Bedlam

Bird Views Feat. Brodinski

Timesaver is Xen Model’s third full length album and second release on the Causal Chain imprint. The 9-track LP stays true to the duo’s eccentric sound while delving into the introspective side of their productions. Club-focused head nodders “Pin Cycle”, “Face Forward”, and “Controller” accompany key tracks like “Arm’s Edge Reach” and “Grip Dial”, which channel the duo’s affinity for ambient music. “A Bright Star” spotlights a catchy guitar hook and features close collaborator 11ai. Xen Model’s signature play on halftime structure is engaged in bass-heavy cuts “Ripstream” and “Local Group”. The album comes to a close with a radio edit of their previously released track “Lurch”, which clusters the duo’s myriad styles and influences in an encapsulating statement of the Xen Model sound.

Track produced by Xen Model (@xenmodel) & 11ai (@il-ai).
Mixing and mastering by Xen Model.
Released by Causal Chain.
Album art by John Bonetti.

Timesaver

A Bright Star (ft. 11ai)

Xen Model - A Bright Star (ft. 11ai)

Taken from @digitonica & @tuf_i new EP Nox-flamma, out July 19, 2024, via @overmybodytw.

Pre-order: https://rb.gy/686q8s
Read: https://rb.gy/2llmot

Digit0nica and Tufi embarked on a collaborative journey a year ago, exchanging sounds throughout the web. Their partnership resulted in a mesmerizing EP, weaving threads of connection through the storm. This vibrant collaboration traverses unseen dimensions, defying classification.

Digit0nica is an audiovisual artist, sound designer, singer, and electronic composer, based somewhere on the internet. Having worked in the past with a variety of genres, at the moment is engaged in post-electronics, post-internet, post-club, meta-punk, deconstructed music with an interweaving of academic and pop tradition and a lot of voice manipulation like alien processing. The music has a psychedelic and surrealistic tone, like a living voice coming from the digital environment. Hosts her own show "Lunar Prism '' on Ola radio. Published on such labels as Postworld, Hyperboloid, Mutants1000000, Internetghetto, Infinito Audio, Hyperlink, Exiles and more.

Argentinian DJ/producer and sound engineer based in Berlin.
Tufi's artistic output acknowledges the diversity of different musical genres and converges them through wild and experimental productions and DJ sets. While exploring the eclectic, deviant and niche subgenres of electronic music, Tufi likes to relentlessly hop between styles to enchant listeners with hard-hitting breakbeats on one hand and blissful sonic sensations on the other.

Artwork by Digit0nica & Asdrúbal Gómez

Mastered by Digit0nica & Tufi

Released by OverMyBody

Premiere: Digit0nica & Tufi - Mecha1 [OverMyBody]

Hollywood birders Harry and Tom deliver four DJ unfriendly tracks aimed squarely at the parish hall. Sonic forage-ables and contemporary barndance to storm cruck frames across the Tunbridge Wells - Pontypool connection.

‘Drum, Botany & the Brash’ is the product of six months of outings and studio sessions by Forest Casual, a collaborative project by Harry Murdoch and Thomas Morley. These songs assemble nocturnal field recordings, barely metric rhythms, the May Day dawn chorus, wilted bouzouki and wood-pigeon wub. Two heads colliding to create a third, completely distinct from its makers.The resulting four tracks are dub infused soundsystem folk for the funglist massive, just don’t call it Folktronica. Entrenched in the music are many musical tangents explored in Harry’s basement, anecdotes of work and play on the ropes, and memories of jumping fences and squinting at woodpeckers. 

Harry Murdoch makes music as hmurd and has released with TT Label, Gin & Platonic, All Centre and more. He co-runs the label Cherche Encore and is in the band Hard On Yarn Sourdonk Communion. Harry is chronically ill. He mostly makes music with code.
Thomas Morley is a free improviser currently exploring composition by experience and relationship. He is 1/2 of microband ‘mosspit’ and provides side-person duties for artists in need of pads and foley. Hailing from South Wales, Tom finds catharsis by abseiling on heritage buildings and playing 5-string banjo.

Written and Produced by Tom Morley and Harry Murdoch
Artwork by Sheonagh Baird

Forest Casual - Transients Cadw

Mun Sing - Frolic EP
ID009

https://munsing.bandcamp.com/album/frolic-ep

Mun Sing’s forthcoming ‘Frolic’ EP adopts the drama and intricacy of his productions to create a surreal, demented fairytale. In this world, fun and indulgence come at a price; a shadow of consequence is embodied in the form of a sinister blue faced scarecrow. He is a boogeyman of sorts, akin to the beasts scaring children into good-behaviour in bed time stories, but now finding his form in adulthood. The Scarecrow reminds us that everything comes at a price, and punishes those that have too much fun. He is the embodied voice of guilt after you choose one more drink, one more episode. He lays dormant, silently watching until it’s time to strike. Can we ever really escape this lurking figure? In the times we have succeeded, how long does it last?



