MFR136 - My Favorite Robot's Best of Year 7

My Favorite Robot Records are proud to announce a special new album project from accomplished DJ and producer Andrew Grant in his Naome guise. Grant has been releasing assured tracks since 2007 and as a DJ has headlined all over the world. 

For his first album, he has collaborated with a number of talented musicians and performers and has really gone to town, taking maximum advantage of the full length format. As such, NAOME was 2 years in the works and found Grant working with a plethora of drummers, bassists, guitarists and singers to help curate his first full album. Those artists include Spanish vocalist Sutja Gutierrez, Washington D.C. native Symbol, Baltimore heroes Life On Planets, Dimes aka Jen Schimpf and more besides. 

The album kicks off with the sci-fi atmospheres of ‘Space Station feat. Symbol’, and the Washington DC native’s great vocal range is immediately apparent. His well treated vocals stretched over slowly churning disco beats and thick baselines drive things along perfectly. Then comes ‘Desperate Soliders’ feat. Dimes who lays down her southern bell charmed vocals in fine fashion on a track that is beautifully sparse and moody. ‘Subtle Jestures’ then picks up the pace with propulsive drums and frazzled but expertly crafted synth lines. It’s a a reflective, metallic groove of the sort that perfectly fit in with the MFRR MO. 

‘Amity on Keys (Interlude)’ is an intense, emotive passage of swelling sound, synths and chords that places you deeper into NAOME’s very real world. ‘Making Lace feat. Life On Planets’ is another slo-mo track that gurgles and bubbles, with discordant chords, smeared melodies and a charming, playful sense of late night colour that get sensitively finished off with the sultry tones of Life On Planets. 

‘Kosmatic’ features upcoming artist Slumber and is an otherworldly jam of distant percussion, down low drum breaks and haunting, celestial synth lines. Then NAOME drops the most tender cut of them all, ‘The Great Espace’, features breathy vocal intonations, Balearic 80s guitar licks and crawling groves that make your thoughts turn to lazy days on the beach. ‘WherrWe’ finds Nanni jamming out his raspy voice and fat notes on a classic fender with plenty of vintage tape delay, it makes for an intoxicating, deconstructed disco track full of texture. FInally Sutja Guiterrez joins NAOME on closer ‘Belly Of The Beast’, a downtempo, atmospheric electronic soundscapoe that is a perfect bookend to this outstanding album. Mention must also go to Philip Charles for his contribution on the album. Behind well over 100 productions and as a mastering engineer of greats such as Miles Davis, Digable Planets & Stevie Wonder, Charles worked on album tracks ‘Space Station’, ‘Great Escape’ and ‘Desperate Soldier’ as well as making an appearance on ‘Amity on Keys’. 

This is an album in the truest sense, one that evolves and take left turns, one that makes for truly escapist and captivating listening and one that proves once again that MFRR deal only in the most considered and artfully crafted electronic sounds.

Buy on Beatport

NAOME - Desperate Soldier Feat. Dimes

Next up on My Favorite Robot Records is another fantastic full length project, this time from someone who has done 20 of them in 20 years, namely Jori Hulkkonen in his Nuclear Winter Garden guise. 

Over the years, Finnish DJ and producer Jori, also a member of the Sin Cos Tan band, has released on F Communications,  Turbo and of course My Favorite Robot Records and, since 2004, has run an outdoor, intimate party at a 14th Century museum in his hometown. Called Nuclear Winter Garden, the night finds him playing extended sets of jazz, folk, classical, avant-garde and indie sounds a world away from his usual DJ duties. It is those sets that have inspired this new album. 

Says the man himself: “The idea is to find a personal edge for the output, rather than paving the way for accessibility. What’s missing from a lot of people’s music these days is the risk taking. And I like taking risks.”

The album opens with sparse atmospherics and a mix of subtle synthesised hooks and organic piano chords. A drifting voice floats in amongst it all and a contemplative mood is set from the off. ‘Some of You Might Survive’ is then a chilly ambient brew of frazzled sines that suddenly flips midway through when emotive chords and one finger synth notes arrive to lighten the mood.  

‘A New Cold War’ keeps up the frosty and autumnal vibes with twinkling keys offset by rasping synths and gentle tumbling percussion. Remaining resolutely horizontal and sparse, ‘Strangest Positions’ features what sound like de-tuned synths and twanging guitars, ‘Baryonic Truth’ marries distant, sketchy drums with swirling pads and ‘Red Magic’, with its lo-fi electronics and obscured, gauzy vocals, references Jori’s pop-act inspirations Connan Mockasin and John Maus.

