Recording from the "Daytime Eck" stage. We started after homeboy Mikey Gee around 08:45 PM on Saturday.

https://www.youtube.com/c/Osterinsel
https://soundcloud.com/gazzagazzza

GAZZA & Bærnd Anders as Osterinsel - Cosmic Gathering 2022

In addition to being responsible for the infamous Lunacy parties, Sebastian Swarm produces some of the best wavey belters in the land

Sebastian Swarm - Clyde Build Radio x Mutant Radio Broadcast from Glasgow SWG3 Garden [11.08.2023]

Warm up set at The Flying Duck for Resonance: 10 Years of Invisible Inc label night. Recordings of Ravelston and Dreems to follow.

Resonance: 10 Years of Invisible Inc Label Night Part 1: GK Machine

Dive into a two-hour vinyl journey with Josh Grainger, the selector behind @NingalooRecords - performed live on Freocast for his weekly show "Friday My Love”.

After joining him for a dig in Fremantle where he unearthed a United Future Organization vinyl, Josh delivers a hypnotic tapestry of Balearic, deep house, and trip-hop grooves. Best enjoyed in the late afternoon sunshine!

STAY CONNECTED 🔗
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All music rights belong to their rightful owners. 

Track List:
‘24hr’ (Alucidnation) 
‘Freedom Train’ (Ragga Twins)
‘Dreamin Stop’ (Mag’s Pout) 
‘Blow Out’ (Jah Wobble) 
'Simple Stroll' (Basso) 
‘Riddim of Inari’ (The New Morning)
‘Chief inspector’ [Vine St] (Wally Badarou)
‘El Coquero’ (Son Caribe)
‘Aderico’ (The Matheus Combo)
‘心臓の扉’ [Shinzo No Tobira] (Mariah)
‘Gimme the Night’ (Paralel Disco)
‘Børster Kåpa’ (Leoparden)
'Visions of Love' (Tappa Zukie)
'Mysterious Man' (Green Africa) 
'Morning Sun' [Pepe Bradock Remix] (Block 16) 
'More Than Ever' (Playin’ 4 The City) 
‘We Lift Our Voices’ [Banana Republic Junk Mix] (Johan S pres. Intergrated Society)
Unknown ID
‘Aril’ (Lex Wolf) 
‘Knots’ (Eat the Pig) 
‘Notte Divina’ (Moy Boy) 
‘Rain Dub’ (Max In the World & Kroba)
‘No Problem’ (United Future Organization) 
‘Africa Bossa’ [Live] (The Drive)

Watch on YouTube

On the Platters: Ningaloo Records (Balearic House & Trip Hop Vinyl Mix)

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.
➡️ More info, more music: www.refugeworldwide.com

Help us stay on air by donating to our fundraiser: https://www.gofundme.com/f/help-refuge-worldwide-community-radio

The Breakfast Show - Matty S & moe.  - 19 Aug 2025

The second volume of Invisible Inc’s 10-year anniversary celebrations has landed, hot on the heels of the scorching first volume.

Where Volume 1 focussed on the dub-style, electronic and ambient side of the label’s output, the second volume leans towards the ‘psych’ side of the label.

As has been a consistent pattern with the label in its decade of existence is its ethos of releasing new and exclusive tracks as well as releasing on vinyl pre-existing tracks that only ever saw the light of day in the digital realm. This compilation is no different. Alongside exclusive new material from Anna vs June, E Ruscha V, Banda Magnética, Exotic Gardens, Kanot and a Coyote remix of Sordid Sound System we also have for the first time on vinyl two tracks by Hena and Futurum that went somewhat under the radar first time round and really deserved to be shared with the wider world.

Three vinyl edits are also available as bonus tracks when downloading the whole album:
Hena - Nuan (Vinyl Edit) 6:06
Sordid Sound System - Gimme Fever (Coyote Remix) (Vinyl Edit) 5:38
Kanot - After Age (Vinyl Edit) 4:58

Hena is Ukrainian producer Volodymyr Gnatenko. I first heard "Nuan" in a mix by Andrea Ida & immediately needed to know what it was. Pure peyote-powered desert music that went under the radar and needed to be heard by more!

"Is It Balearic?" label boss Coyote does the honours and remixes the title track from Sordid Sound System's "Gimme Fever" LP turning it into a hypnotic acid dub mantra.

Swedish duo Kanot are Anton Kolbe (Tross) and Jesper Jarold (Fontän) joining forces to make dreamrock for psychonauts.

Also from Sweden are Futurum who sent me a promo of "Prado" over two years ago. A regular feature in my warm-up DJ sets, it's well overdue it being pressed up on wax!

Exotic Gardens is the alias of Peaking Lights' Aaron Coyes through which he finds a space for acidic experimentation enhanced by live dubstyle mixer operations.

LA-resident Eddie Ruscha, a frequent visitor to the label under his cosmic Secret Circuit alias, appears for the first time under his experimental ambient E Ruscha V moniker.

Banda Magnética is the brainchild of Hugo Capablanca (Discos Capablanca) & Borja Caro (Metametal) offering a mindpuzzler of improvised musique concrète.

