When We Walked, Every Creature Hid

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Nils Frahm & Olafur Arnalds : An excerpt from Trance Frendz 3

Healthy uplifting music for the benefit and enjoyment of all.

@brombaer

Fljóta & Brombaer - Contentment Winds

from 'Astrild Astrild' [CD|2xLP|DIGITAL]
Denovali Records · den282
available on all formats at [http://denovali.com/dalecooper]

The Dale Cooper Quartet & The Dictaphones are returning with their 4th album called "Astrild Astrild". Like all of the previous albums, the band recorded the seven pieces at home in Britanny during several sessions between 2013 and 2016.

The characteristics of this full-length are classic drone soundscapes mixed with deep tone saxophone parts that became the band's trademark since the release of their debut album in 2006. Slowly paced, the new tracks are following the Quartet's basic structure and classical sound. Apart from that the new full length conceals more live takes including guitars, bass and Rhodes keys and even piano sounds are haunting for the first time at the end of 'Ocho Acenteur'. With these new elements the songs of "Astrild Astrild" are pushed further into a large tunnel of deafening rhythmic parts and field ambiant textures.

Vocals are a major element of the Dale Cooper Quartet & The Dictaphones' DNA since the second album "Metamanoir" (2011). Sometimes breathy, sometimes deep and often mysterious, Ronan MacErlaine, Gaëlle Kerrien and Zalie Bellacicco voices appear in the corners of the songs as ghostly figures or eerie characters.

The new album "Astrild Astrild" is a glimpse of the present live sound of the Dale Cooper Quartet: 50's crooners singers, noisy guitars, atmospheric electronic and hypnotic jazz. All of these elements painted in monochrome black.

Astrild Astrild

Dale Cooper Quartet & The Dictaphones - Tua Oriel Courvite Isabelle

Lost Stories

Abend

French pianist / composer Emilie Levienaise-Farrouch returns with the stunning 'Époques', her sophomore album for FatCat's pioneering 130701 imprint. Witnessing an increased assurance and dynamism in both Emilie's playing and composing, 'Époques' marks a big step forward for the London-based artist. A bold and adventurous album that alternates between passages of emotive, sinuous solo piano; stirring compositions for viola and cello and some beautifully sprawling electronics, it has been masterfully pieced together to further reveal a unique and intelligent sense of artistry, and a composer who really does deserve your full attention. 

'Époques' is a deep, forceful, at times difficult, listen - a true shifting through the various registers of emotion, from dark to light. Whilst fans of artists like Max Richter, Dustin O'Halloran and Jóhann's Jóhannsson ought to surely find much to love in this album, and parallels may be found to a progressive new breed of female peers like Claire M Singer, Lucy Railton and labelmate Resina, it is a record that genuinely sees its maker finding her own space, fully formed and conclusively set aside from peers and influences. No mere background listen, 'Époques' is a proper journey of an album – a  record to immerse yourself into; that stands up to and rewards repeat listening, revealing itself more and more over time.

Époques

Fracture Points

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Emilie Levienaise-Farrouch - Fracture Points

Sjors Mans - Morning Fields of Amber Grain

New album Riderstorm out April 3rd, 2020 https://muteforest.bandcamp.com/album/riderstorm?fbclid=IwAR0fdpYCopJTGdVbx4KwD3XgIdAIe1EoMaXJOiqwSzV4NBwi5LCmnGW3b8E

Hailing from the Rocky Mountains, Kael Smith meticulously crafts songs centered around lush and verdant guitars, tasteful drums and saxophone with occasional filtered electronics. With releases under Khale, Mombi and now Mute Forest, Smith's quest for ear-percolating textures hit a new high with 2020's Riderstorm, released by Lost Tribe Sound.

When We Walked, Every Creature Hid

Mute Forest

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