The last two tracks complete this evocative, enthralling and experimental journey though sound in blissfully soothing style. The influence of Jori’s outdoor party looms large throughout this album, and on it he does a fine job of painting a picture of just what one might sound like. 


Nuclear Winter Garden - Red Magic

My Favorite Robot - Glass To The End

Keeping it local, My Favorite Robot Records turn to the acclaimed Canadian house and techno producer that is Mateo Murphy for a new five track EP that explores the boundaries of quality electronic music.
Murphy has been active since the late 90s on labels like Turbo and Reconstructed but has been relatively quiet in recent years. This new EP marks a welcome return for a truly talented producer.
Up first is ‘Focus,’ a languorous bit of elastic and dubbed out house music with twinkling melodies and bold bass strokes. Careful filter use allow rays of globular synth to beam into the
mix and add another layer of depth and colour. The dub version is that bit more stripped back and menacing with its granny chords and heady rhythms, then conjures up a heavenly, blissed out atmosphere with its celestial pads and chaired, starry melodies.
‘Apex’ marries arpeggiated keys that rise up through a glassy scale with icy hi hats and a nimble one note bassline. Uplifting and clean, crisp and expertly melodic, this one really will
sooth dance floors when dropped at the right time. The dub version is just as melodically well programmed but the bassline this time round is that bit more grounded and menacing.
It’s been a while since the world heard from Mateo but this latest missive proves he is a welcome voice in the global electronic conversation.

Mateo Murphy - Focus (Original Mix)

My Favorite Robot Records introduce a new act to the label in the form of German pair Iftah Gabbai and Olaf Hilgenfeld aka Skinnerbox. Here they serve up three exciting new cuts and rightly call themselves an “avant-jazz opus wrapped in a disco suitcase.”
Before now the pair has released in both LP and single format on Doxa Records, BPitch Control and Treat Your DJ Right, and their arty, synth heavy sound makes perfect sense on the MFRR label.
Title track ‘Sawtooth Blues’ opens things up in gloopy style, with bendy, downbeat bass synths off set by more colourful pads up top. It’s an undulating, warm and comforting tune with a left of centre sense of melody that really resonates.
‘Sally’ is a more peak time affair with strident bass notes, buried vocal yelps and thick, purposeful synths next to more pixelated and retro chords. Kinetic and prickly, it’s a fresh and floor filling track that really stands out thanks to the fulsome and rich production.
Lastly, ‘Trimorph’ marries glassy outer space synth lines with arpeggiated melodies, wooden percussion and squelchy bass. It’s curious and involving, cerebral and physical and the groove ticks on like a metronome.
Musical and emotive yet beat driven and floorfilling, this EP is another fine addition to the My Favorite Robot Records cannon.

Skinnerbox - Trimorph

Keeping it local, My Favorite Robot Records turn to the acclaimed Canadian house and techno producer that is Mateo Murphy for a new five track EP that explores the boundaries of quality electronic music. Murphy has been active since the late 90s on labels like Turbo and Reconstructed but has been relatively quiet in recent years. This new EP marks a welcome return for a truly talented producer. 
Up first is ‘Focus,’ a languorous bit of elastic and dubbed out house music with twinkling melodies and bold bass strokes. Careful filter use allow rays of globular synth to beam into the mix and add another layer of depth and colour. The dub version is that bit more stripped back and menacing with its granny chords and heady rhythms, then conjures up a heavenly, blissed out atmosphere with its celestial pads and chaired, starry melodies.
‘Apex’ marries arpeggiated keys that rise up through a glassy scale with icy hi hats and a nimble one note bassline. Uplifting and clean, crisp and expertly melodic, this one really will sooth dance floors when dropped at the right time. The dub version is just as melodically well programmed but the bassline this time round is that bit more grounded and menacing. It’s been a while since the world heard from Mateo but this latest missive proves he is a welcome voice in the global electronic conversation.


