En esta nueva etapa de MUTEK MX Live, presentamos a Buena Tarde (MX) y el registro en audio de Amphibion, un live A/V que presentó al lado de la artista visual zeta (MX) durante la Edición 19.

Sumérgete en una hora de viaje aural mientras Carlo Filio transforma escalas microtonales, frecuencias subsónicas y grabaciones de campo en una potente sesión de dubstep, ambient y trip-hop perfecta para bailar y contemplar. 

MUTEK MX LIVE 185 - Buena Tarde & zeta

MUTEK MX LIVE 186 - Antimateria Sonora Ensamble

MUTEK MX LIVE 187 da el salto a nuestra Edición 18, en la que Gabo Barranco aka AAAA presentó Stretching Pools (Janushoved, 2022), el álbum que publicó junto a Johan Carøe y que ahora podemos escuchar en su cautivante versión en directo como parte de esta serie.

Sampleos hipnóticos y texturas modulares en un vaivén de intensidad y emoción que, por poco más de una hora, nos llevó por una experiencia inmersiva que contó con la colaboración de la VJ y readora digital Rampa y su envolvente despliegue de visuales e iluminación.  

Grabado durante el Nocturne 360 de MUTEK México Edición 18 (2022).

MUTEK MX Live 187 - AAAA

En esta nueva entrega de #MUTEKMXLive, el productor mexicano Trevor Gavilán nos guía a través de los poderosos contrastes sónicos contenidos en La Caja, el live A/V que diseñó especialmente para la Edición 19 de MUTEK MX, como una evolución multimedia de su álbum White Elephant (Milovat, 2019).   

Son 45 minutos de nostalgia ambient y breves punzadas techno en vaivén, que nos colocan dentro del potente contenedor emocional creado por Gavilán, para hacernos parte de su catarsis a través de sampleo de cintas magnéticas, síntesis modular y procesos con IA.

MUTEK MX Live 188 - Trevor Gavilán

Desde #MUTEKMXLive presentamos el registro en audio de la premiere mundial de Mercurio (Umor Rex, 2024), el álbum debut de Camila de Laborde como Opuntia. 🔊

Completamente en vivo desde el Nocturne 360 de #MUTEKMX Edición 19, Opuntia nos reveló la compleja fantasía de Mercurio antes de su lanzamiento oficial: dream pop, ambient, experimentación vocal y contrastes emocionales para construir utopías desde el sonido. #MUTEKMXLive captura la esencia de ese momento indeleble en la Sala C, en el que también hubo visuales creados por Daniel de Laborde y un cierre épico con el temazo No lo veía venir. 💎
—
Opuntia  PRESENTA  "Mercurio". 

LIVE CONCERT @ MUTEK MX 14/10/2023
Mix and mastering: Santiago Rodriguez at Casa De Copas & Eviltapes's Bunker, CDMX

Music and lyrics by Camila de Laborde (Opuntia).
Umor Rex, 2024.

Available in vinyl Lp, digital and streamings 
https://umor-rex.com/Opuntia-Mercurio

#MUTEK #MUTEK2024 #Edición20 #Festival #Tecnologia #ArteDigital #MusicaElectronica #Vanguardia #CDMX🇲🇽

MUTEK MX Live 189 - Opuntia

Cyané - Anana

Himnos Para La Deriva Pt.1 by Ejival

SANFUENTES Y MIJO (CL)(MX) @Sanfuentesrecords @Mijomijo
Thursday October 20, 2016 - Casino Metropolitano
Mastered by @Pure-evilness

WHO: Collaboration of Vicente Sanfuentes (Original Hamster) and Mijo (La Royale) in which the rhythmic simplicity contains an inevitable magnetism.
STYLE: Electronic music to dance, post Kompakt intensity and digital avatars in order to capture the thrill of the dancefloor.
LATEST WORK: Artslave (Sanfuentes) Próximo Berlín (Mijo)
LABEL: Sanfuentes Records

With an intelligent style and an aesthetic full of grace, the cooperation between Sanfuentes and Mijo reveals certain extremely melodious rhythmic patterns. This duo makes the post disco feeling turn on itself and elegantly presages a party without letting the smiling faces fade due to bad weather or bad mood. They are here to make you dance. Period.

