Leap, slink, appeal
Unravel royal road
Solid ground to yonder
We drift of one's own
Invented and invited
Leaven to the unlined
Visions of unconscious, endow with a mind:
Fantasies of glacier pervades a glimpse
Deviant swells are never seen sealed.

Introspective pilgrimage through the enigmatical realms. Amulet of Tears presents a compilation that serves as an intimate and nuanced odyssey, ignited by ambiguous envision of Sigmund Freud's - 'The Interpretation of Dreams'.

'Surveying' the subconscious to unravel transcendental thresholds, hidden dimensions, alternatives & impossibilities within core or peripheral perceptions, soared through phantasmal viewpoints.

The Interpretation of Dreams

FH HF - Lampshade and Shifting Sillhouetes

Anasisana - Unfastening

Shared Dialogue - FH HF w. LXV, the most prolific alias of David Sutton, a producer from Philadelphia, Pennsylvania. He also records under the monikers Heaven Copy, Temporal Movement, as well as his full name, David Wesley Sutton.

Shared Dialogue - FH HF w. LXV [07.07.2023]

Anasisana delivers a live set that winds together graceful gradients, lingering melodies and contrasting textures within blending elements and cohesive sounds. Allowing varied patterns to bring a sense of soothing rhythm and a multilayered musical experience in its transitional, boundless slumber, where vague dreaminess flourishes in open spaces.

Amulet of Tears 038: Anasisana LIVE @ B7L9

Music: @anasisana

Artwork: @anasisana

Amulet 038: Anasisana LIVE @ B7L9

Featuring selections from the first line-up announcement, the introductory hour dives into the forthcoming Uncloud 2023 programme. Joining us for the second half is @albertabalsam. Fresh from her debut album 15 𝘉𝘪𝘭𝘭𝘪𝘰𝘯 𝘌𝘭𝘦𝘬𝘵𝘳𝘰𝘷𝘰𝘭𝘵, released on Clone - Dub Recordings, Alberta is a sonic world builder whose approach to music is both deeply technical and imaginatively rich. Renowned for her hardware-based performances and potent DJ sets, she's driven by a love for sci-fi and 1990s records – think dreamy IDM, broken beats, sizzling acid and sawtooth electro.

Uncloud Radio w/ Alberta Balsam - StrandedFM

In November 2020, KMRU self-released ‘Drawing Water’. The release contained 3 supple works of porous resonance and intimate motion, giving way to a very heartfelt body of work that peers directly into the fabric of the everyday; gestures, movement, conversation, rendered graciously into waveform.

Now, Vaagner is proud to present a special edition vinyl and cassette reissue of ‘Drawing Water’ via its A Sunken Mall imprint, with the original material spanning the first side of the record in remastered from.

Drawing

ASM07| KMRU - Uneven

FH HF w. Anasisana. Anas Aissaoui is mainly known by the moniker Anasisana. His debut EP was released via Holy Geometry in 2018. Afterwards, he subsequently released his first ambient album on the German label Vaagner. Anasisana's physical releases are accompanied by labels such as Casement Exchange, Perfect Aesthetics, Trust Collective. Adapted from a score his works are known more than an electronical and deeply saturated by susceptibility and plainness.

Shared Dialogue - FH HF w. Anasisana [04.09.2023]

Pour ce Spécial CHIEN DE TEMPS Douzième sur @lyl_radio Je reçois, et ce pour la première fois en Guest, le DJ/Producteur/Manager @juleslepull aka DJ Conséquences, sorcier du kick et du beat bien sale et poisseux, qui va s’occuper de vous et surtout de tout avec un show réalisé à 100% par ses soins (Mix d’unreleased enregistré entre septembre et novembre) et ce dans la plus pure tradition Chicago-House.
Production-Mix composed and recorded at Crystal Lake (New Jersey) by @juleslepull (manager of Rennes-based label @motherlode-recordings). 90% House music inspired by the Chicago scene of the late ‘80s
A noter la collab de Pierre Chaton (@pierrechatooon ) sur le projet "Trigger kids".
Join the tribe baby!!!

more infos : https://lyl.live/episode/chien-de-temps-14

CHIEN DE TEMPS #12 w/ Jules LePull - LYL Radio (10/11/23)

The Birth of Infinity

Back in early 2019, I released a single called Distant Visions. After hearing it, a fan commented:
“Almost sounds like something from a second interstellar suite.”

They were referring to my 2006 album The Maestoso Interstellar Suite—a project I re-released with extended material in 2016 for its 10-year anniversary. That comment stuck with me. Did it feel like a sequel? Could it be?

I toyed with the idea. But having just expanded the suite into a double-disc format in 2016, I wasn’t sure a sequel was the right move—especially given how the original was structured as a continuous, uninterrupted journey. I had also briefly considered a vinyl edition, but the flow of the piece and the 22-minute-per-side vinyl limit made it a poor fit for that format. The experience would have been compromised.

Around that time, I released a “radio edit” version of the suite called Singularities to provide an accessible entry point. But if I returned to the suite with new material, I feared I’d be stuck doing the same thing again: a full continuous version and a separate edited version. Frankly, I didn’t want to go through that process again—and since then, I’ve moved away from long single-track formats entirely.

Even then, I was already thinking about vinyl-friendly runtimes, aiming to keep my future projects under 44 minutes so they could fit comfortably on a single LP. I’ve also significantly upgraded my gear and virtual instrument libraries since that time, giving me access to orchestral and hybrid textures I could only dream of back then. Now I have the tools—but what should I do with them?

I thought: Maybe I don’t need a sequel at all. Maybe it’s not about making The Maestoso Interstellar Suite Part II, or Return to Maestoso, or anything like that. Maybe I just need to reimagine the entire idea as something ongoing—something open.

Looking back, I always felt I had to make compromises when producing the 10-year edition. Some sounds weren’t what I was hearing in my head. Hardware limitations forced me to bounce tracks just to finish mixing. I wanted that big, lush, hybrid orchestral sound—and I couldn’t quite get there.

Now I can.

And I’ve got older projects—like La Famille Du Solénoïde (The Family of Sol)—waiting for a modern update. Thematically, they fit perfectly.

So I’ve made a decision:
I’m not making a sequel to The Maestoso Interstellar Suite.

Instead, I’m creating something bigger.

Introducing Infinity

Infinity is an evolving series. A collection of volumes. A universe of sound that has no end—only pauses between stars. It’s not a sequel. It’s not a remix. It’s a living archive of exploration—part ambient, part orchestral, part space music, and completely me.

And to start, I’ll revisit the music that inspired it all.

I’ll go back and refine The Maestoso Interstellar Suite one final time—polish the edges, rework the structure to be vinyl-compatible, and finally bring it closer to what I always heard in my head.

But I won’t just re-release it.

I’ll rebrand it.

The Journey Begins

The Infinity series begins with:

Infinity Volume I – The Maestoso Interstellar Suite

Infinity Volume II – Singularities

Each will stand on its own—but together, they form the beginning of something open-ended. Something I can return to any time inspiration calls.

Infinity has no final tracklist. No end. Only volumes.

And when I’m ready, I’ll add another.

Maybe it’s a crazy idea. But that’s okay—I’m doing this for me.
And I hope you’ll enjoy the journey too.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/infinity1BC  

Intermission II

Ambient Dreamscapes for you to enjoy. Relax, unwind, meditate and chillout

Shared Dialogue - FH HF w. Anasisana [04.09.2023]

Mutant Radio