It was my first Draaimolen and no one knew it which was great. 
It was also my first encounter with Addit Audio and their sound system installed for the first time in its full glory. I can't recall being brought to tears during one soundcheck.
So there were no news, no algorithms, no expectations to be disappointed. The pit was not announced. It felt like a curious manifestation of something paranormal.
Wonderful sound system, records and sweetest weather.  
Those who found us in the small pit in the middle of the forest most likely didn't know what was going on. 
For the most part of the first 5 hours I figured out that it would be great to play for and with the sound guy, playing right and wrong records and figuring out which one sound good. Research and development mission for Addit Audio.
After 5 hours ISAbella joined for a brief back to back session. Everything can happen in the realm of paranormal. Luckily she stayed and we played together for the next 3 hours until the last song, the one for the deceased. Probably as close as it gets to transcendence. 

Thank you all. You know who you are. 

Vladimir Ivkovic

Vladimir Ivkovic at Draaimolen Festival 2024

An episode that feels well overdue yet thoroughly worth the wait! A titan of the Naarm underground music scene, Pjenné has been a kindred spirit and longtime pal since the early days of MDC, and it's no surprise that her contribution is packed full of gloriously deep and immersive feels, bassy and driving in parts and light as a feather in others, speaking to a palette that has been meticulously explored and continues to evolve along with her incredible weekly radio show on PBS, Passing Notes. 

@pjenne

Q. What sounds of feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being best enjoyed in?

A. For this mix, I wanted to channel the energy and sounds that I associate with Melbourne Deepcast rather than drawing on the darker side of my sound palette that has been at the fore of my radio and club sets of late. MDC means so many things to me, but there’s definitely an energetic, grooviness that comes to mind and this is what inspired the mix. Although the mix does showcase parts of me (heavily atmospheric, emotive and a few downtempo tracks for good measure), I’d say this is more of a mix for you. :) I imagine this mix being listened to outside, on a sunny day, but when you might also need a little extra pep in your step. 

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much?

A. The first that came to mind is a track by Sean Cusick and Medway (Jesse Skeens) - It is an incredibly beautiful and emotive breakbeat track from 2002 on Saw recordings, there’s just something about how the vocals and the pads wash over you - although its upbeat there's also a sombreness to it and I just think its the whole package. 

Towards the end of the mix there’s also a very very classic ambient trance number, Lazer Worshippers by Damon Wild & Tim Taylor from 1993 - Not the most deeply dug track but it's a classic for a reason.

Q. You have been lovingly broadcasting your weekly radio show Passing Notes on PBS for six years running, which is a serious achievement! Tell us what you did for your sixth anniversary on International Women's Day, and what keeps you inspired to broadcast the show week in week out?

A. It’s been a wild ride that’s for sure! I really appreciate that International Women’s Day marks each yearly anniversary of Passing Notes - it reminds me to stop and reflect on each year as an achievement that I would probably otherwise forget in the chaos of life. This year I enlisted the help of Syrian DJ and Harmony Rec affiliate Zeynep, who provided an excellent, playful and sassy celebratory guest mix. 

As for my inspiration to keep going, I’d say that I draw from the collective power of electronic artists locally as well as internationally. There’s just so much good music to share, and Passing Notes enables me to provide a crucial connection between ‘underground’ electronic music and the wider music community. I'm also inspired by live radio as a format - it provides a sanctuary for me from the highly curated nature of music today and allows me to be more playful in the way that I explore different sounds. To me it is a place free of judgement.

MDC.308 Pjenné

Our next mix is gifted to us by an artist from Helsinki and now based in Paris, the lovely Jeku. Recorded a few months ago in the sit down room at Grey Area in Taipei, this set explores the ambient and downtempo side of Jeku's collection - a special three hour meditation made to get lost in. Thank you for this beautiful mix, Jesse <3

@jeku_fin
@jeku_fin
@jeku_fin

Rotations 49: Jeku (Live at Grey Area 1/2/25)

Welcoming the lovely Refuge Worldwide co-founder and dub-master @richard-akingbehin to the Animix series this week, with a beautiful journey of minimal house infused with his signature dub styles.

Clear in his DJ'ing, but also his work with @refugeworldwide, and his immaculately curated label, @kynant-records, Richard is an all-round classy selector, and a champion of community. Through his various outputs, his deep & considered knowledge and taste shines. 