MUTEKLIVE130 - SANFUENTES & MIJO

Alias616 (MX) @alias616
Thursday October 20, 2016 - Casino Metropolitano
Mastered by @Pure-evilness

WHO: Mexican producers Luis Berrón (Trasto) & Rodrigo de León Garza (ERREOPEO)
STYLE: Analogue techno inspired in a mixture of genres, digital patches, and multicolor cables.
LABELS: Ensamble
LATEST WORK: XXXXXX

Alias616 bets on the adolescent exploration of the circuit bending as well as the creation of their own oscillators. They have an obsession over modular synthesizers. This project leaves aside any computers and digital mediums: the outcome is a crazy mix of analogue instruments which filters acid frequencies and loud noises destined to move the feet and minds on the dancefloor.

MUTEKLIVE131 - Alias616

LAO (MX) @Lao
Thursday October 4, 2012 - Auditorio Blackberry (Nocturno 1) 
Mastered by @Pure-evilness
 
WHO: Lauro Robles from Mexico City and key member of the N.A.A.F.I. collective
STYLE: Dark pentatonic bass, Mexican post-trap, sino-grime, batido oscuro
LABELS: NAAFI, Extasis Records, Filtro, Blaq Records
LATEST WORK: Perfil (2017)
 
Balancing studious musical exploration with an accessible party-friendly approach and expert sense of rhythm, Lao's grab bag of influences includes everything from IDM, bass, trap, grime, horror movie scores and dub techno to reggaeton, carnaval beats and pentatonic scales. In his latest work, Lao takes heavy influence from trap, rave and drum’n’bass, grabbing them by the neck, shaking them up, and spitting them back out as his own inimitable sound that also manages to distill the urban thrill of living in Mexico City.
A self-taught producer and DJ since the early 2000s, he has become a key personality in the Mexican electronic music community as well as a regarded producer. A key member of N.A.A.F.I. and owner of Extasis Records, in 2010 Robles founded #401.MX, a platform for underground electronic music in Mexico and the first site specializing in promoting homegrown electronic music. A graduate of the 2014 Red Bull Music Academy held in Tokyo, Japan he has since toured internationally with some of his N.A.A.F.I. compatriots, spreading their chilango gospel.
Treading the line between tense, cinematic musical environments and celebratory fiesta, Lao brings his unique energy to MUTEK with a live set of his original material as part of the N.A.A.F.I. showcase.
 
More info: http://www.mutek.org/en/montreal/2017/artists/9253-lao

MUTEKLIVE132 - LAO

Me & Myself (MX) @meandmyselfmusic
Wednesday October 19, 2016 - Casino Metropolitano (PLAY 1)
Mastered by @Pure-evilness

WHO: Mexico City-based musician and producer Alfredo Ramirez.
STYLE: Panoramic electronic music with loud cinematic post bass sounds.
LABELS: Ensamble
LATEST WORK: 237 EP (2015)

The orchestral arrangements of Me & Myself explore the limits between darkness with architectural rhythms that slowly uncover monuments worthy of praise. In every passage there are hidden telluric variations which alter the space and its surroundings: it is electronic music for the blues.

MUTEKLIVE133 - Me & Myself

Manrico Montero(MX) @ manrico-montero
Friday October 23, 2015 - Foto Museo Cuatro Caminos (FMCC 1)
Mastered by @Pure-evilness

WHO: Mexican sound artist based in Bolivia, phonographist, composer, and field recordist.
STYLE: 
LABELS: Mandorla, Trente Oiseaux, Sem Label & Sub Rosa
LATEST WORK:  Sisal (2015) & Le TRASH CAN (2016)

Manrico Montero has forged an illustrious career across the many facets of the electronic scene;from his Drum and Bass explorations at the beginning of his career in the 90s, to his more recent contemplative Ambient. This Mexican artist stationed in Bolivia has focused his work on photographic sensibilities, field recordings and improvisation. His work has been released in multiple international platforms like Sub Rosa, Unfathomless, Sem Label, Trente Oiseaux and his own label Mandorla.

