https://odesza.co/tlg-albumSo

Americas Booking: 
jmoss@teamwass.com

Europe / UK Booking:
James.whitting@paradigmagency.com

Rest of World Booking:
jmoss@teamwass.com / James.whitting@paradigmagency.com

Mgmt: 
adam@redlightmanagement.com

LINKS TO MUSIC + SOCIALS = https://linktr.ee/colorpalettedc?fbclid=IwAR0DBhNZ7-5IQPu7LjVp3uymbXUOtZ9JM50_k_Aeuyl73aASJx3KcOEMOhU

EMAIL = colorpaletteband@gmail.com 

THANK YOU FOR LISTENING!!

I spin dark indie downtempo music, like witch house, chillwave, etc.

I spin dark indie music, witch house, downtempo, and chillwave music.

Jangly and glamorous, Bottled Up’s freaked-up art pop is a smoothie of frontman Nikhil Rao’s key obsessions: Suburban Lawns, italo disco, Alan Vega, Television (the band), television (the appliance), Andy Warhol, the entire decade of the ‘80s, Prince’s particular shade of plum purple, his old Tascam 8-track, Factory Records. 
 
Indian-American by way of Oakland and LA, Rao’s the dude-who’s-seen-it-all meets dude-about-town. A sound designer and audio engineer by trade - professionally schooled in the art of film and video game scoring- Rao’s a man informed first by the sort of his journeying one’s got to do when faced with the darknesses of addiction and a twisty adolescence in and out of religious cults. For all of its gleaming guitars and glossy euro-flavored synthwork, Bottled Up’s filled with the mental residue one’s gets after asking the void to fuck off.
 
Co-led with Colin Kelly - a disciple of D.C.’s avant-analog scene - joined by Michael Mastrangelo and Beth Cannon on dueling guitars, and supplanted by Rao’s wunderkid brother, Rohit, on acid-jazz-does-punk drums, Bottled Up conjures the sort of psycho-potpurri-spirit that’s only given to the sort of band that’s able to conjure a vision of the things they love, the mountains they’ve overcome, and mutate it all into something you can dance to. 

Artwork for Crystal LP by Daya Ramesh
Artwork for BU2 by Allison Demoss

Glass Animals are a Grammy and BRIT-nominated British band whose genre-blending sound and cult-like fandom have made them one of the most exciting acts in global pop. Their third album Dreamland became a cultural multi-platinum selling phenomenon and spawned Heat Waves, the record-breaking single that topped charts worldwide and made history as the first UK band to reach #1 on the Billboard Hot 100 in nearly 30 years. Last year, the band released their fourth critically acclaimed album I Love You So F**ing Much, a sci-fi-infused odyssey about love, connection, and what it means to feel real in a surreal world. It arrived alongside a 44-date world tour that included headlining The O2 Arena in London and Madison Square Gardens in New York. Frontman Dave Bayley — also one of pop’s most in-demand producers — writes and produces every song, often with an experimental DIY edge that blurs the lines between music, tech and visual art. This experimental production is particularly evident in the band’s Fresh Fruit series. Bayley uses these standalone singles to bring in guests and collaborators, giving himself space to play with new sounds. Their live shows are euphoric and surreal, driven by a deep connection with fans built through open-source creativity and unexpected digital drops.

I love photography and making art, video stuff, and love dark styles of music.  Witch House, IDM, chillwave are my jams.

New song “Quarantine Fever Dream” out now

Feight is following