis)

Exclusive Premiere: Ethnic Heritage Ensemble "Pharoah"

Music Is My Sanctuary

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