MUTEKLIVE144 - Manrico Montero

DRIFTMACHINE (DE) @driftmachine
Saturday October 22, 2016 - Foto Museo Cuatro Caminos (FMCC2)
Mastered by @Pure-evilness

WHO: Berlin-based modular synth duo of Andreas Gerth and Florian Zimmer
STYLE: Multi-layered modular synth wizardry, nocturnal, unpredictable dub discharges
LABELS: Umor Rex
LATEST WORK: Radiations (2017), Colliding Contours (2016)
MORE: Gerth was involved with the Tied & Tickled Trio; Zimmer, a member of Lali Puna, ISO68, Saroos

Haunted, multi-layered and intricate, Driftmachine synch modular synth units in a tandem of techno, Eastern European inflection, dub and drone that run like a clockwork of perpetual motion, bass-drenched styles underpinned by skeletal polyrhythmic patterns.

A shared exploration of modular systems created the tectonic shift that drew Andreas Gerth and Florian Zimmer together and took them outside the realm of their previous genre inclinations. Friends and peers since the early nineties, has both have pedigree in pop-electronic crossover projects. Gerth, also a visual artist has performed as a member of the Tied & Tickled Trio as well as working on a variety of sound installations and montages, including a commission for Bavarian Radio. Zimmer, a drummer and keyboardist by previous trades also worked for a time with Berlin label Morr Music. Debuting on record in 2014 with a steady stream of followups since, Driftmachine are sometimes joined on stage by visual artist Mika Shkurat who plays a third modular system to control video. In all circumstances, Driftmachine's fidelity to modularity, and their talents with taming their volatile machine-beasts reveal them as synthesist savants.

Likened to an exorcism of modular conjuring, Driftmachine live unfurls ominous, monochrome sound sculptures from their machines, creating uncannily psychedelic effects.

MUTEKLIVE142 - Driftmachine

LINEAS DE NAZCA (MX) @luca-ortega 
Saturday October 22, 2016 - Foto Museo Cuatro Caminos (FMCC2) 
Mastered by @Pure-evilness

WHO: Mexican producer Luca Ortega. 
STYLE: Dark and moody deep Techno 
LABELS: Numbolic
 LATEST WORK: Terrestre (2013), La Gorgona (2009).

Lineas de Nazca takes form in Mexico City on early 2001, launched by Luca Ortega after being worked since early 90's on different projects for the Mexican electronic scene.

For more than a decade, Luca has wandered within the boundaries of an intense and glacial techno. His nebulous layers are born within his analogical equipment, allowing him to improvise and manage the depths of a surrounding genre, which catches us and let us go into the darkness of the dancefloor.

MUTEKLIVE141 - Líneas de Nazca

MiCHELA PELUSIO (IT) @michela-pelusio, GLENN VERVLIET (BE) @glenn-vervliet & Hugo Morales Murguia (MX) @hugomoralesmurguia 
Thursday October 20, 2016 - Teatro de la Ciudad (A/VISIONS 2) 
Mastered by @Pure-evilness

WHO: Italian multidisciplinary artist Michela Pelusio, Belgian sound artist Glenn Vervliet & Mexican guest musician Hugo Morales Murguia
STYLE: Installations with space, light, matter, and sound which explore human perception, sense of belonging, nature, culture, art and science.
 LATEST WORK: SpaceTime Helix (2011-2016)

During MUTEK Mexico, Pelusio presented the piece SpaceTime Helix, an audiovisual performance which plays with light, spiral symmetries, geometry, and the infinite. This kinetic light and sound installation creates an overlapping of harmonic movements in a string. The lighting and sound properties of the spiral were optimized to be used as optical and acoustic instruments, as well as a surrounding experience of spaces, geometry, and light.