Mateo Murphy 'Steam' (Original Mix) [My Favorite Robot Records]

Irish techno, electro and electronica producer Chymera makes his debut here on Canadian
label My Favourite Robot Records with this superb 4 track EP.
Before now the talented craftsman has released on labels like Ovum, Kompakt and
Connaisseur and has been active for a decade. His sound is filmic and patient, features
plenty of great synth work and therefore fits in perfectly with the MFR sound.
Up first is ‘Other Worlds’, a serene cut with proud chords and percolating drums down
below. Slivery and reflective, shiny and golden, it’s a lush way to start. ‘Vertigo’ is then a
more direct cut with pixelated chord stabs, arpeggiated bass and a slick sense of groove
that carries us well into the future.
On the flip, ‘Inner Worlds’ pairs things back to a more insular deep house groove. Sombre
chords sway back and forth as hiccuping snares roll over rubbery drums. There is mystery
and intrigue in the little pads that float about and the whole thing has a soothing effect on
mind, body and soul. Lastly, ‘Erku’ is the deepest of the lot, where bubbling drums and
synths unravel in an eerie and spacious sound world. Stuttering drums eventually arrive to
kick start things and the whole thing is soft focus and perfectly cosmic.
Once more here MFR have unearthed an artful producer who can do so much more than
just lay down a track - instead he injects a true sense of musicality into his work as
displayed on this standout EP.

Chymera - Erku

Chymera - Other Worlds

Canadian label My Favorite Robot Records turns to a local talent in the form of
Vancouver’s Stefan Z for their next EP which sees him serve up three stunning cuts
that are sure to become essential club tracks in the coming months.
Before now, Rhombus label head Stefan Z has put his life long obsession with music
to good use with standout releases on labels such as Resopal Shallware as well as
MFRR, where he dropped his chart topping and heavily supported “No Words” to
great acclaim in 2013. Also a classically trained musician and Vangelis enthusiast, he
has a mature and musical sound that perfectly fits on this most accomplished label.
Up first is the brilliant ‘Removed (For A Moment)’ which has a groaning bassline and
spritely chords all backed by a bustling and bristling atmosphere. It’s sparse but
moody, balanced yet driven, and is a seductively subtle groove as a result.
Next is ‘Disappearing,’ an evocative track that comes deep from outer space. It has
crackling static, electronic stabs and filtered vocals all making for a slightly urgent
and dystopian house vibe that really captures the imagination and transports you to
another world in terrific fashion.
Lastly, the expertly shadowy ‘Believe’ is a more thumping, firmly rooted number with
slow techno kicks, big, fat, reverb rich synths and a heavyweight sense of groove all
run through with glowing metallic pads and an eerie sense of late night menace.
This is another carefully crafted EP that manages to resonate both physically and
mentally and is a fine bit of work from both label and artist as a result.

Stefan Z - Removed (For A Moment)

Out Now! 

After a strong run of EPs in recent times, the bosses of the much loved Canadian label My
Favorite Robot return again to their own imprint with a strong follow-up release to their Glass To The End EP released earlier this year.

The accomplished trio of Jared Simms, James Teej and Voytek Korab has become synonymous with emotive, synth heavy tracks that are much more than functional club offerings. As well as releasing on their own label, they have dropped releases on the likes of Sasha's Last Night on Earth, No.19 Music, Visionquest, and Life & Death.

The Panoptikon EP, named after a type of institutional building designed by English philosopher and social theorist Jeremy Bentham in the late 18th century. The concept of the design is to allow a single watchman to observe inmates of an institution without the inmates being able to tell whether or not they are being watched. Although it is physically impossible for the single watchman to observe all cells at once, the fact that the inmates cannot know when they are being watched means that all inmates must act as though they are watched at all times, effectively controlling their own behaviour constantly. This EP plays deeply with this idea in typical robot fashion.

Stunning opener 'Cast' is an epic techno influenced house track, lush with shimmering synths and live drums creating tension, much in the spirit of 90's electronica. Breaking through like sun through cloud, though, are brightly glowing chords that really add a celestial air to proceedings, with powerful vocals sprinkled throughout deepening the story. It's a refreshingly original track that sounds like little else and is sure to make for some standout moments on the floor in the coming weeks.

Then comes 'Manifesto,' a playful mid tempo prowler with myriad synths squealing, glowing and spread through the arrangement. You are trapped right at the heart of it all as these spritely lines bring a real sense of life and colour to the track, as well as imbuing it with a sombre sense of futurism. At the center of the recording is a tongue in cheek vocal that intones "selling out is the new underground", bringing a true light heartedness to proceedings while balancing the darker elements. The track's apex delivers in true My Favorite Robot spirit, and solidly brings the whole trip back down to earth resulting in a truly unique experience.

