Name: David Fogarty [14.05.25] by Mutant Radio
Duration: 1 h 11 min 57 s
Description: Wrapping up live from Berlin – David Fogarty takes us home with the final set of today’s Tecnologías Elementales Takeover.

ohne ich dreht sich nichts, wlcm im jetzt

Command D summons the gods of the deep to have us completely submerged in a world of interdimensional dub techno, traversing us through an hour and a half of infinitely looped reflections and subaquatic soundscapes. 

@commandd

Q. This certainly feels like one of your most immersive mixes to date, deeply contemplative and full of dreamy dub techno atmospherics. What inspiration did you draw upon, and what type of setting or situation could you imagine it being enjoyed in? 

A. I started to get into this sound when I was putting together my mix for the Moonshoe mix series. I didn’t know what to call it at the time but I found all of those tunes and tied them together with a certain feeling that was really inspiring me then, it was very organic and that is still one of my favourite mixes. You can hear dub elements scattered throughout that whole mix.

As I started incorporating more dub elements into my productions I discovered artists like Stephen Hitchell and Rhythm & Sound that had created a kind of music that was really extremely satisfying for me to listen to, especially considering my developing love for hi-fi and larger sound systems. I incorporated those artists into my FHUO mix which was a much more considered exploration of the style. Looking back on the process of making the mixes and how much I enjoyed them really assures me that the deep and contemplative sound is a big part of who I am.

For this mix I’ve taken inspiration from the MDC series itself which I’ve been listening to for years. I wanted to add little hints of deep house sounds as a nod to the mixes of the past. I personally think mixes like this are the best to listen to when you’re travelling and looking out a window, otherwise maybe sitting at a desk on a rainy day doing some work. I’d like people to listen to this in a time where they won't be distracted by something else or feel the need to skip forward, I’d want people to just throw it on and let it play, drifting in and out of the tracks and their own thoughts.

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much?

A. My favourite tracks in the mix are Saftig Komposition by Rasmus Hedlund and Sedlec Ossuary by Persuasion. At a base level I love these tracks because they take a more modern approach to a dub techno track with tight production. Going deeper, the thing that really resonates with me is hard to put into words and best left unsaid. I think this kind of music (along with many other kinds) allows the listener to feel emotions that aren't able to be put into words, part of why I love it so much. I find that dub techno specifically can feel sad and happy at the same time like lots of jazz ballads. That to me is a really beautiful sound that kind of encapsulates life in general.

Q. Tell us about the development of your live set, and where things are currently at with it? Do you feel like you’re able to explore different shades of your sound when playing in a live setting?

A. Putting together my first live set was an awesome experience. I got to play it all around Australia from clubs to rainforests. I’ve put the current live set to bed for now and am starting to work on a new one with a slightly different setup. Although it was a challenging experience, I loved making a live set because often when I would dig for tunes to play out I’d think ‘I wish I had a song like this’ and writing a live set meant that I could bring those ideas to life and curate a set exactly how I wanted. I think I’m really starting to settle into ‘my sound’ in production and DJing, but there are creative limitations in both like finding new music or learning new skills. Overcoming technical barriers in production allows me to get closer to my most true form of expression when it comes to what’s coming out the speakers so I’ve been really working on that recently. Hoping the next live set will be bigger and better : )

MDC.302 Command D

Our next mix is gifted to us by an artist from Helsinki and now based in Paris, the lovely Jeku. Recorded a few months ago in the sit down room at Grey Area in Taipei, this set explores the ambient and downtempo side of Jeku's collection - a special three hour meditation made to get lost in. Thank you for this beautiful mix, Jesse <3

@jeku_fin
@jeku_fin
@jeku_fin

Rotations 49: Jeku (Live at Grey Area 1/2/25)

@transmigration_records

David runs the Transmigration label, as well as being on manager duties
 for Sound Metaphors Recordstore. A true gentleman of the scene, a rare breed, and surgical deejay. It was a pleasure having him on at our February party, where this mix was recorded.

OTGCAST016 - David Fogarty

A mix from extended naff family members Command D and Peanut

In the words of Command D :

Carrying on from some legendary parties before it, the next generation of ravers held 'plur' true to it's og meaning. Young Harry (Peanut) and I had been mixing together and talking about tunes we loved for months leading up to the event. We played in the side room while the morning light slowly poured in, all the homies in the front and gun fingers to the back. Big party mode with some blissy ones, freedom while it lasted, and a fun one to listen back to. Big thanks to everyone who hosted and the dancers!

Recorded on Wangal land.

@commandd @harrisonross

Art by Jesse Osborne-Lanthier as always

naffcast006 ⦾ Command D and Peanut at plur ⋆｡˚ ☁︎ ˚｡⋆｡˚☽˚｡⋆ ⋆｡˚ ☽ ˚｡⋆｡˚☁︎˚｡⋆

@tangerine_tangerine (ambient set)

Photo: Romain Guede

Tangerine at pe:rsona 2024

Wrapping up live from Berlin – David Fogarty takes us home with the final set of today’s Tecnologías Elementales Takeover.

David Fogarty [14.05.25]

This recording is from the first edition of L’Appuntamento, a series of open-air listening sessions initiated by Villa Lontana Records and Donato Dozzy in Rome. Each gathering pairs a vinyl set by Dozzy with a live electroacoustic performance by a new-generation artist.

In this first edition, held in the garden of Villa Lontana, Donato Dozzy opened the evening with a selection of minimal, folkloric, and acoustic-rooted records — setting the tone for Verde Prato’s live performance.

L’Appuntamento is an ongoing invitation to pause, tune in, and share time through listening. 
Next appointment is Thursday 26 June 2025 with Ange Halliwell.

L'Appuntamento with Donato Dozzy + Verde Prato - Listening session at Villa Lontana on 11 May 2024

@syberkid & @freyacaldwell

Photo: Romain Guede

Sybil & Faery at pe:rsona 2024

I recorded these, using only the Roland T8 drum machine, outside as it got dark.
The first one I did at the beach in Crete (130 bpm) and the second one, a week later, in a park in Vienna (120bpm).
These spontaneous sessions are so much fun, specially at such beautiful places.
You can watch the uncut videos on youtube:
https://www.youtube.com/playlist?list=PLW95Hx5EdIk-WgNkHCPzh4mV5Bn8D-WjJ

more coming soon

David Fogarty [14.05.25]

Mutant Radio

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