MUTEKLIVE143 - Michela Pelusio & Glenn Vervliet

LAO (MX) - @Lao
Saturday November 23, 2018 - NOCTURNE 2 (Fábrica)

WHO: Producer Lauro Robles
STYLE: Tribal, Global Bass
RECENT WORK: fake dói (2019), Bájalo(2019), Guaya Remix (2019), Solo (2018), Time to Waste (2018), Talk (2018), Protective Core EP (2017) 
LABELS: NAAFI Records, Extasis Records

Under his alias LAO, producer and DJ Lauro Robles gets carried away with drum & bass, rap, and reggaetón in something that he himself calls “Batido Oscuro.” As a key member of NAAFI, LAO has led some of the most authentic expressions of Mexico City nightlife in recent years, supporting an intense collective euphoria that overflows from clubs, parades, and festivals. For Edition 15, LAO present his live performance for the first time.

Mastered by Eviltapes

MUTEKLIVE171 - Lao

NATHAN FAKE (UK) @nthnfk

WHO: British producer Nathan Paul Fake
STYLE: Atmospheric tech-house, experimental downtempo
LATEST: Sunder, (Ninja Tune, 2018)
LABELS: Border Community, Ninja Tune

With the release of the EP, Sunder (Ninja Tune, 2018), Nathan Fake arrives at year XV of his career with his sound in full form. Implacable techno makes its way between the ethereal and emotional density of ambient and lo-fi that have characterized Fake since “The Sky was Pink”, a 2003 track devoted to DJ sets by James Holden. Fake’s discography is a kaleidoscope, each installment of which shows new forms and nuances in a combination of hard rhythms and dreamy textures. Performances, either live or as a DJ, transform into ceremonies uniting dance fans of Boards of Canada, Seefel, and Fennez with fans of The Field, Squarepusher and the most clinging of techno-heads. Six years after its presentation at MUTEK.MX Edition (2012), an exciting reunion awaits in November, with Fake as part of the Ninja Tune roster after performing one of the most outstanding acts at summer festivals like Dekmantel, Green Man and Roskilde.

Mastered by Eviltapes

MUTEKLIVE172 - Nathan Fake

Amazondotcom & Siete Catorce (US + MX) 

WHO:  Producers @AMAZONDOTCOM Stella Ahn (Los Angeles) and @sietecatorce Marco Polo Gutiérrez (Mexicali)
STYLE: tribal, dubstep, global bass, glitch, IDM  
RECENT WORK: Teardopz EP (Nostro Hood System, 2018) 
LABELS: SUBREAL

International Tribe / Siete Catorce Starting at the age of 22, Siete Catorce is the alternative project of producer and experimentalist Marco Polo Gutierrez. Through initially taking inspiration from new cumbia, the artists sound began to form a unique and signature style, with a mesh of tropical rhythms and intricate drum works. Taking influences from the techniques of dubstep, drum n bass, and footwork (to name a few), Siete Catorce has quickly scaled the ranks of Mexico’s electronic music elite.

With releases on labels such as Cocobass, Naafi, Enchufada, and Hypermedium, the Mexico native also produces under the alias Den5hion, an airy and lugubrious portrayal of dubstep, with influences from the likes of Burial and Sin Amigos. For his International Tribe mix, the Mexican artist explores the realms of tropical rhythms with experimental, glitchy and killer cuts.

Mastered by Eviltapes

MUTEKLIVE173 - Amazondotcom & Siete Catorce

Microhm & Milena Pafundi (MX + AR) 

WHO: Artist and producer Leslie Garcia (Mexico) and visual artist Milena Pafundi (Argentina)
STYLE: Ambient techno, live A/V
LATEST RELEASE: Inmaterial Energy Waves by Microhm, Eternal Night, (Static Discos 2018) by Microhm

Microhm is but one of the sonorous pseudonyms of Mexican artist, Leslie García, known for her work in the media arts as part of the collectives, Interspecifics and Astrovandalistas. In the world of experimental electronics, she’s released work as LogarDecay on labels like Umor Rex (Mexico) and HayleTapes (France). With Microhm, García has developed electronic music that derives from influences like new wave, noise, and techno, and from a perspective of abstraction complemented by improvisation sessions. These make for an always-changing and dislocated live act. The debut EP, Eternal Night, is to be edited by the Mexican label, Static Discos.

