Premieres 2025

FPLP02 I Dylan Thomas - We Don't Own, We Create

SAFE FOR WORK BANGERS ( HUGE PLAYLIST)

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I Ain’t Worried

I Ain't Worried

You Proof

The Kind of Love We Make

Ultramajic goes for the jugular with the second chapter of its Metaphysix series after Aden and Creepy Autograph's first installment won over many new hearts in 2013 (particularly with the much-buzzed about "Whip") while keeping existing acolytes very happy.

Inspired in equal parts by legends of early Detroit music and arcane philosophical-religious concepts, these are savage drum tracks slimmed down to their meanest and leanest states - dance music at an elemental level, pure rhythmic bliss that would do past drum machine wizards like Plastikman very proud while sitting nicely alongside modern operations like Night Slugs' Club Constructions series. It's no surprise, then, that Night Slugs co-founder L-Vis 1990 makes an appearance here under his Dance System alias with the rugged "RZ1", effortlessly bridging the gap between forward UK styles and vintage Detroit soul. Matrixxman steps up to the plate in a big way with the hard drum rolls of "Simulation" and two different incarnations of the jacking, rimshot-crazy "Stop It". Creepy Autograph is back for his second appearance in the Metaphysix series with a ferocious remix of "Simulation" while Lando (formerly Lando Kal) rounds things out with "Loveplay", adding soulful vox and bouncing synths to the machinelike motif.

All in all this a lethal set of no-frills, drum machine-inspired workouts that demonstrate the "less is more" maxim with sterling results, revealing each artist to be a virtuoso of rhythm and Edgar to be a consummate curator. Complete with magickal cover art by Jimmy Edgar and Pilar Zeta reportedly made while traveling in Egypt, there is indeed much magic to be mesmerized by here. 

Early support from DJ Hell, Eats Everything, Danny Daze, Groove Armada, Jimmy Edgar, Loco Dice, Eclair Fifi, Para One, Louisahhh!, Boys Noize, Catz N Dogz, Djedjotronic, Shadowchild, Claude Von Stroke, J Phlip, Kill Frenzy, TWR72, Kastle, Distal, Len Faki, James Zabiela, Troy Pierce, Speedy J, Shadow Dancer, Dubfire.

ULTRAMAJIC LVX007 // RELEASE DATE APRIL 21ST

METAPHYSIX: II, RHYTHM

MATRIXXMAN "STOP IT"
MATRIXXMAN "STOP IT" (PERCAPELLA)
LANDO "LOVE-PLAY"
DANCE SYSTEM "RZ1"
MATRIXXMAN "SIMULATION"
MATRIXXMAN "SIMULATION" (CREEPY AUTOGRAPH TRANSLATION)

COVER ART BY PILAR ZETA AND JIMMY EDGAR

Buy on Beatport

LANDO "LOVE-PLAY"

Taken from the a-side of the forthcoming Bronze Teeth EP, A Waif's Rent, out 21st July on vinyl and digital. 

Written and produced by D. Butler and R. Smith

The first Bronze Teeth EP, 'O. Unilateralis', is out now: 

http://boomkat.com/vinyl/1048620-bronze-teeth-o-unilateralis

DIAG011—Bronze Teeth—Albion Pressure

Download: http://www.xlr8r.com/mp3/2014/11/jam2-el-gaucho-mix

Download

Nehuen - Jam 2 (El Gaucho Mix)

All Mutant Disco Radio Show premieres available on :

Youtube : https://www.youtube.com/channel/UCLypdVb_SuSmL_C21MgXo2Q
Spotify : https://open.spotify.com/playlist/31NT4Oq48gcKdmttAFbx23
Facebook group : https://www.facebook.com/groups/170732496230
Facebook page : https://www.facebook.com/MutantDiscoRadioShow
Twitter : https://twitter.com/LeriAhel
Soundcloud : https://soundcloud.com/mutant-disco

Taken from "AckerMan - More And Faster EP (Play Pal Music)". Out January 17th 2025. Buy here : https://playpalmusic.bandcamp.com/album/more-faster