This is a small but perfectly formed two track EP that once again showcases the trio's ability to make genuine, emotionally resonant electronic music sure to stand the test of time.

My Favorite Robot - Manifesto (Full Track)

NAOME - Spacestation ft. Symbol (Daniel Kyo Remix)



Trend setting Canadian label My Favorite Robot is all ready to offer up some scorching
summer sounds in the form of their tidy three track sampler EP. It features three hot artists
and a trio of cuts that fit in perfectly with their singular MO.

Swiss outfit Animal Trainer, of labels like Hive Audio and Still Vor Talent and others, go
first. Their excellent ‘Aeron’ track is their first ever on this label and is a walloping great
house cut with huge rubber kicks, spin tingling melodies and the sort of oversized bassline
that will thoroughly destroy dance floors this summer. It is a patient, cosmic tinged track
with a subtle sense of tension and release that really sweeps you up.

Next up is Italian producer and DJ, Slok, who has been churning out beats for almost
twenty years. In that time he has amassed credits on plenty of top labels including One
Records, Circle Music and of course MFRR and has previously enlisted the MFR
production outfit to provide vocals on his music. Here we find him in a doleful deep house
mood with sombre chords laid over slick beats on ‘Dreamachine’. It is a spaced out and
hypnotic track that will allow for lots of introspective moments.

Finally, Valencia talent Darlyn Vlys is a prolific producer who has been active for five years
but has already released more than ten EPs on all sorts of labels like Avotre, Terminal M
and Suara. His ‘Butterfly’ track is eerie and haunted, with wide open spaces sucking you
in. Thin pads, starry melodies and groaning bass all make for epic listening as you are
trapped in the middle of it all and this one is perfect for dead of the night moments of pure
emotion.

This summer sampler offers up a hat trick of class club hits that remind us just why My
Favourite Robot is one of the most talked about labels of the day.

Animal Trainer - Aeron

This two tracker explores the deeper, slightly darker, and definitely more serious side of Jori Hulkkonen than his previous 4track album sampler released earlier this summer on My Favorite Robot Records.
“Capetown People” goes sonically back to 1995, where all you needed were cool analogue beats and two mystic chords. In 2015 the concept sounds as fresh as it ever did. The track in itself is Jori’s homage to capes -which he, as we all know, wears, collects, and just generally appreciates.
With “Fall Hard” we get a bit more complex on the muso-front, and the track has an eerie, heartfelt feel to it. Jori does probably his best vocal performance yet, and the track is as gorgeous as deep house in 2015 gets.


Jori Hulkkonen - Fall Hard

Jori Hulkkonen returns with his first solo artist album under his own name in half a decade, the delightfully idiosyncratic ‘Oh But I Am’ which sees the Finnish production heavyweight on firing form..  Jori Hulkkonen has been at the heart of the global electronic music scene for two full decades now, releasing under a variety of monikers through some of the most highly respected labels around including F Communication, Turbo and My Favorite Robot. Though he has been prolific in recent years his focus has been on a number of side projects including as Sin Cos Tan, Third Culture and Nuclear Winter Garden, now he returns with his first full Jori Hulkkonen album since 2009’s ‘Man From Earth’.  ‘Oh But I Am’ is an eclectic and engaging collection of twelve songs from Jori, with influences taken from Italo disco, early 80’s pop and classic house. Written over the past few years whilst working on his band and alternative projects, the LP captures the producers love of synth heavy, pop tinged songwriting in perfect style. Opener, ‘Last Cut is the Deepest’ kicks things off with an acidic instrumental jam before launching into the etheral, balaeric workout that is ‘Waiting is All We Have’. 

There are a brace of wonderful house inspired cuts in the albums interior including the hypnotic, ‘Capetown People’, the delightfully deep and cosmic ‘Quick to Judge, Slow to Execute’ and the electro influenced ‘Songs of the Eastern World’. Jori’s inner 80’s pop star comes to the fore on the stunning ‘Ready Player One’ which is about as catchy as it gets whilst retaining a real depth and  ‘Italian Love Affair’ is another gem that transports you back to an age of uplifting, hooky electronic melodies. The LP concludes with the superbly loungy and ethereal ‘Exotica Memoirs’, leaving the listener with Jori’s trademark otherworldly vocals echoing around in the recesses of the mind.  This latest long player from scene stalwart Jori Hulkkonen truly is a triumph, a delightful mix of  soaring melodies and heartfelt vocals that weave their way through a series of rich and perfectly balance productions, enjoy! 