Milena Pafundi is a transdisciplinary artist based in Buenos Aires. She works in audiovisual media across live performance, installation, theatre and dance. She also brings a profound interest in social issues, human rights and gender advocacy to her creations, working freelance in cultural projects related to art and technology and as a video journalist. She founded the Articiclo Collective and teaches visual arts from a gendered perspective.

Mastered by Eviltapes

MUTEKLIVE174 - Microhm & Milena Pafundi

Gaspar Peralta (MX) - @gasparperalta
Saturday November 23, 2018 - NOCTURNE 2 (Fábrica)

WHO: Producer and composer Gaspar Peralta (Tijuana)
STYLE: Ambient, Neo Classical, Experimental
LATEST RELEASE: Entre el clamor a coro de las estrellas del alba LP (Static Discos, 2018)

Pianist, Composer and Sound Artist, Peralta’s work has developed through multiple practices; free improvisation, composition, electroacoustic music, experimental music, and sound installation. As an instrumentalist, he specializes in the interpretation of polyphonic works and contemporary music. His first LP, Entre el Clamor a Coro de las Estrellas del Alba, was recently released by Static Discos.

Mastered by Eviltapes

MUTEKLIVE175 - Gaspar Peralta

Marcel Dettmann (DE) - @marceldettmann
Saturday November 24, 2018 - NOCTURNE 2 (Fábrica)
WHO: German DJ and Techno producer, Berghain resident and staff from the record store Hard Wax
STYLE: Hard Techno, Dub Techno y EBM Techno
LATEST: Test-File EP
LABELS: Ostgut Ton, Marcel Dettmann Records, 50Weapons

Dettmann is one of the definitive figures of contemporary German Techno. One of the most iconic performers to grapple with the current standing of Techno music, one needs to review all of the experiences that have placed Dettmann in this position as the spokesperson for the German dance scene. From his first experiences as a record seller in the former East Germany of the late 1990s, to being the go-to representative of Berlin's legendary Hard Wax record shop, he was also resident DJ at the famed club, Berghain. Dettmann has been there at every key moment in the history of German Techno.
Crude, hard, and with no sense of the taboo, Dettmann's mystique is still always shrouded. A living force of the vertical, direct, brutal aesthetic that's proved transcendent around the world, he's been chosen to remix Moderat, Junior Boys, Fever Ray, Ellen Allien, Clark and even the emblematic Laibach in the era after industrial music. His mixes for labels like Fabric, Music Man, and Berghain, are proof of the versatility that always arrives and crushes, upward, with an authentic aesthetic that's timeless and guided by a practical intuition flowing ever forward.

MUTEKLIVE176 - Marcel Dettmann

Bioluminik (MX) - @bioluminik
Saturday November 23, 2018 - NOCTURNE 2 (Fábrica)
WHO: Producers Liz Gómez & Ivonne Valdez (Mexico City)
STYLE: Dark ambient, deep atmospheres, live A/V
LATEST RELEASE: Currently working on their debut EP for next year.

In 2015, producers Liz Gómez and Ivonne Valdez began a creative online exchange which resulted in their first sound works; glitches and hybrid textures to form soundscapes inspired by paintings and drawings. After some invitations from festivals, and a few successful encounters between coding and electronic music, they created Bioluminik, the alias under which they’ve focused on the creation of their own experimental narratives. With remixes of artists like Nima Ikki and deep conceptual pieces in audiovisual formats, Gómez and Valdez have taken a transdisciplinary approach to the aesthetic universe of Bioluminik, inspired mainly by the nature and aesthetics of error, and influenced by space music, drone, and dark ambient.