Ackerman's debut EP on Play Pal opens with the high-octane title track, "More & Faster"—a dynamic mix of mid-paced percussion, syncopated arpeggios, robotic vocals, and sharp snares.
Next up is "Time Machine," a moody, synth-driven track that offers psychedelic dark grooves, punctuated by stuttering vocals and 303s.
Meanwhile, "Can We Rewind Time" stomps forward with a heavy bassline and pulsating sound waves, building to a fiery climax.
Adding depth to the release are label friends and frequent Play Pal contributors Mufti, Leonor and TYU, each bringing their unique stamps to the originals.
Mufti’s rework of "More & Faster" strips back the original, retaining the hypnotic mantra, while adding new layered synth lines that heighten the tension throughout the track.
Leonor’s darker take on "Time Machine" introduces a menacing funk, complete with a tempo-slowing breakdown before the latin vocal (a personal addition of his), kicks back in with force.
TYU rounds off Ackerman's kinetic collection with his signature blend of percussive acid bubbling, congas, and 303s, delivering an electrifying finish to the EP.

Artist social media:

https://www.instagram.com/ackerman_music
https://soundcloud.com/ackerman_music
https://www.facebook.com/ackermansound

Label social media:

https://soundcloud.com/playpalmusic
https://www.instagram.com/play_pal_music
https://www.facebook.com/profile.php?id=100063672692230

PREMIERE : AckerMan - Time Machine (Play Pal Music)

PREMIERE : Deadbeat - Rattle The Roof Down (Echocord). Taken from "Deadbeat - Pressure Double Down EP (Echocord)". Out January 31st 2025. Buy here :
https://echocord.bandcamp.com
Listen : https://www.youtube.com/watch?v=ZlJZZ7qS-8U&list=PLvN6Qx1_N9jKf3qghScIDGnsGesoRU8UQ&index=1 https://soundcloud.com/mutant-disco/premiere-deadbeat-rattle-the-roof-down-echocord

Canada’s dub maestro Deadbeat makes a welcome return to Echocord to round out the year with his ‘Pressure Double Down’ EP, comprised of three original cuts.
Adopted Montrealer, Scott Montieth aka Deadbeat has been at the forefront of dub tinged Techno and Minimal leaning sounds since the turn of the millennium, racking up albums on the beloved Pole helmed ~scape in the early 2000’s before going on to
run his own label BLKRTZ where he regularly release material, as well as further releases on imprints such as Wagon Repair and of course Echocord, where he returns here with his latest collection of works.
‘Too Much Pressure’ leads the EP, a fifteen minute excursion through intricate percussion, choppy, dubbed out stab sequences and psychedelic vocals all infused with Deadbeat’s signature subtly unfurling flair and nuanced dynamism.
‘Double Bubble’ follows and lays down an amalgamation of delicately intertwined chord melodies, sub bass tones spiralling echoes and a crunchy analogue rhythm section. ‘Rattle The Roof Down’ then concludes the EP on a more minimal tinged tip, bringing a heavy low-end dub reggae bass groove to the front while spacey
percussive delays and murky swells ebb and flow throughout the hypnotic groove.

Artist social media :

https://www.facebook.com/deadeat.music
@scottmonteith.deadbeat.blkrtz

Label social media :

@echocord_records
https://soundcloud.com/echocord
https://www.facebook.com/echocord.records
http://www.echocord.com

PREMIERE : Deadbeat - Rattle The Roof Down (Echocord)

All Mutant Disco Radio Show premieres available on :

Youtube : https://www.youtube.com/channel/UCLypdVb_SuSmL_C21MgXo2Q
Spotify : https://open.spotify.com/playlist/31NT4Oq48gcKdmttAFbx23
Facebook group : https://www.facebook.com/groups/170732496230
Facebook page : https://www.facebook.com/MutantDiscoRadioShow
Twitter : https://twitter.com/LeriAhel
Soundcloud : https://soundcloud.com/mutant-disco

Taken from "Mawn Lower - Motion Detection EP (VOSK)". Out January 2025. Buy here : https://www.hhv.de/records/artikel/mawn-lower-motion-detection-1203192?pquid=a-d732e1f0accb93c6ff8aa43b9d563c18

