This is my new craze! Thankyou! What joyfull moments!

delicious instrumental - and great idea to use Roman Roads for album titles. Are all tracks like this?

blogged now http://www.zamazingoo.com/detay.php?id=710&baslik=8%20Fresh%20Tracks

fresh and airy... beautiful... why "flaminia"?

I'll play myself this tune while on my next traffic jam on the "Via Flaminia" in Rome !!! ahahahahhhah... 

22 and the double O for perfect sight

The Lushlife Project - Budapest Eskimos

My field recordings, instruments and voice : guitar, glockenspiel, kalimba, kitchen utensils, toytongues.

Autumn Rhythm

Celebrating the Lunar New Year with ‘Lì xì’, the first track to be shared from JakoJako’s brand new album, Tết 41 - out 25th April.

This record is, in many ways, a distillation of ideas JakoJako has been exploring for years. Tapping into a deep understanding of machine-based music and illuminated by references to her heritage, Tết 41 reflects on notions of rebirth, and the pursuit of a sonic core. From this simplicity emerge some of her most expansive, unworldly compositions to date. 

“I wanted to collect the atmospheres of Vietnam, and strip it back to my language - electronic music. I don’t have huge ties to the traditions of my Vietnamese family, so being able to experience them with my mother, and then bring the Lunar Celebration - the colourful flowers, food and customs - back to Europe through music has helped me realise how important this side of my heritage is.” - JakoJako (aka Sibel Koçer)

Available on vinyl in a limited run of just 500 copies worldwide, pre-order now!

Lì xì

Pre-order

Fuck It

Kumquat, the new track from JakoJako’s upcoming album Tết 41, out on limited vinyl and digital on 25 April 2025. The album was recorded in Vietnam during the Tết Lunar New Year celebrations where Kumquats are ubiquitous as a key symbol of Tết, bringing prosperity and abundance.

This record is, in many ways, a distillation of ideas JakoJako has been exploring for years. Tapping into a deep understanding of machine-based music and illuminated by references to her heritage, Tết 41 reflects on notions of rebirth, and the pursuit of a sonic core. From this simplicity emerge some of her most expansive, unworldly compositions to date.

Available on vinyl in a limited run of just 500 copies worldwide, pre-order now!

Kumquat

Can't Stand To Lose

Can't Stand To Lose (hard soft rework)

Preorder now on Juno: https://bit.ly/4krxFAf

Berlin-based producer JakoJako aka Sibel Kocer's debut album for Mute - after appearances on a stream of leading German labels including Tresor - is described as a distillation of ideas that she's been exploring for many years. In reality, that means working on a minimal set up, away from the computer while restricting herself to just a Eurorack and a Waldorf Iridium Core, in the search for spontaneity. She found it, for sure, as the results - recorded in Vietnam during the Tet Lunar New Year celebrations - are a feast of glistening arpeggios and lush modular textures, stripped back but full of expression and personality. 'Ghi-ta' will appeal to fans of vintage perky ambient productions the Pete Namlook/Mixmaster Morris collaboration Dreamfish, while 'Gio' has a touch of Tangerine Dream's classic widescreen sensibilities. Bold tones, bold debut.

More from the label: https://www.juno.co.uk/labels/Mute/?utm_source=soundcloud&utm_medium=premiere&utm_campaign=soundcloud

PREORDER

PREMIERE: JakoJako - Kumquat (Mute)

Berlin-based producer Nicolas Bougaïeff returns with Prime Funktion, the second instalment in his Prime EP series on NovaMute, following Primal Extensions. Expanding his exploration of prime rhythms and polytemporality, Bougaïeff pushes the limits of techno with intricate rhythmic frameworks and hypnotic, high-intensity club cuts.

Visually, the artwork mirrors the EP’s rhythmic complexity, illustrating prime rhythms as layered circular structures—patterns that momentarily align, echoing the tension between freedom and synchronisation central to the Prime series.

Prime Funktion showcases Bougaïeff continuing his quest to expand the rhythmic possibilities of electronic music, drawing from his PhD in minimal techno and decades of experience in the scene. This work explores what Bougaïeff calls "temporal liberation"—where intricate rhythms both literally break the constraints of traditional techno and serve as a symbolic metaphor for broader notions of personal, social, and metaphysical freedom.