Mastered by Eviltapes

MUTEKLIVE177 - Bioluminik

Robert Lippok (DE) - @robert-lippok
Saturday November 23, 2018 - NOCTURNE 2 (Fábrica)
WHO: German producer Robert Lippok, founder of To Rococo Rot.
 STYLE: Minimal Pop, Abstract Kraut, Experimental Glitch 
LATEST RELEASE: Kubus (2019), Applied Autonomy (Raster-Norton, 2018) LABELS: Raster-Norton

Robert Lippok's sonic explorations and musical work channel and transform the rawness of his roots in the Industrial and Post-Punk scenes of East Germany and the newly unified Berlin, where he co-founded iconic bands Ornament, Verbrechen and To Rococo Rot. Converting all the baggage and energy into solo work resulted in broad body of work which draws that strength back to its most architectural and abstract forms. In Applied Autonomy (Raster Media, 2018), his first new release in seven year, Lippok takes a high modular technique toward a true "static frenzy", a vanishing point at which the work acquires the energy which transforms works with all the new layers and tones, and which progresses works ultimately toward their true autonomy. Under this principle, Lippok added collaborations with Luca Gutierrez on the art and visual aspects, and with Klara Lewis on the track "Samtal", a dual exploration of nearly fifteen minutes that extracts the sound of "applied autonomy" and juxtaposes the creative energies of both Lewis and Lippok.

Mastered by Eviltapes

MUTEKLIVE178 - Robert Lippok

Cirrina Lab & Isaac Soto pres. Bilingüe (MX) - @isaacsoto 
Saturday November 24, 2019 - NOCTURNE 2 (Fábrica)
WHO: Producer Isaac Soto and visual artist Cirrina Lab STYLE: Live A/V LATEST RELEASE: Bilingüe, Audio Visual Performance

In Bilingüe, the creative languages of producer Isaac Soto and biologist and visual artist Inés Gutiérrez come together from Gutiérrez’s Cirrina Lab. Both artists take naturalistic sampling as a pivotal part of their creative process: Cirrina Lab extracts images of microscopic living beings live, and transforms them into hypnotic, forceful animated pieces. Soto collects field recordings to fuse them into downtempo tracks replete with texture. And from this shared dynamic, Cirrina Lab & Isaac Soto have generated an audiovisual range that swings between harmony and abstraction: a micro-macro cosmos of image and sound that reveals itself in the immersive experience. Among recent releases from both artists, highlights include the Cirrina Lab video clip for "All hands" from AMNL PRNT, and Soto’s EP,  El mítico manzano newtoniano (The Mythical Newtonian Apple Tree), with which he launched VAA, his recording label.

Mastered by Eviltapes

MUTEKLIVE179 - Cirrina Lab & Isaac Soto

Prurient (US) - @prurientofficial
Friday 23, 2018 - NOCTURNE 1 (Fábrica)
WHO: Producer Dominick Fernow aka Vatican Shadow, founder of Hospital Productions
STYLE: Doom, Electronics, Dark Ambient
LATEST: Rainbow Mirror (Hospital Production, 2017)

Hospital Productions has been one of the most relevant gears within the world of experimental noise in recent years. Home to Kevin Drumm, Silent Servant, Ron Morelli, Merzbow, Dedekind Cut and dozens of others, it's where Dominick Fernow, the label head, developed his most notable project, Prurient. 20 years in, Prurient has found refuge within every variant of darkness, from industrial noise, to visceral vocal attacks, and even an exploration of dark meditative places. Fernow summarizes his style as “Doom Electronics” which start with the powerful and destructive dynamic of the dark side of the avant-garde and always avoiding touching bottom in their vertiginous falls. It leaves space for a contemplation of both texture and often suffocating frequencies.

Mastered by Eviltapes

MUTEKLIVE180 - Prurient

Naerlot & Ultrachina (MX) - @itzel-noyz
Friday November 22, 2019 - NOCTURNE 1 (Fábrica)
WHO: Musician and producer Itzel Noyz aka Naerlot and experimental visualists Valeria Vicente & Irinea Pérez aka Ultrachina (CDMX, Mexico)
STYLE: Live A/V, downtempo, glitch hop, analog live visuals
LATEST: Naerlot – Naerlot LP (Autoeditado, 2018) and Obsequium, live A/V by Ultrachina & Diego Madero.
LABELS: Oris

Itzel Noyz aka Naerlot, Valeria Vicente and Irinea Pérez are part of the creative flow that oxygenates the digital sound and art circuit in Mexico City. Together they present Unity, a live A/V that premiered as part of Hellow World 2019 in which analog and digital processes converge to generate a deep immersive atmosphere.

