Thanks so much to @elliement22 for sharing tunes and times! x

Ian Hawgood & Wil Bolton	-	structures of an interactive mind
Night Sea	-	Off Grid
Alan Stivell	-	YS
Jonquera	-	La Blague de Trop
Bo Hansson	-	The Kingdom Brightly Smiles
Jonquera	-	Rouge de l'Ouest
Anagrams	-	Birds on Clifton
Erik Kramer	-	Visitors
David A Jaycock	-	Band One - Dean Combe Weaver Cutty Dyer Pt. 1
John Beltan	-	Nothing Stays The Same
You Can Can	-	Infinity of Loose Ends
Natalia Beylis	-	Afloat In Fog and Feathers
Loto Retina	-	Ensemble
Yas Clarke	-	The Thicket (Day 4)
Gryke Pyje	-	Chosen Ones
Jules Reidy	-	I
Berke Can Ozcan	-	Membrane
Saphileaum	-	Calm Seas
Termina	-	Chiroyli Kamalak
Simone Gatto	-	Danza Consciente
Laurine Frost	-	Imperium
Donato Dozzy	-	Lucrezia
Carmen Villian	-	Subtle Bodies

Noods Radio

Early Doors w/ Dan Thorman & e l e m e n t 8.1.24

Sketches Of Babel

Alex from Galax - Inside/Euphoria with Alex from Galax, Ada Luvv, & Chlorys [06.03.2024]

Alessio Natalizia is Not Waving. Tune in for his monthly hour of fucked-up left techno, post-punk, no-wavey tunes. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/not-waving/episodes/not-waving-14th-march-2024

Not Waving 140324

First thing on Fridays - Jack Rollo's here to take care of things.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/early-bird-show-jack-rollo/episodes/early-bird-show-jack-rollo-22nd-march-2024

The Early Bird Show w/ Jack Rollo & Hands in the Dark 220324

Live recording @ the Future Intel headquarters in The Hague. Streaming live on Youtube and futureintelradio.com.

Mari ╚═ Future Intel ═╗ 04 04 2024

https://csandkreme.bandcamp.com/album/orange

Snoopy is hard to follow up. The same brilliant musicality is lavished on Orange — a combination of unmistakably original, skittering drum programming, startlingly fresh instrumental interjections, creepily invocatory voices, and dubwise treatments — giddily imbued with the dark arts of ritual and seance. But Orange is more gripping, focussed and urgent, more intense and ambitious. Next level.

Its first quarter presents a trio of forays in suspense.
Bassline squares up like an epic psych-funk grinder, with a moody guitar line traversed by ticking drum patterns and faint electric crackle. In no time the guitar is staggering and stammering under the duress of echo and distortion, and over-run with percussive electronics and the first of the voices massing in the music’s head. The mood has quickly become more trepidatious. We're deeper underground; it’s gloomier, wetter.
Shred propulsively ratchets up the tension and menace. Glazily tentative xylophone is played against slashing, nervy cello. The voices are more strangulated and sick now. Flutes and chimes evoke the same kind of beautiful, contaminated efflorescence which is pictured on the LP’s front cover.
Voice Of The Spider makes easier progress across this cavernous, shadowy, dripping terrain, with funky pads and Nasty, eighties, No Wave electric bass; woozy chimes, non-plussed keys, singing-in-tongues.

Pink Mist marks an arrival, or unbottling, with annunciatory church-organ and choral voices from the off, and a newly relaxed, head-nodding kosmische rhythm.

Mandarin is a short, beat-less and voice-free interlude for piano and bass. It's reflective and nostalgic, ambivalent and inconclusive, with a lovely snatch of melody. A bridge half-way.

Would You Like A Vampire is a triumphant, mesmerizing go at New Folk, with strummed acoustic guitar, descant song, and jazzily restless drum programming (including a tasty bass-bin trembler). Amazingly, Conrad Standish is joined at the mic by none other than Bridget St John. Together they sing 'Earth is Paradise’ so repeatedly and tremulously — and the song is cut off so abruptly at the end — it seems as if the verb is teetering on the past tense, and hymn fading into valediction and catastrophe.