‘Frolic’ follows a narrative that begins with indulgence and moves through to consequence; starting with euphoric melodies and big room drops ('Frolic', 'Didn’t Need U Anyway') and ending in moments of unravelling reflection ('Scrolling', 'The Hypocrite'). The Scarecrow reveals himself for the first time during the breakdown of the EP’s centrepiece ‘Somersault’; a theatrical club epic in which the scarecrow cackles the lines “You plead a pregnant passage yet frolic and frot without consequence!?” summarising the spirit of the EP succinctly. 



The concept of indulgence has fuelled the composition of ‘Frolic’ as a whole, where Mun Sing would lean into singalong melodies and satisfying drops using a more inclusive musical language in favour of the grief-inspired awkwardness of last years debut album ‘Inflatable Gravestone’ (Planet Mu). ‘Frolic’ is inspired by big stadium pop concerts for its large-scale storytelling and pantomime-esque audience participation. After years of navigating loss and spirituality, Mun Sing found the natural next step to be writing music which explores the dialogue of joy and escapism.

Mun Sing - Frolic

Sample ‘Glass’ by The Future Sound of London.

Broken Glass

W.ANNA.W - Petals of Nehan [OMB017]

Petals of Nehan unfolds as a sonic journey where powerful and unpredictable movements of sound intertwine with cultural influences and personal sensibilities. Each track shifts in form at times intense, at others restrained yet quietly imbued with an inner strength evoking petals drifting with intention. Through these evolving textures, the EP explores the power of music to bridge the inner and outer worlds.

In the collaborative track “Forsaken Voices” with xato, a flowing current of sound emerges from the merging of sensibilities, leading to a deeper musical exploration.

The EP also features remixes by Sweden-based duo Quit Life, France-based artist Ytem, and Austria-based Kenji Araki. Their contributions bring distinct perspectives shaped by their diverse cultural backgrounds, expanding the sonic landscape of the release.

W.ANNA.W is a Japan based artist, vocalist, and producer who weaves ambient, experimental, and organic sounds into intimate yet expansive sonic landscapes. Her music transcends genre boundaries, evolving freely with quiet, expressive depth. Through her work, she invites listeners into a reflective, introspective dialogue a space to pause, listen, and feel.

NÜ PREMIERE : W.ANNA.W - Veil of Lies (Kenji Araki Remix) (OVER MY BODY)

slaughter gang shit

Das ist ein inoffizieller Remix des Songs "Whorensohn – (M)EiNE GESCHiCHTE".
Ich habe diesen Remix aus künstlerischer Wertschätzung und weil mich der Track persönlich sehr berührt hat, erstellt. ♥

Bitte unterstützt den Künstler, folgt Whorensohn und hört unbedingt das Original 🙏
https://soundcloud.com/whorensohn/meine-geschichte
https://www.youtube.com/watch?v=nXI0PyujNc4

Alle Rechte am Original liegen selbstverständlich bei Whorensohn.

Lyrics:

Intro:
Ich werd euch heute mal meine Geschichte erzähl'n
So wie ich sie fühlte
So wie das Leben mich fühlte
Kein Filter, kein Glanz, nur echt
Es gibt so viel, was ich sagen will
Denn da war so viel, was mich fast erschlagen hat
So viel Gewicht
Und keiner hat's geseh'n

Pre-Chorus:
Schon früh hab ich's kapiert
Das Leben ist nicht fair
Die Leisen haben selten was zu sagen
Und wer nichts sagt, geht unter
Ich war nie, wie man mich haben wollte
Zu langsam, zu still, zu viel Angst
Ich passte nicht, wollte auch nicht
Ich konnte nicht unsichtbar sein
War besser als geseh'n und verletzt werden

Chorus:
Schon früh hab ich's kapiert
Das Leben ist nicht fair
Die Leisen haben selten was zu sagen
Und wer nichts sagt, geht unter
Es gibt so viel, was ich sagen will
Denn da war so viel, was mich fast erschlagen hat
So viel Gewicht
Und keiner hat's geseh'n

Verse:
Doch dann kam der Wandel
Ich wurde älter und ich dachte mir
Fuck drauf, ich werd reden, ich werd laut sein
Ich hab was zu sagen, ich bin da
Und plötzlich
War ich zu laut, zu frech, zu unbequem
Ein Störfaktor, egoistisch, partygeil
Ein schlechtes Vorbild

Bridge:
Aber weißt du was? Es ist egal, wie du bist
Denn für manche bist du nie genug

Chorus:
Nie genug (nie genug)
Nie genug (nie genug)
nie genug
(Nie genug) nie genug
(Nie genug, nie genug)
(Nie genug) nie genug
(Nie genug) nie genug
(Nie genug) nie genug
Ich werd euch heute mal meine Geschichte erzähl'n
So wie ich sie fühlte
So wie das Leben mich fühlte
Kein Filter, kein Glanz, nur echt
Es gibt so viel, was ich sagen will
Denn da war so viel, was mich fast erschlagen hat
So viel Gewicht
Und keiner hat's geseh'n

Outro:
Schon früh hab ich's kapiert
Das Leben ist nicht fair
Die Leisen haben selten was zu sagen
Und wer nichts sagt, geht unter

Whorensohn - (M)eine Geschichte (5k1nny Remix)

My Dj´s song

https://mutantjoe.bandcamp.com

contact: themutantjoe@gmail.com

Bird Views Feat. Brodinski

MUTANT JOE