Athens-based Anna vs June returns to the fold and closes the proceedings with a song of love, relationships, vulnerability and patience drenched in dreamy electronics.

BUY/LISTEN

INVINC 40LPS Resonance: 10 Years Of Psychedelic Sounds From The Soul Of Invisible Inc [clips]

Recorded live at Arkaoda, Berlin 23.08.25

Capablanca - Those Are Pearls That Were Their Eyes

Mix of the Week #607 is by Jander
Follow and include @janderrr in your track ID requests

"This mix reflects the kind of energy we try to channel through Paradia: cosmic grooves, deep chug, leftfield rhythms, and a journey that drifts between downtempo and dancefloor. It's built around a steady, heady energy with tracks that keep momentum without big peaks or obvious drops. I'd say it's more about subtle shifts and hypnotic builds rather than hands-in-the-air moments, leaning on slow-burners and deeper cuts that open up over time. I recorded it at home in Delhi on a rainy monsoon Sunday, and the weather definitely set the tone: steady rain outside, heavy air, and that influenced the pacing and selections. The name of the mix comes from a track on our upcoming Paradia EP, tying it back to what we’re building with the label."

-- 

✉️ DC Email list: eepurl.com/dN23Jw 🔈 Mix Archives: https://www.dreamchimney.com/motw

⭐ More from Dream Chimney instagram.com/dreamchimney • https://dreamchimney.bandcamp.com • www.dreamchimney.com

Mix of the Week #606: Jander - I Think I Can Feel The Future

Acid Textures

@StampTheWax welcomed me onboard their Diggers Directory series and so I put together a selection of music from my travels and from home. I could not be more flattered they asked me and I hope you enjoy :)

Interview: www.stampthewax.com/2018/02/08/diggers-directory-lauren-hansom

I pay my respects to the traditional custodians of this great southern land, the Gadigal of the Eora nation and their Elders past, present and future. I acknowledge their culture and relationship with the land and water. Aboriginal land; always was, always will be.

Stamp The Wax Diggers Directory: Lauren Hansom

It's with great pleasure to welcome long time dear friend Jonny Nash (@jonnynash) who in 2019 released 'Make A Wilderness' with us (MFM037). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Jonny, welcome to the series. So, it's already been over a year ago since Make A Wilderness came out. How do you look back on that now? 

JN: In many ways Make A Wilderness marked the start of a new chapter for me, the first steps into new territory - a wilderness you could say! That record was really about exploring a simple question - what kind of sounds resonate with me, and why. I think the record was primarily an exercise in sound, and not necessarily in arrangements or songwriting. I felt it was necessary to open the doors to new sounds in this record, and I feel like I got pretty close to creating the album that I wanted to make. 

MFM: You went to different places to record specific instruments and in certain environments. Why? 

JN: It took me a long time to make the record, not in terms of actually writing the music, but determining what the instrumentation should be. I wanted a finely balanced mix of alien, unfamiliar sounds and organic human sounds, to somehow express a feeling of “ancient future”, the sense of floating in some timeless space that could be millions of years in the past or in the future. I found that the Cristal Baschet, was perfect for expressing this feeling of “deep time”. Capable of beautiful harmonics and also wonderful atonal textures, it was a central part of the album. I contrasted these sounds with familiar instruments such as piano, vibraphone and voice. It was very important to have some sparse elements of voice in the record to somehow keep it grounded on earth. 

MFM: Have you always been that interested in sound and sound sculpturing?

JN: Well, I’m a naturally curious person and I think my brain and also my ears are always developing and learning new things. I think that I am able to hear sound in a different way than I did a few years ago. A big switch from focussing on melody as the dominant element that catches my attention. Of course, melody is still a central element for me but I now spend alot of time thinking about timbre, the colour of the sound and how the distinctive character of a sound sits in context with other sounds in a given composition. New ways of hearing influenced the record and took me to a place where “sound sculpting” was of equal importance as deciding what chords and melodies to choose. 

MFM: You mentioned earlier that the past couple of months your label Melody As Truth got a lot support through digital sales. Does that have effect on your label vision and strategy?

JN: The switch towards digital and especially streaming does undoubtedly have an effect on how I think as a label owner. It is pretty clear that this is an important area of growth and although there are lots of issues with certain platforms and revenue models, I find it important to keep on top of what is going on and try to adapt. In the future I can see the label experimenting more with digital only releases, I think there are interesting areas to explore here. Quiet dynamic music cut on vinyl in 2020 often sounds worse than a WAV file to my ears. I also buy hardly any vinyl myself these days, it is expensive, taxing on the environment and often a form of object fetishism. The other side is that a physical object looks amazing, can sound great, gives full importance to the artwork and design, can be treasured and won’t be lost. So a physical object is almost like an insurance policy for not losing the music too. I guess I’m sitting somewhere in the middle.

MFM: Thanks for contributing your mix. Can you tell us a bit about it?
 
JN: The mix is pretty much a selection of music I have been enjoying or discovered this year. A few older favourites too. I had no idea except to make something that I would enjoy listening to whilst having a walk or reading in the morning.