Similarly Storm Rips Banana Tree begins idyllically enough, with a CS-&-Kreme-style raga… before something like an immense, obliterative drill starts up. Harpsichord and organ — by James Rushford — and flutes, and clapping, distant chanting and insectile percussion steadily leaven the dread, till finally all that is left is lapping water.
It’s an epic, deeply immersive, compelling, thought-provoking, twenty-minute finale… the coup de grâce. 
credits
released November 4, 2022

Written and produced by CS + Kreme
Bass, drum programming, nylon string guitar, vocals - Conrad Standish
Keyboards, electronics - Sam Karmel
Vocals on Would You Like A Vampire - Bridget St John
Portative organ, Wurlitzer and harpsichord on Storm Rips Banana Tree - James Rushford

Mastered and cut by Noel Summerville

Photography and design by Will Bankhead

Poster photo collage by Kit MacArthur

TTT BANDCAMP

CS + Kreme – Storm Rips Banana Tree

• • • Some Light Music • • • 

Artist : Track : Release 

Savvas Metaxas : I4 : Ischios 
Moon Patrol : Inparke : Mountain House Music 
Atom TM : Bonjour : Erik Satin / Light Music 
Chari Chari : Kesarian : Folk Remedy Anthems 1 & 2
Pendant : BBN-UWZ : Make Me Know You Sweet 
Textural Bug : sketch [q.] : field journal *——•
Textural Bug: whorl wind ˜ : stone whorl 
Purelink : Earth To : To / Deep
Sean Jacobi : Glacial Drift : Refracted Transitions 
Sam Gendel : Wwaasshh (with Carlos Niño) : Fresh Bread
Vertical Cat : Below the Streets : Nightfall EP
VC-118A / Mohlao : Endless : Spiritual Machines
Vertical Cat : What Worries Me : From the Archives Vol. 03: Tape House
Brendon Moeller : Fickle : Yeoville
Pole : Lachen : 1 2 3 
Savvas Metaxas : I1 : Ischios 
Miguel Isaza : El mundo era tan reciente : Macondo

• • • Some Light Music • • • 

(pre-dawn mix summer solstice 2023)

Some Light Music

Producer, composer, costume designer, and performance artist, Bristol’s Sarahsson fuses hedonistic club with guttural noise, euphoric trance, and neoclassical composition. Dealing in extremes, she draws inspiration as much from the natural world as from gore and harsh noise: themes of bodies being contorted, ripped apart, and combined anew create beautiful and painful scenarios. Rather than using pre-made samples, she creates her own transforming field recordings of marsh reeds and whispers into percussion; she also built her own daxophone, a bowed instrument which under her ritual conjures monstrous blasts and wails.

Krzystof Penderecki - Part I: Et surgeons omnis (St. Luke)
Scott Walker - It's Raining Today
Depeche Mode - Halo (Goldfrapp Remix)
Laura Allan/Paul Horn - Nicasio
William Newell & Solem Quartet - And Dream of Sheep 
Guy Sigsworth & Imogen Heap - Shurayo
Dorencore - here with you
d'Eon - The Birds Eat Out Corpses
Diego Navarro - Teethie's Theme
Björk - Ambergris March
Final Heal - Faerie Song
Bob Hickman - Blood seeping out of a christians mouth from demonic attack.
Dean Hurley - Angel Choir Reveal
Skrillex - With You, Friends (Long Drive)
MICHAELBRAILEY - -  (shawn ⇢ bod [包家巷] ⇢ kenji → n brennan ⌁⌁ jb ⌦ emptyset ⚣ me)
A Touch of Class - Ayla 3 (Epic Trance Mix)
Malice & Luminite - Death Destruction (Malice Live Edit)
Salvatore Ganacci; Tommy Cash - Heartbass 
Adventure Time - Der Holle Rache Kicht in Meinem Herzen (feat. Jeremy Jeremy Shada & Hynden Walch)
Life Sim - IDL (aamourocean ◖ᵔᴥᵔ◗ ♪ ♫ Remix)
Caroline Polachek - Pretty In Possible
Valentin Clastrier - Au fond des temps, pt. 1
Matthew Welch - Lad: I. —
Petra Hermanova - Two Deaths

Intonal Radio Show w. Sarahsson [19.04.2023]

Gang of Ducks invites Turin based Ilian Tape affiliate Stenny. 

🌐 "Outsiders" is our daily show hosted by labels, collectives, agencies, venues, clubs, ... worldwide
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com

Outsiders: Gang of Ducks w/ Stenny @ Kiosk Radio 26.04.2024

Session #4 - Psor

Our mix for the NTS Early Bird show, 3 May 2024.
Covering for Jack Rollo <3

featuring unreleased/forthcoming music by @floriantmzeisig @sunfear1 @alliyahenyo @man_rei @leaf-miner

Intonal Radio Show w. Sarahsson [19.04.2023]

Mutant Radio

Related tracks