Funktion

‘Dragon Bridge’—inspired by JakoJako's travels through Vietnam and the fire-breathing Cầu Rồng in Da Nang. 🐉🐉🐉

“I wrote this track in Da Nang on the day the Dragon Bridge spit fire,” Koçer says. “It was spectacular… especially as we were there in 2024, the year of the dragon. After watching, we went home, and I wrote that tune.”

'Dragon Bridge' is taken from JakoJako's upcoming album Tết 41— an exploration of heritage, identity, and rebirth, Tết 41 collects the atmospheres of Vietnam, through rich modular textures and electronic world-building.🎋🎆🇻🇳

Dragon Bridge

‘Shapeshift’ continues the very personal themes of ‘Can’t Stand To Lose’ and is, explains HAAi, about the “duality of being both the person you are onstage and the person you are at home, in the normal world.”

Teneil and KAM-BU previously collaborated alongside Jon Hopkins on ‘Always Ascending’, which launched her acclaimed DJ-Kicks mix. Talking about the new track, Teneil explains: “I wanted the track to start with a laidback spoken word section that, as the tension builds up in the track, develops into something that has much more intention and is more rhythmic,” before adding, “KAM-BU really rose to the challenge.” 💘💘💘

Shapeshift

Berlin-based Nicolas Bougaïeff follows up February’s ‘Primal Extensions’ EP with ‘Prime Funktion’, the second instalment of his ‘Prime’ EP series on NovaMute. Expanding on his ongoing exploration of prime rhythms and polytemporality, Bougaïeff continues to push the boundaries of techno with intricate rhythmic frameworks and hypnotic, high-intensity club cuts.

He kicks off this latest offering with ‘Prime’, a bleeping, twisted, and trippy late-night techno cut built around a quintuplet groove and 7:6 synth structures. The fantastic ‘Funktion’ is another potent, menacing track, where a shadowy synth loop repeats over hefty kicks in a dystopian fashion, driven by prime rhythmic divisions that create tension and unpredictability. ‘Nucleus’ is a hypnotic piece rolling on thudding kicks, with tumbling percussive lines dancing over the drums while its rational intonation scale, tuned around the 17th harmonic, brings a microtonal depth to the melodies. Last but not least, ‘Womb’ contrasts ever-evolving melodic patterns ringing down over lurching drums and unresolved loops, creating a dynamic interplay between chaos and calm. The artwork mirrors the EP’s approach, visualising prime rhythms as layered circular structures, where individual patterns remain independent yet momentarily align—capturing the tension between freedom and synchronisation that defines the Prime series.

Nicolas Bougaïeff’s ‘Prime Funktion’ once again showcases his unmatched mastery of polyrhythm, with the EP already receiving early support from Charlotte De Witte, Dubfire, Boris, Laurent Garnier, and Elisa Bee.

Drawing from his PhD in minimal techno and decades of experience, Bougaïeff continues his quest to expand the rhythmic possibilities of electronic music. The Prime series introduces listeners to prime rhythms—polyrhythms derived from prime number ratios that challenge traditional binary subdivisions—alongside his pivot mixing techniques, which allow seamless tempo integration. This explores what Bougaïeff calls 'temporal liberation'—where intricate rhythms both literally break the constraints of traditional techno and serve as a symbolic metaphor for broader notions of personal, social, and metaphysical freedom.

Beyond his releases on labels such as Mute and NovaMute, Bougaïeff co-founded Liine, creators of the Lemur music app—famously used aboard the International Space Station. He founded the Berlin Academy of Electronic Music and reaches a global audience through his online tutorials, where he explains innovative production techniques. His videos on pivot mixing have gained notable recognition among industry peers.

Prime Funktion releases on NovaMute on 7 May 2025.

