Leaves Around Their Eyes

Teufel's Ritt (no Master)

Roadsbeaf - Schwarze Puppen

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Hróðhrafn – Reisen Til Underverdenen

"The Lost Sky" from the 2/10/17 Jesca Hoop album Memories Are Now 
https://megamart.subpop.com/releases/jesca_hoop/memories_are_now

Jesca Hoop http://www.jescahoop.com
Facebook https://www.facebook.com/JescaHoopMusic 
Twitter https://twitter.com/jescahoop  
Instagram https://www.instagram.com/jescahoopster 

Sub Pop Records  http://www.subpop.com
Twitter  https://twitter.com/subpop
Facebook  https://www.facebook.com/subpoprecords
SoundCloud  http://soundcloud.com/subpop
MegaMart https://megamart.subpop.com/
Podcast http://subpop.fm/

Jesca Hoop - The Lost Sky

"Eigi hugðak orma 
at aldrlagi mínu; 
verðr mjök mörgu sinni, 
þats minnst varir sjálfan. 

Nú munk nár af bragði 
ok nær dýrum deyja. 

Gnyðja mundu grísir, 
ef galtar hag vissi, 
mér er gnótt at grandi, 
hafa mik sogit, ormar; 
nú munk nár af bragði 
ok nær dýrum deyja. "

It is with these words go away from the life of the protagonist of the series "The Vikings" Ragnar Lodbrok at the end of the second half of the 4th season.
The song is a spoiler for a future series, which is not included in rental.
Today, December 21, and it's a great date for a song. Today is celebrated Yule, the winter solstice. This is the day when we left the old year, to make room for the new. Something dies to allow another is born. Death, like a new beginning.
Death of Ragnar, in turn, was also not in vain.

Melody and words of Einar Selvik.

https://vk.com/stadr_hrodhrafn?w=wall-55904242_339

Hróðhrafn – Ragnar Lodbrok's Death Song | Cover

Sopor Aeternus   Dead Souls   subtitulado al espaol

"Ancient ghosts are walking balefully through the blood-red cornfield, where our black Goddess (the fabulous, transgendered Saint-Varney-of-the-Dead) is celebrating the third chapter of her magical sexorcism in a dark ritual of ultimate neutralisation. Her gentle, claw-like hands are brandishing a rusty, old castration-sickle, while she herself, as the purest incarnation of loveliest maidenhood, intones childlike phantasies of innocent masturbation with the voice of a broken angel.

In this gothic-pagan masterpiece of delicate perversion, a whole array of stringed instruments, bells and music-boxes are skilfully combining fragile moments of calm and security with powerful eruptions of dynamic insanity in that typical, unique Sopor manner.

As this crowning finale of the trilogy 'A Triptychon O Ghosts' unfolds, the artful expulsion of demons that is 'Children of the Corn' once again proves that Anna-Varney Cantodea is indeed the most important Death-artist the gothic underground scene has ever brought forth.

Harvest is coming..." 

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