VOSK, meaning wax in the Russian language, is the brainchild of Andrey Ter-Grigorian
who is now launching the label with an EP under his own alias, Mawn Lower. The EP
explores themes of emerging from a concealed, invisible state and being “caught” in action
so to speak and saying “Yeah, I’m here, I’m doing this thing”. The cover photo was shot on
Jackson Street Bridge in Atlanta, a very popular touristic spot. It’s symbolic in that Mawn
Lower’s current home, Atlanta, is of the of the most monitored cities in America with
60,864 cameras for 490,270 people. A couple of the tracks date back at least 10 years and
some more recent, all were made with a combination of Ableton and hardware gear like
the SH-101, MPC, a Casio FZ–10M sampler and some outboard FX.
A1 ‘Dusty’ perfectly sets the tone as Mawn Lower lays down a crisp saturated rhythm
section alongside sweeping filtered pads, bright stab sequences and choppy vocals.
Following is ‘Fair Fight’ which then leans into dub territory courtesy of more reduced
drums, spiralling echoes and subtly unfurling atmospherics.
Opening the flip side is ‘Fine Print’, an ethereal slice of deep house fuelled by processed
vocal loops, airy Rhodes melodies and swinging percussion. ‘Cleansing Lounge’ then
rounds out the release and once again shifts sonically towards off-kilter 808 drums,
dreamy textures and squelchy acid bass.

Artist social media :

https://www.instagram.com/mwnlwr
https://soundcloud.com/mawn-lower

Label social media :

https://www.voskrecords.com
https://www.instagram.com/voskrecords
https://soundcloud.com/vosk-records

PREMIERE : Mawn Lower - Cleansing Lounge (VOSK Records)

All Mutant Disco Radio Show premieres available on :

Youtube : https://www.youtube.com/channel/UCLypdVb_SuSmL_C21MgXo2Q
Spotify : https://open.spotify.com/playlist/31NT4Oq48gcKdmttAFbx23
Facebook group : https://www.facebook.com/groups/170732496230
Facebook page : https://www.facebook.com/MutantDiscoRadioShow
Twitter : https://twitter.com/LeriAhel
Soundcloud : https://soundcloud.com/mutant-disco

Taken from "VA - U´Re Guay Records Presents PERCS (U're Guay Records)".  Out January 30th 2025. Buy here : https://ureguay.bandcamp.com

U’re Guay Records is delighted to announce the 2025 VA release, "PERCS." This compilation welcomes artists from Latin America and across the globe to explore their musical boundaries, emphasizing percussion in striking and subtle manifestations. It's an opportunity to dive into the creative process and craft tracks that are true to each artist's unique style and vision.
Include Tracks from Alírio & Tuxe, Anastasia Zems, CABE, Dj Karen, Ella De Vuono & Etcetera, Encanto, Franco Galán & Zoras, Glo My Ft Vital, Imanol, Panko Ft Rumi De Baires, Praqqa, Tinitus, Whitney Weiss.

Artist social media :

https://soundcloud.com/pankoba
https://www.instagram.com/pankote
https://soundcloud.com/rumivonbaires
https://www.instagram.com/rumidebaires

Label social media :

https://www.ureguay.com
https://soundcloud.com/uregua
https://www.instagram.com/ureguayrecords

PREMIERE : Panko Ft Rumi de Baires - Hot Sunny Día (U’re Guay Records)

All Mutant Disco Radio Show premieres available on :

Youtube : https://www.youtube.com/channel/UCLypdVb_SuSmL_C21MgXo2Q
Spotify : https://open.spotify.com/playlist/31NT4Oq48gcKdmttAFbx23
Facebook group : https://www.facebook.com/groups/170732496230
Facebook page : https://www.facebook.com/MutantDiscoRadioShow
Twitter : https://twitter.com/LeriAhel
Soundcloud : https://soundcloud.com/mutant-disco

Taken from " VA - Corriendo en el Laberinto (Incl. Lucas Novaes & Ivan Smoka Remixes) EP (Kyma Komplex)".  Out January 31st 2025. Buy here : https://kymakomplex.bandcamp.com/album/corriendo-en-el-laberinto-incl-lucas-novaes-ivan-smoka-remixes

Casta presents "Corriendo en el Laberinto", an EP that encapsulates a phase of profound personal and artistic transition. Produced between 2023 and 2024, this work marks a return to the power of the dancefloor, with techno foundations, trance flashes, and the unmistakable acid spirit born from the legacy of the Roland 303—a sound that defined their adolescence and is now reimagined through a contemporary lens.