Support the release: https://nicolasbougaieff.bandcamp.com/album/primal-extensions

Follow Nicolas Bougaïeff:
Soundcloud: @nicolasbougaieff
Facebook: https://www.facebook.com/nicolasbougaieff/
Instagram: https://www.instagram.com/nicolasbougaieff/

Follow NovaMute:
Soundcloud: @novamutenovamute
Instagram: https://www.instagram.com/novamute_/
Beatport: https://www.beatport.com/label/novamute/2653

Follow Dirty Epic:
Website: www.dirty-epic.com
Merch: shopby6am.com/collections/dirty-epic-collection
Facebook: www.facebook.com/DirtyepicLA
Twitter: twitter.com/dirtyepicla
Instagram: www.instagram.com/dirtyepicla/

PREMIERE: Nicolas Bougaïeff - Funktion [NovaMute]

This is the CLR Podcast 425 with a set by Nicolas Bougaïeff . Enjoy!

Support the artist:
SC: @nicolasbougaieff
IG: www.instagram.com/nicolasbougaieff
FB: www.facebook.com/nicolasbougaieff

Track list - CLR Podcast 425 I Nicolas Bougaïeff

NICOLAS BOUGAÏEFF — RELATIVITY 1

Aja - Ondéambule [Grand Musique Management]
Ø (Mika Vainio) - Tutkamaa [Sahko]
Notzing - Triphode [knotzept]
Nicolas Bougaïeff - Pivot 125-150 bpm
bours? - Tribal Diplomate [BCCO]
Nicolas Bougaïeff - Necessary Machinery [NovaMute]
Nicolas Bougaïeff - Pivot 150-140 bpm
SVNX - Sleepwalking (Mython Remix) [Deadline]
Nicolas Bougaïeff - Recursive 2 [Denkfabrik]
Nicolas Bougaïeff - Pivot 144-153 bpm
Swooh - Tears of Hope [RAW]
Nicolas Bougaïeff - Cognitive Resonance [NovaMute]
Nicolas Bougaïeff - Pivot 152-133 bpm
Linear Phase - XX 21 A1 [Molecular]
Sleeparchive - Bleep 01 [Sleeparchive]
Nicolas Bougaïeff - Pivot 132-148.5 bpm
Seigg - Intore [Molekül]
Toobris - Forbidden Forest [Children of Tomorrow]
Nicolas Bougaïeff - Pivot 150-100 bpm
Gesaffelstein - Opr [Turbo]
Nicolas Bougaïeff - Pivot 100-140 bpm
Convextion - Torc [Syncrophone]	
Louis the 4th - Organza [Aesir]
Nicolas Bougaïeff - Pivot 140-168 bpm
Sciama - Choice Reduction [A Walking Contradiction]
Maddie Ashman - Movement I [self-released]
Nicolas Bougaïeff - Pivot 168-140 bpm
Nicolas Bougaïeff - Prime [NovaMute]
Nicolas Bougaïeff - Pivot 140-144 bpm
Dirty Youth - Paradigm [Influenced]
Aja Ireland - Cryptid [Infinite Machine]
Nicolas Bougaïeff - Pivot 72-180 bpm
Liso - Drench [Hyperwaves]
Nicolas Bougaïeff - Pivot 180-135 bpm
The Delta - Delta Skelter [d.Drum]
Nicolas Bougaïeff - Pivot 136-127.5 bpm
Nicolas Bougaïeff - Womb [NovaMute]
ZAAR (Sarah Flindt) - (don't mourn) the time you've been gone [self-released]

CLR Podcast 425 I Nicolas Bougaïeff

Convex

Nym - Come Back

Debut album "Ison" (2017) / Twisted Elegance.
official - https://soundcloud.com/sevdaliza
buy album - https://geo.itunes.apple.com/ru/album/ison/id1225257798?mt=1&app=music