Naerlot creates aural constellations from live processed voice while Ultrachina (Valeria and Irinea) generate a visual counterpoint that combines techniques ranging from liquid light show and manipulated found footage to digital glitch. Thus, Unity is never the same A/V, transforming itself into a fluid entity that, from the conceptual impulse given by its creators, seeks to convey a message of equity that inspires “human transcendence beyond what individually defines us”.

Mastered by Eviltapes

MUTEKLIVE181 - Naerlot & Ultrachina pres. Unity

Fennesz & Ali M. Demirel (AT + TR) - @fennesz
Friday November 22, 2019 - NOCTURNE 1 (Fábrica)
WHO: Sound artist and guitarist Christian Fennesz (Vienna, Austria) and visual artist Ali M. Demirel (Turkey via Berlin).
STYLE: Ambient, soundscape, noise with experimental video, installation, A/V performance.
LATEST: Agora (Touch, 2019)- Fennesz, Winter Ashes A/V
in collaboration with Anthony Linell - Ali M. Demirel
LABELS: Touch Music, Editions Mego

Few contemporary laptop artists have attained the stature and universal respect that have greeted Austrian experimental guitarist Christian Fennesz. Beginning his music career in the Viennese underground as a member of the avant-rock group Maische, Fennesz soon broke away to solo undertakings in the then-nascent laptop experimentation scene, producing abrasive and often clinical sessions that began with the guitar only to be manipulated beyond recognition. He found early notoriety on the Austrian Mego imprint with releases such as Hotel Paral.lel and Fennesz Plays (in which he reinterpreted the Rolling Stones and Beach Boys), before finding larger audiences as a member of the well-received Fenn O’Berg, a trio consisting of Fennesz, Jim O’Rourke, and Mego label boss Peter Rehberg. After a steady ascent through the late-90s, Christian Fennesz hit the stratosphere with the release of 2001’s Endless Summer, an album that was universally accepted as an instant classic of modern electronic music. Since then, Fennesz has stayed at the forefront of digital production solo and with collaborative works with artists such as OZmotic and King Midas Sound. His comeback to Mexico City as part of MUTEK MX Edition 16 is marked by the release of Agora, a collection of four tracks produced in his bedroom and his first solo album since 2014, bringing back his most intimist, crystalline and essential sound. In this performance, Fennesz is accompanied by experimental video artist Ali M. Demirel, in a totally new collaboration that also represents new challenges for Ali, a regular contributor to minimal techno lives.

Ali M. Demirel stormed the video art circuit as director of the most iconic clips and video-scenographies of Richie Hawtin aka Plastikman. His background in nuclear engineering and architecture are a strong influence on his style, which has evolved in platforms, video installations and live performances in large format.

MUTEKLIVE182 - Fennesz & Ali M. Demirel

Kelly Moran (US) - @kellymoran
Sunday November 24, 2019 - A/Visions 2 (Auditorio Blackberry)
WHO: Composer, pianist and producer Kelly Moran (New York, United States)
STYLE: Prepared piano, post-minimalism, avant-synth
LATEST: Origin EP (Warp Records, 2019)
LABELS: Warp Records, Telegraph Harp Records

MUTEKLIVE183 - Kelly Moran

Avalon Emerson (US) - @avalonemerson
Saturday November 24, 2018 - Nocturne 2 (Fábrica)
WHO: Composer, DJ and producer Avalon Emerson (San Francisco, based in Berlin)
STYLE: Abstract textures, euphoric techno atmospheres
LATEST: 'Whities 013' y 'Teenage Birdsong' (Avalon Emerson Scrub Jay Remix)
LABELS: Ghostly/Spectral Sound, Whities

MUTEKLIVE184 - Avalon Emerson

Plataforma internacional de creatividad digital y música electrónica. Ciudad de México. #MUTEK #MUTEKMX #MUTEKMX22 #CreatividadDigital #MusicaElectronica #CDMX🇲🇽

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