0116granu_23

Golden-hour vibes in sound form. ✨ “Gold” by Velvet LoFi is a warm, velvety blend of laid-back beats, lush chords, and subtle sparkle. Perfect for slow mornings, late-night drives, and those golden moments you never want to end.
Let the mellow groove wrap around you and turn your everyday into something priceless.
🎧 Best with: cozy headphones, candlelight, or a sunset view.
💛 Mood: uplifting, smooth, and timeless.

Gold

thisfeeling in my stomach, I just want the lights outtt
will u be my solace? am i fucking right now?
i just want it painless, but you took me back
seeing blurry faces, take it til I blackouttt

skin

The movement of historical time is catalyzed by the cycles of production that constitute our social totality. When these cycles and this linear march entwine and lose any semblance of mutual control, their inexorable trajectory is towards rupture. Emergent cycles of higher complexity and abstracted alienness to those of us subjected to them exacerbate the very dynamic from which they were borne, but offer the only way out: fracture.

Released through Abstrakt Reflections. Click the "buy" link for free download.

Fracture Cycles

Endlessly Tangent Cycles (CLAUDE Remix)

My entry for the @anthony-baldino Twelve Twenty Two remix contest, hosted by @methlab-recordings. Unfortunately my entry did not win, but I had a lot of fun making this track. 

Congratulations to @romanowitch, whose track I had the privilege of listening to before the winners were announced. It is absolutely fantastic and I look forward to its official release.

Anthony Baldino - Twelve Twenty Two (Man From Sol re-glitch)[Free Download]

R.I.P my nigga Stoyan Yovchev aka Omori.

I will keep you in my mind as long as I am here.

Grief Has Its Own Timeframe

When I Think

Hyperglitch is an emerging genre that is informed by glitch, idm and experimental music that came before it, but is distinct from them. It uses new techniques, explores new concepts, and has a new aesthetic. “Hyper” in this sense doesn’t mean more, or faster, or louder, it’s meant in the “hypertext” way; as in: deeper and more interconnected. Hyperglitch is the evolution of glitch. It’s what happens when a generation of artists grow up surrounded by glitch, entrenched in the digital world. Their fluency and usage/exploitation of glitch has deeper roots and is more natural and nuanced than someone born outside of this environment. 

My hope is that by helping to define the genre through this series, it will help other artists within the subgenre to find each other, and help us all develop our work and leave the past behind (or at least the parts that are holding us back). I also hope that by casting a wide net it will dissuade others from creating a formula for the genre and freezing it in time (although I’m sure some of that is inevitable). I also want to stress that Hyperglitch is new. Some of the ideas have been circulating for years, some even as far back as the early 2000’s, but their current formulation and the combinations employed by these artists are something I have never heard before (even though I have been imagining the emergence of something similar for a long time). I hope this series will illuminate the thread that I think connects these artists, and will hopefully inspire other artists to join in and create their own Hyperglitch music. 

The first album in the series is Reason by Seskamol. It is an incredibly cinematic album that intercuts dissociative ambiences with harsh, fast and hyper-detailed percussive sections. Seskamol’s understanding of rhythm and percussion seems to have moved past the need for any groove or pulse, but instead of using the pallets of electro-acoustic music, or breakcore, he mangles the two with new and more refined techniques. Similar to the raw expressions of noise music or blast beats, but reinventing them through the drum programming of breakcore with modern sound design. The result is what I imagine it would be like to wake up in a post apocalyptic wasteland, an eerie calm and then the blasts of music from an aggressive and violent time before the collapse bombarding you from a radio passing through stations, or the blasting stereo system of a renegade gang vehicle passing you. The album oscillates through feelings of desperate anger and the disabling apathy of a particularly strong depression. By passing through it with Seskamol, we know we aren’t alone. 

- Woulg ( www.woulg.com )
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seskamol - destiny - [audio.visual.music.video.] - [2020] 
4K - youtu.be/rTgDlQe1_NM 

www.seskamol.com 
soundcloud.com/seskamol/ 
youtube.com/seskamol/ 
instagram.com/seskamol/ 
vimeo.com/seskamol/ 
patreon.com/seskamol/ 

www.glitch.cool

Summit

My friend @Poztman asked me if I wanted to remix a track in his upcoming album. I got weird with it.

Check out the buy link to download or stream the original, this tune, and the absolutely sick remix by my friend @Abroxis.

Art by the brilliant @Daturahex

Poztman - Majestic Miasma (Man From Sol Remix)

"Larger than the will of any individual, the totality of modern human society is simultaneously one constituted by our actions yet also a gestalt entity obeying an emergent logic of its own. Constellations of processes and events act in discordant symphony largely blind to each other, while together they constitute a distributed machine serving solely itself at the price of human abjection. Conceivable solely as an abstraction, but concrete to the very core of human objectivity, this totality is profoundly human in origin but absolutely alien to our needs. Its very shape is contingent upon the trajectory of history from which it emerged, a trajectory which is now dislodged and savagely dragged along as the totality cycles itself blindly forward in time, obeying nothing other than the immanent logic of capital. Ignorance of totality matters not to it, as those who possess knowledge of its contours are no less objects to its continual unfolding. 

The horizon of its trajectory offers a fractal vision of futures such as ecological collapse, mass refugee crises, escalating pandemics, genocide, and more. Like the shards of a kaleidoscope, these morph in and out of each other, their causes and consequences all intertwined with the horrors of this perpetual unfolding of global capitalism. To grasp this all as a human is to accept it, for there is little else one can do." (Man From Sol)

https://soundcloud.com/man-from-sol

Contingent Abjection Process

We’re very proud to present you our “10 Years” anniversary compilation.
Abstrakt Reflections / 2010 – 2020 / Release #100

Featuring: Valance Drakes, Flint Kids, closeyoureyes, Ivan Shopov, Amotken, Zohell, Blockdata, Metalogue, Man From Sol, c0ma, Hypercube, Lokom, Zeuge, Michael Valentine West, mōshonsensu, ZZY, Broken Thoughts & Vladimir Belayev.

https://www.abstraktreflections.net/releases/va-10-years/

Grief Has Its Own Timeframe

V∆l∆nc∑ Dr∆kës