Ison

Sevdaliza - Bluecid

Land Observations - Via Flaminia

Emancipator - First Snow

playing with sounds is a thing i love doing! i got my first keyboard for christmas when i was 7 or 8 years old. it was a 1990 or '91 Casio SA-21. thinking back, ..i never learned a fracking chord, scale or note on that thing! :S .. but i've managed to squeeze a couple tunes out of it 14 years later during a jam-session in 2004 with a mate -'sa-21 experiment')

the earliest recordings and programmed tunes i've got lying around is from 2002. Since then me and my mates have come together as many bands. 3-5 times every year. back then i used soundforge to make samples, hammerhead to make beats, sawcutter for them wierd analogue synthlines, puttin it all together was done with .. soundforge, audiocity, cubase and acid, .. haha *laff*
with time i figured i needed a more powerful tool; so i looked at sum alternatives.
i ended up downloading a tracker. yes; tracker! Renoise! the oldest renoise projectfile in one of my many systematic backupfolders on my laptop dates september 2006 (how to learn to learn yourself), and i've been using and stayed true to Renoise since.. after using a v1.5 warez version for a while i bought v1.8 and at the moment running 2.8

DAMN GOES ERR
================\\\\\\

Renoise is my primary tool for both production and live jamming or performing with Redux. The exact application I described in the forums years ago with features and how it should make live ez at. (wow! 2024 here: this is soo old. I haven't made a xrn file for 10 years or so. But as I've kicked the habits I think I might find being creative wiv sounds and samples again brings a warm feeling. only problem is I have not a single VST, Instruments nor FX. Sample packs? none... my first studio is in storage at my baby's mamas house in Australia. 42hr flight yeah! but I can't afford to even get a Korg Mk3 keyboard with the 8 programmable pads and the other stuff. but starting building a VST library and sample library is not exactly the easiest to start over.... if u want to help out msg me! Thanks!!


my laptop is ... was hooked up to a Korg padKontrol i program on 2 midi ports to control multiple effects in any (and many) applications that has got midi support with proper midi-mapping features. computer output from a Native Instruments AudioKontrol1 soundcard playing on M-audio BX5a studio monitors. mic-input from a cheap zennheiser e835 mic. i'm just learning to use my BOSS DR303 SP Sampler. All in storage inMelbourne. i've got running with 2 decks and a 3ch mixer. besides that i have the earlier mentioned sa-21 keyb. 2 flutes, 2 acoustic guitars and 2 hand-drums. Audiokontrol1 2x 70W Active M-Audio BX5a Studio Monitors, the 3 mini series of MIDI kontrollers. knobs+buttons, sliders and the third I can never remember... anyway. I'm thinking about giving this MINT CONDITION BOSS DR 303 SP with 64MB cards and 2TB Audio Library.... He could become very good if he wanted. Smart kid. If not C, then R. He's a nerd like me. I'm 40 now, .. but I want to start messing with Big Dirty Stinkin' Baseline (Dizzee Raz - Baseline Junkie👌) Wish he'd do a remix for a CSGO 1Deag Junkie Tribute Fragmovie hehe.

now I run 2 5" monitors and a 8 IO TRS and 4 XLR, midi IO and guess what.. this EIE Professional Soundcard looks analogue, but is over 12yrs old, and it was so ahead of it's time. 3x USB hub on the back! dafuq?

Some of my work can be found below, and it's not serious. Just playing. #oldboysDAW #Renoise #Fasttracker2 #FT2 #Oldskool #BossDr303SP 

https://www.youtube.com/watch?v=nyhPs2ulBzg (Sexy CS there ;)
https://twitter.com/dctasb
http://www.reverbnation.com/dge/
http://www.virb.com/mlit/

www.mute.com

Mute was founded by Daniel Miller in 1978, and since then has signed and developed some of the world’s most influential recording artists – including Goldfrapp, Liars, Moby, M83, Erasure, Depeche Mode, Nick Cave & The Bad Seeds, Laibach, Yeasayer and Richard Hawley – and become home to a crop of emerging talent and recent signings such as Cold Specks, Polly Scattergood, Big Deal, Beth Jeans Houghton, Josh T. Pearson and Apparat.

Whilst maintaining a firmly eclectic roster, from the earliest days of The Normal, Fad Gadget and DAF through to the techno era with artists such as Plastikman / Richie Hawtin and Speedy J, and to the present day with electronic artists such as Diamond Version and Maps, the label has always been a champion of electronic music.

Mute is also home to the catalogue of a host of seminal artists such as Can and Cabaret Voltaire.

Land Observations - Via Flaminia

Mute Records

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