Artist social media :

https://soundcloud.com/casta_gt
https://www.instagram.com/dj_casta_
https://www.ccasstta.com

Label social media:

https://soundcloud.com/kymakomplex
https://www.instagram.com/kymakomplex
https://www.facebook.com/kymakomplex

PREMIERE : Casta - Disco Techno (Kyma Komplex)

TITLE: WE DON'T OWN, WE CREATE
Artist: DYLAN THOMAS
LABEL: FUTUREPAST
CATALOGUE NO: FPLP02
FORMAT: 12" VINYL / DIGITAL / STREAMING
RELEASE DATE: 9 MAY 2025
pre-order: futurepast.bandcamp.com
Triple Vision: https://tinyurl.com/44t64r9m
Deejay: https://tinyurl.com/bdf282jx
HHV: https://tinyurl.com/3hhek4r4
Decks: https://tinyurl.com/4jz8uadu
Juno UK: https://tinyurl.com/y5pf29bh
Redeye UK: https://tinyurl.com/ku6zwr64

TRACK LISTING:

A1. My Ikigai
A2. Plastic World
B1. Silent Reverie In To Memory
B2. Remind Me Ridley
C1. A Beautiful Struggle
C2. Echoes Of Fate
D1. We Don't Own, We Create
D2. Crescendo For Mizze

Dylan Hayes' album debut (LP), We Don’t Own, We Create, released on Futurepast, is a sonic trip balancing club functionality with experimentation. The two-discs project is a bold statement of artistic intent—where minimalism, industrial textures, and introspective loopy moods collide. 
As the result of 8 years of research and experimentation, We Don’t Own, We Create is an electronic sci-fi odyssey, unfolding across eight tracks balancing structure with unpredictability. Co-produced and mixed by Davy Vandegaer, this album is also the story of a friendship rooted in a shared vision—crafting a signature ‘futurepast’ sound where old-school techno aesthetics meet fresh, yet edgy, sonic treatments.

The first disc unfolds like a waking dream. My Ikigai sets the tone with pulsating, introspective club energy, blending loopy synths and a growling bass. Plastic World plunges into eerie depths, weaving spectral vocals and fragmented rhythms. Silent Reverie in To Memory drifts through textured atmospheres and layered percussive echoes. Remind Me Ridley twists hypnotic techno into a dense, mantra-like piece—its reverbs and delays build an intensity conjuring into a foggy, shifting auditive illusion.

The second disc marks the awakening, shaking off the haze with Beautiful Struggle, where abrasive loops, industrial bass surges, and dissonant synth layers build tension. Echoes of Fate condenses the album's ethos, unleashing pulsating stabs and humming rhythms that slice through the mix with razor-sharp precision. The eponymous We Don’t Own, We Create is an electronic ode to the creative process, where haunting vocal loops weave through deep, trippy synth lines, blurring the boundaries between organic and synthetic. Closing on Mizze, the journey dissolves into pure introspection, fading into the ether.

The record balances four club-driven tracks and four experimental pieces, crafting a distorted, explorative soundscape—an immersive journey where dance music meets dark, avant-garde sound design.

Tracks written by Dylan Thomas Hayes
Produced by Dylan Thomas Hayes
Co-produced by Davy Vandegaer
Mixed by Davy Vandegaer
Mastering by Simon Davey (The Exchange)
Pre-mastered by David Morley
Lacquer cut & pressing at AFG
Artwork by Brecht Nijssen
Words by Camille Reich

FPLP02 I Dylan Thomas - We Don't Own, We Create (Snippets)

Dylan Hayes' debut LP, We Don’t Own, We Create, via Berlin-based label, Futurepast, is a sonic trip balancing club functionality with experimentation, out on May 9th.

Pre-order: https://futurepast.bandcamp.com/album/dylan-thomas-we-dont-own-we-create
More: www.orbmag.com/music

@futurepastnosenseoftime
@dylan-thomas-hayes

Listen more

Premiere: Dylan Thomas - Silent Reverie In To Memory

Indefinite Pitch PREMIERES. Edition 776

Dylan Thomas - Plastic World

We Don’t Own, We Create
[FPLP02 | Futurepast]

Production | Dylan Thomas Hayes
Co-Production | Davy Vandegaer
Mix | Davy Vandegaer
Mastering | David Morley
Lacquer Cut and Vinyl Mastering | Simon Davey at The Exchange Vinyl
Design | Brecht Nijsen
Distribution | Triple Vision

Format | 2x12" Limited Edition Vinyl, Digital

Released by Futurepast from Berlin, Germany
Release Date: May 09, 2025
_

Dylan Hayes' album debut (LP), We Don’t Own, We Create, released on Futurepast, is a
sonic trip balancing club functionality with experimentation. The two-discs project is a
bold statement of artistic intent—where minimalism, industrial textures, and
introspective loopy moods collide.