MFR130CD 9 - Jori Hulkkonen - Left Alone, Right Together

Tim Green, as well as being a Cocoon regular, is boss of his own Disc Over Music label and has long been an assured producer of rugged grooves and club slaying synth lines. This summer he has had another busy one playing guest DJ slots all over the world and has seen support for his recent remixes of Kidnap Kid and MANDY. Now winter is coming, we are treated to more original magic from his studio.

Excellent opener ‘Empire’ is a tripped out tech growler with firmly rooted drums forming the bed off which mind bending synths slither about in lithe fashion. It makes for a mechanical groove but with those fluid synths is truly compelling and absorbing. Subtle details such as whirring space ship sounds, ditty bass stabs and colourful pad explosions all help add charm to the track, which is sure to standout on any floor.

‘Overstance’ is a more spiritual track that is doused in glowing angelic pads as well crafted synth lines rise up the sale and take you with them. The rubbery drums bubble and boil below and voices scurrying about in paranoid fashion to add to the overall impact.

It is another cultured club cut that rounds out a tight two track EP and a pitch perfect summer for the ever reliable Green.

Tim Green - Overstance

Mainstay Canadian producer Fairmont is back on My Favorite Robot after 2012’s stunning Automation LP. Now he serves up three more compelling tracks that come laden with years of production and DJ experience.

Fairmont has been producing on labels like this as well as Border Community, Areal records and Traum for 15 years and as such is a peerless synth craftsmen who knows how to pair dance floor functionality with real musical charm.

The enchanting opener, ‘Still,’ is a brooding brew of dark electronics and moody, downbeat vocals. Drenched in reverb, said vocals slowly unfold over a turbulent bed of drums, squelchy lines and circling pads. You are trapped right at the centre and it is a great place to be, so full of pain as it is.

The equally compelling ‘Close Your Mind’ is a more upbeat cut with twinkling, reflective, pixelated melodies in the background and searing synths soaring in the foreground. More new wave vocals get stitched into the track and resonate thanks to lush reverb; it is rare that song craft as good as this makes it on to the dance floor.

Lastly, the more direct and groove driven ‘Neolith’ rounds things out in great style. Here a molten brew of rubbery synths and horizontal pads for a rhythmic bed, then flashes of sheet metal and distant drones add dynamics and momentum. The sort of slow burning but seriously absorbing track that sets a fine tone for any set, it is another Fairmont classic.

Varied and vital throughout, this EP is a perfect fit for the always cultured My Favorite Robot label.

Fairmont - Close Your Mind

My Favorite Robot very much prizes quality over quantity, and so it is that they offer up their carefully chosen autumn vinyl release, namely another landmark EP from key label artist Eric Volta. Fleshing out his killer originals are remixes from Swiss star Deetron and Volta as Voltaeric.

Volta is a synth whizz who crafts cinematic, epic, emotive music for this label as well as No.19 Music. He has emerged as a real star in the last year or so and is able to marry dance floor clout with a truly cerebral sense of musical storytelling.

It’s that kind of musical narrative that he offers up here to great effect with an EP which starts off with a scene-setting recording of some frightened breathing and a torturous synth line that grows unbearably loud then dissolves to a post apocalyptic hum. It’s unsettling but really gets your attention before ‘Until I Dissolve’ drops, an absorbing brew of searching sci-fi synths, wood block hits and thick melodic gurgles. A spoken word vocal muses up top and the result is a truly dark and futuristic groove.

‘Heartbeat II: Cry’ is two minutes of excellently evocative sound design, pained synth lines and cosmic energy that really makes this EP feel like a story, then we have ‘Deliquesce’, a Vangelis like prog track rich with reflective chords and rippling melodies that really tugs at the heartstrings.

Deetron—a real house and techno specialist who has proven himself in both EP and LP format over the years—remixes this one into a more slow burning but all consuming main room track with bold drones and glassy melodies. He also offers up a beatless dub that is equally engaging as it grows ever more manic. Finally Volta remixes his own ‘Until I Dissolve’ into a whacked out, synth laden techno cut that is brilliantly dark and weird.

