Digikid84 is a French synthwave artist known for his signature blend of synth-pop, house, and hi-NRG, heavily inspired by the 1980s.

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1/2 of https://soundcloud.com/orbitaldrumsystem
Founder & Resident of https://soundcloud.com/diskologne

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check also DJ DJ Major Major my second personality: https://soundcloud.com/user-108310955

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Germany-based Sebastian Stuetz is the brain and mind behind the well-known music-project “Final DJs”. Besides producing and DJ’ing, he is also into blogging at Nu Disco Your Disco , a prominent base for Nu-Disco around the web.

After experimenting with different kinds of electronic music, Daft Punk’s album „Homework“, gained his attention thanks to its sampled and retro-influenced house-music. While playing French-house, disco-house or synthwave for a few years as a DJ, the enthusiastic virtuoso followed up by creating his own music-project.

“Final DJs” was born back in 2010 and soon after, several remixes for labels like Kiez Beats, Universal Music or Pyramid (Kitsuné) saw the light just before in 2012, the first EP dropped via On the Fruit Records. The EP featured a remix by the hands of Justin Faust (Nervous Records) and was well-received by several prestigious blogs like Tracasseur.com, Neonized.net, Dödselectro, Discobelle.net as well as several prominent DJ*s.

In 2013 the single “One Day In The Sun” (Kiez Beats) which featured popular house-music vocalist Stee Downes went on to be played at Abercrombie & Fitch-stores worldwide while it made its way into the Beatport Nu-Disco charts thanks also to remixes by Teenage Mutants and Vintage Culture to stay there for quite some time.

The next release “Moonshine” in the very same year on Pole Position Records scored a “Ministry of Sound TV” video-feature and also popular DJ’s like Drop Out Orchestra, Anoraak or The Cyclist showed a lot of love for that tune.Besides all of the releases mentioned above, the Final DJs produced remixes for globally-known acts & artists like Goldroom, Kris Menace, Lifelike or MRTN.

A new EP is in the works and features Patrick Baker while he is also putting his hands on new songs that will be getting the cherry on the whip-cream thanks to talented singers like Jane Elisabeth Hanley and Dana Jean Phoenix who are both adding their beautiful voices to his productions. International blogs like TILT! Mag in Los Angeles, Como las Grecas or Wohlwill hosted Final DJs as guest-mixers.

Clubs like Kiki Ortaköy (Istanbul/Turkey), MyyyBitch Club (Vienna/Austria), Singerhaus(Basel/Switzerland), Wanderlust (Paris/France), Bar Romantica (Stuttgart/Germany), Buddha Lounge (Stuttgart/Germany), Klub International (Berlin/Germany) played hosts to the energizing sound of Final DJs already and a few more are up on the schedule already.

Licensing, booking, tracks, remix requests: booking.mateoandmatos@gmail.com
One of the most gifted and focused production teams in the New York house underground, John Mateo and Eddie Matos have been producing and remixing since the mid 1980's and since then have released records on just about every major independent house label in New York during their career.
  	 	 
Having been interested in DJing and making music since the late 70's, they met through the avenue of CB radio and quickly hit it off. Listening to Kiss FM and disco 92 they enjoyed the music that Tony Humphries, Shep Pettibone and Jonathan fearing were playing on the radio. Soon after the duo became partners and got to know Louie Vega. Who at the time was playing at Hearthrob in NY City. Louie was a great inspiration for the duo as they learned their craft in the studio watching Louie with producing and editing.
In 1986, they met the great Larry Levan. Larry was playing at clubs such as the loft and the garage, this exposed them to a whole new sound. In the mid to late 80's, DJing took over their lives and they played everywhere from clubs such as house nation to street summer parties.

In late 1989, they moved into production when they set up final cut records with a business partner. In 1993, having enjoyed success with the label, they began working for other independent labels in New York. Also about this time they started to DJ abroad, traveling the world. Now gow millennium, they have decided to work with only a few selected labels. They have also set up a new label, united underground house sounds.ing into the ne

The pair first met in 1985 and became DJ partners soon after. Later that year, they were introduced "Little" Louie Vega (several years before he joined Kenny "dope" Gonzalez to become masters at work) and learned much from Vega about recording-studio protocol, including production and engineering. Mateo & Matos earned their first high-profile DJ gig at Hector Cruz's mobile house nation club and spent much of the rest of the 1980s DJing in a variety of locales. By 1989, the duo began using what they'd learned from "Little" Louie Vega in their own productions. after recording half-a-dozen singles for their own final cut records, Mateo & Matos' reputation began to spread and they recorded for Oxygen music works, Henry Street, Nervous, Nitegrooves, and Spiritual Life during the mid-'90s.

Hans Delacroix and his girlfriend Alexx doing some freestyle DJing

main: soundcloud.com/vectorheart

where I post my demos/wips

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