Richard always impresses me with the diversity of moods he presents via his DJ'ing, hybrid collaborations with legend Tikiman, b2bs with other legends like livwutang, and his label - a diversity that's always strung together with his incredibly distinctive psychedelic, soothing dub formula. 

Thanks for the mix Richard <3

Downloads enabled

Animix One Hundred & Seventy Three: Richard Akingbehin

2 hours of fun for the first edition of Lockin' - a new and free daytime party on our beloved Misc rooftop. After sets by Kimi & Dr.Fetch aka @drftctch <3

Lolo @ Lockin' / Miscellania rooftop 05.04.25

The lovely @pascaleproject setting the perfect mood at the Grove stage, during last year's edition of Sustain Release. 9-11pm, 14th September 2024.

<3 <3  

ani/live Sixty Nine: Pascale Project @ Sustain Release Year 10

A clinic in minimal from the elusive Acting Press boss. 

Why do certain sounds cultivate a cult following? Simply put, it's often because they resist easy consumption. PLO Man and his imprint Acting Press lean into this. 

Searching for the Berlin-based DJ and producer, you won’t find much online presence, interviews or conventional PR. What you will find, if you look hard enough, is a catalogue of records and mixes with a kind of tape hiss charm (a spiritual successor to Basic Channel and Chain Reaction, but scuzzier and lighter on its feet).

Founded in 2015, Acting Press once seemed to belong to the short-lived "outsider house" trend, but is now synonymous with a certain strain of modern minimal, one that is analogue, spacious and pointedly opaque. PLO Man's output is equally sparse by design: this week, he joins the RA Podcast with a characteristically elusive style, accompanying the near two-hour mix is a one-answer Q&A that gives almost nothing away.

Stripped-back, ever-so-slightly sleazy and coated in dust, PLO Man's RA Podcast continues that lineage in style. Opening with the featherlight microhouse of Margaret Dygas, RA.988 unfolds into a carefully curated spectrum of minimal, dub and deep techno. Among familiar names—look out for the blinding Rhythm & Sound and Moodymann blend—are deep cuts and left turns alongside the odd outlier, like lovers' rock pioneer Gregory Isaacs.

Like the best of his forebears, PLO Man wants RA.988 to take time for you to settle in. But once you do, you won’t want to leave. 

@p_el_oh

Find the tracklist and interview at ra.co/podcast/988

RA.988 PLO Man

Deep, dubby and most importantly trippy sounds from Melbourne-based selector https://soundcloud.com/isabel-nak. Layered with rich textures and pulsating rhythms, Nak's BSRMIX showcases her signature style in 1 hour and 40 minutes of deep listening bliss.

BSRMIX #158 - Nak

Introducing: Hervé (@superons) — with a special two-hour vinyl session for our Nous’klaer Radio series. Sun-drenched, spaced out housey summer vibes. Just the way we like it.

Asked by 3voor12, promoters in the Netherlands named Hervé as one of the biggest talents to surface this year. And with good reason: Hervé oozes with passion for vinyl, playing and digging - but not only behind the decks. He is a driving force in the Amsterdam nightlife, being involved in the label Polychrome Audio, arts & community space Noord Space, and the newly launched club night Interfering Grounds at RAUM and more. Get to know Hervé through the Q&A here below.

Together with a Q&A, Hervé’s mix is now available on our SoundCloud.

𝗖𝗮𝗻 𝘆𝗼𝘂 𝘁𝗲𝗹𝗹 𝘂𝘀 𝘄𝗵𝗲𝗿𝗲 𝘆𝗼𝘂 𝗮𝗿𝗲 𝗳𝗿𝗼𝗺 𝗮𝗻𝗱 𝘄𝗵𝗮𝘁 𝘆𝗼𝘂 𝗮𝗿𝗲 𝘂𝗽 𝘁𝗼 𝗹𝗮𝘁𝗲𝗹𝘆?
I was born in Côte d'Ivoire and grew up on the African continent. After some studies in France, I moved to the Netherlands for a job in 2016. Music was very present in my upbringing, with one of my brothers being a hip-hop artist. Settling in Amsterdam in 2018 opened new perspectives, as I delved into electronic music and its nightlife. Alongside collecting and playing music, I am involved in a few collective projects, including record label Polychrome Audio, creative network misuse, and arts & community space Noord Space. We are also starting a new club night called Interfering Grounds at Club Raum.