Few EPs feel like as fully realised a sound world as this. Even more impressive is that Volta never loses sight of a dance floor groove whilst telling his compelling synth based stories.

Eric Volta & Gaika - Until I Dissolve (Deetron Remix)

After serving up an excellent album on the label, Jori Hulkkonen’s ‘Oh But I Am’ now gets remixed by a crack team of expert beatmakers as selected by the on point My Favorite Robot label bosses.

Jori’s original album was full of moving melodies and succulent synth layers and was perfect to be picked apart and reimagined for different dance floors. First to do so are Musumeci & Lehar who tackle ‘Waiting Is All We Have.’ The pair has worked together before on cuts for labels like Connoisseur and have a weekly show on Ibiza Global Radio. Their brain soothing track is a patient, magically melodic one with low swaying bass, tooting arps and dreamy vocals that melt right into the background in expert fashion.

French pair Villanova tackle ‘Four Step Program’ with typical élan, as you would expect of the Cocoon, Loveyeah and MFRR affiliated producers. In their hands it is a synthetic bit of delicate minimal techno with a feathery light percussive scattering. Echoing vocals add soul to the deep space drones and this one is sure to send people wild in the dead of night in some tiny back room. Mexicans Balcazar & Sordo (hotly tipped by Maceo Plex, who also releases their music) then link to remix ‘Quick to Judge, Slow to Execute’ into a gorgeously
fat deep house roller with hypnotic synths meandering over the perfectly drum line. Holding you in suspense throughout, it is another cultured late night club cut that is full of rich sound
design and original ideas.

Camea, the long time minimal techno goddess and label boss at Clink who also releases on BPitch Control, gets dark and abstract on her circling and spookily desolate remix of ‘It’s Taken Too Long’. A final and excellent hurrah is from UK act and Eskimo Twins member Heretic, who has been on an atmospheric acid tip when working solo in the last few years.
His interpretation of ‘Songs of the Eastern World’ is a laid back jaunt through the galaxies with cosmic patterns and twinkling melodies all making for an ambient opening before a cold
boom-bap and slow machine gun bassline add real drive.

This is a fantastic package that covers many different bases with real class from all concerned.

Jori Hulkkonen - Waiting Is All We Have (Musumeci & Lehar Remix)

Cultured Canadian label My Favorite Robot has got time for just one more release this year, but it is a special one indeed. Behind it is Slow Porn, a talented French duo made up of La Dame Noir’s artistic director Phred Noir and 
producer (as well as Meant Records label boss) Remain. Both of these musical minds have unquestionably great inspirations that look to the worlds of disco, electro, rock, industrial, techno, and beyond, for their influences. They have been doing so since 2009 and pride themselves on libidinous, dirty grooves, as this EP proves. Things kick off with ‘Silver and Lust’, a wonderfully slo motion trip through deep and colourful disco. Lazy synths are stretched between rubbery drums as melodic fireworks rain down from above and steamy vocals bring a great sense of intimacy. For their next trick, the skilful studio partners remix Yosoy’s ‘Soldier’ to perfection. In doing so they make it into a low slung, sleazy and dark chugger with Depeche Mode style vocals and a broody sense of atmosphere that really sucks you in. The penultimate track sees Slow Porn serve up a second compelling original, ‘Third Thrill’, which is mechanical and kosmiche, suspensory and expansive. It is filled with analogue lines and pixel thin melodies that really get your senses tingling. The last cut is another remix, this time of Color War’s ‘Shapeshifting’, it’s an ethereal affair with frazzled synth spaceships circling post-punk drums. Full of wide open spaces that are filled with effortlessly cool female vocals, it’s a menacing and melancholic closer. This is a superb EP that showcases the supreme aural aesthetics of Slow Porn to great effect.


Color War - Shapeshifting (Slow Porn Remix)

www.myfavoriterobotrecords.com
My Favorite Robot Records has been a strong force in underground electronic music since 2008.

The Toronto based label is an offshoot of the act “My Favorite Robot” formed earlier in 2002 by Jared Simms and Voytek Korab.

The label has managed to consistently release quality music by some of the electronic dance world’s most renown producers such as H.O.S.H, Kenny Glassgow, Jori Hulkkonen, Eric Volta, Sasse, Fairmont, Tiger Stripes, Tim paris, Chymera, Sid Le Rock, Tim Green, Clarian, and My Favorite Robot themselves just to name but a few and there is no slowing down for them!