The record balances four club-driven tracks and four experimental pieces, crafting a
distorted, explorative soundscape—an immersive journey where dance music meets
dark, avant-garde sound design.
_

Dylan Thomas

https://soundcloud.com/dylan-thomas-hayes
https://www.instagram.com/dylan.thomas.hayes

Futurepast

https://soundcloud.com/futurepastnosenseoftime
https://www.instagram.com/futurepast____

Indefinite Pitch. Yantai

https://www.indefinitepitch.com

We Don’t Own, We Create

Plastic World

Buy & Support

Indefinite Pitch PREMIERES. Dylan Thomas - Plastic World [Futurepast]

All Mutant Disco Radio Show premieres available on :

Youtube : https://www.youtube.com/channel/UCLypdVb_SuSmL_C21MgXo2Q
Spotify : https://open.spotify.com/playlist/31NT4Oq48gcKdmttAFbx23
Facebook group : https://www.facebook.com/groups/170732496230
Facebook page : https://www.facebook.com/MutantDiscoRadioShow
Twitter : https://twitter.com/LeriAhel
Soundcloud : https://soundcloud.com/mutant-disco

Taken from "Dylan Thomas - We Don't Own, We Create LP (Futurepast)". Out May 09th 2025. Buy here : https://futurepast.bandcamp.com/album/dylan-thomas-we-dont-own-we-create

Dylan Hayes' album debut (LP), We Don’t Own, We Create, released on Futurepast, is a sonic trip balancing club functionality with experimentation. The two-discs project is a bold statement of artistic intent—where minimalism, industrial textures, and introspective loopy moods collide.
As the result of 8 years of research and experimentation, We Don’t Own, We Create is an electronic sci-fi odyssey, unfolding across eight tracks balancing structure with unpredictability. Co-produced and mixed by Davy Vandegaer, this album is also the story of a friendship rooted in a shared vision—crafting a signature ‘futurepast’ sound where old-school techno aesthetics meet fresh, yet edgy, sonic treatments.
The first disc unfolds like a waking dream. My Ikigai sets the tone with pulsating, introspective club energy, blending loopy synths and a growling bass. Plastic World plunges into eerie depths, weaving spectral vocals and fragmented rhythms. Silent Reverie in To Memory drifts through textured atmospheres and layered percussive echoes. Remind Me Ridley twists hypnotic techno into a dense, mantra-like piece—its reverbs and delays build an intensity conjuring into a foggy, shifting auditive illusion.
The second disc marks the awakening, shaking off the haze with Beautiful Struggle, where abrasive loops, industrial bass surges, and dissonant synth layers build tension. Echoes of Fate condenses the album's ethos, unleashing pulsating stabs and humming rhythms that slice through the mix with razor-sharp precision. The eponymous We Don’t Own, We Create is an electronic ode to the creative process, where haunting vocal loops weave through deep, trippy synth lines, blurring the boundaries between organic and synthetic. Closing on Mizze, the journey dissolves into pure introspection, fading into the ether.

Artist social media :

https://soundcloud.com/dylan-thomas-hayes
https://www.instagram.com/dylan.thomas.hayes

Label social media :

https://soundcloud.com/futurepastnosenseoftime
https://www.facebook.com/Futurepastnosenseoftime
https://www.instagram.com/futurepast____

PREMIERE : Dylan Thomas - We Don't Own, We Create (Futurepast)

Your Face When I Finally

Download: http://smarturl.it/unbreakablesmile
Stream: http://smarturl.it/unbreakablesmileS

Unbreakable Smile

Should’ve Been Us

An exploration of hip hop starting from its dark underground/belly and then moving on to the more innovative and wacky side of rap, with genrebending and genremixing.

Faust vs. Dalek – T-Electronique

Mutant disco radio show started it's life in 2009 on Radio Svid (Croatia). Then moved to Elektrana radio (official Exit festival's radio station). Over the years it was syndicated on Pioneer DJ Radio, Studio B (Serbia), Radio Aparat (Serbia), KLFM (Croatia), Radio Roža (Croatia), Dinamo FM (Turkey), Space Radio (Kenya), Radio Labin (Croatia), Radio Veronica FM (Italy), Radio 808 (Croatia), Mix People FM (Spain), Radio Stacioni (Albania) ...

Fox & His Friends Records label co-owner https://soundcloud.com/foxandhisfriends
https://foxandhisfriends.bigcartel.com & https://foxandhisfriends.bandcamp.com

Premiere and rebroadcasting requests : mutantdiscoradioshow@gmail.com