𝗪𝗵𝗮𝘁 𝗶𝘀 𝗼𝗻𝗲 𝗼𝗳 𝘁𝗵𝗲 𝗴𝗿𝗲𝗮𝘁 𝘃𝗮𝗹𝘂𝗲𝘀 𝘁𝗵𝗮𝘁 𝗴𝘂𝗶𝗱𝗲𝘀 𝘆𝗼𝘂𝗿 𝗹𝗶𝗳𝗲?
Curiosity has always been my driver. Being open to different perspectives and cultures. I like asking questions and experimenting to build understanding and create new things. Sharing is what keeps me going, with music and life in general.

𝗪𝗵𝗶𝗰𝗵 𝗹𝗼𝗰𝗮𝗹 𝗵𝗲𝗿𝗼 𝘀𝗵𝗼𝘂𝗹𝗱 𝘄𝗲 𝗮𝗹𝗹 𝗸𝗻𝗼𝘄 𝗼𝗿 𝗱𝗼 𝘆𝗼𝘂 𝘄𝗮𝗻𝘁 𝘁𝗼 𝗱𝗼 𝗮 𝘀𝗵𝗼𝘂𝘁-𝗼𝘂𝘁 𝘁𝗼?
If there is an artist who consistently impresses me through his craft, both as a producer and a dj, it is RDS. Part of the De Lichting crew, his commitment to sound, ability to express emotions through it, and deep musical knowledge are inspiring. I highly recommend listening to his catalogue and seeing him play records from his collection, it is very special. Two picks: his E-mutations album released on De Lichting, and his Underwater EP that we released last year on Polychrome Audio.

𝗗𝗼 𝘆𝗼𝘂 𝗵𝗮𝘃𝗲 𝗮𝗻𝘆 𝗯𝘂𝗰𝗸𝗲𝘁 𝗹𝗶𝘀𝘁 𝗳𝗲𝘀𝘁𝗶𝘃𝗮𝗹𝘀 𝗼𝗿 𝗰𝗹𝘂𝗯𝘀 𝘆𝗼𝘂 𝘄𝗮𝗻𝘁 𝘁𝗼 𝗽𝗹𝗮𝘆 𝗮𝘁?
Playing the Nous'Klaer festival 2025 edition is definitely a bucket-list moment, and I am really excited for it :) There are so many festivals and clubs around the globe that I have yet to discover. I am very sensitive to artistic risk in both the program and design. Horst is also one of them, I remember vividly discovering its unique stages in 2024. Sustain-Release is also a festival that I would love to experience! I keep coming to the festival recordings, they channel a very special energy. It is a dream for me to play in Brazil, I fell in love with this country, where Gop Tun has been curating top-tier events.


Catch Hervé coming June 28 at Nous’klaer Festival on the outdoor stage De Beeldentuin. More info on https://nousklaerfestival.com!

Photography by Marius Renard ( @ mariusrnrd on Instagram).)

More Nous'klaer Radio

Nous'klaer Radio #40 - Hervé

@kia-sydney is @mixmaganz's July Cover Artist.

In just over an hour, one of Australia's most exciting talents presents a mix made up entirely of new and forthcoming material on her equally influential @animalia-label.

Tracklist:
1. @okegmusic - 'Spirit' (Forthcoming)
2. @sub-basics - 'Signal' (Forthcoming)
3. @okegmusic - 'Veil' (Forthcoming)
4. @sub-basics - 'Lobby' (Forthcoming)
5. @zaraolsen - 'Whirl' 
6. @sub-basics - 'Residual' (Forthcoming)
7. @o-utlier - 'Pulse' 
8. @andy-martin - 'Skye Spirals' (Forthcoming)
9. @aedis-aedis - 'Ortogon' (Forthcoming)
10. @o-utlier - 'Ionic'
11. @sub-basics - 'Proportion' (Forthcoming)
12. @shoall - 'Median'
13. @aedis-aedis - 'Vaen' (Forthcoming)
14. @www-coloursound - 'Sierra' (Forthcoming)
15. @andy-martin - 'Afrofuturism' (Forthcoming)
16. @shoall - 'Temporal Blend'
17. @www-coloursound - 'Locus' (Forthcoming)

Kia: Mixmag ANZ Cover Mix 06 (100% Animalia)

Ashamed of this Era

Record label working on the stolen land of the Wurundjeri people, curated by Hannah D @hld 

Cover art by Gabriella Brown, Soft Edges / @gbrevlon

Rotations 49: Jeku (Live at Grey Area 1/2/25)

the space between us

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