Step into the depths of an uncharted journey with DUGA-1's debut album, 'Abyss', a Dark Space Ambient piece that oscillates between melancholic tranquility and haunting discomfort. Dark drones, hazy textures, and fragments of subtle melodies guide you through a labyrinth of introspection.

As I descended further into the depths, the rhythmic hum grew louder, reverberating through the dense air and resonating with an otherworldly energy. It seemed to penetrate every inch of the abyss, reflecting endlessly on the metallic structure beneath the planet's surface. The ancient tunnel glimmered with an ethereal glow, its iron skin adorned with intricate patterns that whispered tales of forgotten technology.

Drawing closer to the source of the soft radiance, a sudden shift in the air sent shivers down my spine. The subdued construct seemed to awaken, responding to my presence with a tangible pulse. For a brief moment, the faint hum ceased, only to be replaced by an eruption of dissonance and chaos, an earsplitting symphony that assaulted my senses.

Caught off guard, my vision blurred, and consciousness wavered as I struggled to grasp my surroundings. Gasping for air, I found myself entangled in a momentary abyss, suspended between the echoes of the cacophony and the endless void that awaited me.

Abyss

Bandcamp

Entering the Core

Beautiful track from the upcoming Porya Hatami release, "Arrivals and Departures"...out on September 28th

Porya Hatami..."Arrivals And Departures"   Homecoming

The other day, I was discussing with my good old friend the constant fluctuation of the music release pendulum that I follow, oscillating between my absolutely favourite artists and labels [where sometimes it can feel like I am inside an echo chamber] and chasing the latest and new [where sometimes I am guided by marketing trends of PR]. As usual, the sweet spot is somewhere in the middle, and I will still chart my own course. Today is an immensely gorgeous example of the former, where I am eagerly celebrating a brand new release from my favourite artist – Ben Chatwin. And this is a perfect model of balance, where Chatwin does not simply sharpen his skills but projects them another leap forward, creating another new style that one day, I’m sure, will stand out as prime. If you peruse these pages you’ll be sure to find nearly every release from Ben Chatwin going back to 2015, and then, once again, even further in time, to 2008, when he was recording under another named project. But with his latest releases on Village Green, the last of which was The Hum (2020), Chatwin managed to evoke the voice of the inorganic, blending melodic beauty with intense sonics and tense, edgy rhythms. “Obsessed with the physicality of sound, Chatwin utilises modular synthesis to imbue life and instability into the recordings. Pushing his exploration of analogue textures, audio is passed through an arsenal of compressors and saturators to build layers of grit and grime around this new set of tactile compositions.” So yes, I’m a massive fan of his compositions, and yes, I have even secured a coveted remix of his for an upcoming single I intend to release any day now [more on that later!]. For his new album, titled Verdigris, Chatwin set up his own imprint, Disinter, to take us down his forward-thinking evolution of sound.

Verdigris

Dolmen

TRACK PREMIERE : Ben Chatwin - Dolmen

inaffection

Made within 30 minutes as a self assigned task. Not meant to sound good or bad. Clipping is intentional.

Parallelism

Voices

出血する 𝔟 𝔩 𝔢 𝔢 𝔢 𝔢 𝔢 𝔢 𝔢 𝔢 𝔢 𝔡 //

Video is here : https://youtu.be/2QWVbGdKlwc?si=exlAxCjAE-KNMR98

COLONY | TRAILER SCORE

Taken from PERILS - S/T (Pathway010)
PERILS is Benoît Pioulard and Kyle Bobby Dunn.

Mutual admirers of each other’s work, Thomas Meluch (Benoît Pioulard) and Kyle Dunn (Kyle Bobby Dunn) endeavored to put together a collaborative recording that ruminates on painful realities, disappointments, and transitioning to new homes, in the hopes of finding a coping mechanism to bring them through to the other side.
PERILS began auspiciously in 2012 at transitional points in these artists’ lives. Kyle was living in a small town called
Belleville, Ontario trying to complete Kyle Bobby Dunn and The Infinite Sadness (Students of Decay) and coming to grips
with the fact that this great endeavor was at its end. Given the enormity of the record and the emotionally and physically
exhausting process of recording the album, Kyle found himself drained with unforeseen questions and confusions. Working only at night, Kyle immersed himself into this newfound nocturnal work, finding a path in the midst of wondering. Thomas, meanwhile, was in a state of literal transition: uprooting from the UK and relocating to Seattle during the recording process of PERILS. In a state of flux, nearly drowning under the anxieties of living on uncertain ground, Thomas channeled these emotions into musical escapades. Thomas recorded in his spare moments, sending sonic puzzle pieces one by one to Kyle, who would in turn explore the musical sentiments Thomas had shared, adding his own billowing sounds to the seething mix.
The ten pieces created for this release are culled from a poutine- and whisky-fueled trudge through the dark corridors of an as-yet undiscovered or possibly imaginary mystic temple. Commencing with the shimmering guitar and tape loops of “Colours Hide My Face,” the album crawls out of the grooves with a slow-churning turmoil, coaxing the listener to embark along its path. The dirge-like guitar clang and vocals of “(Dead in the) Creekbed Blues” could be an 18th century blues standard emitted from a buried radio. On PERILS, Thomas Meluch and Kyle Bobby Dunn lock arms and together chart the upheaval in their lives to bridge the liminal gulf between the once-was and the soon-to-be.

PERILS - Flaw

Right? And I can do it in a whole lotta different ways, I can make it sound fast, I can make it sound slow, I can make it sound, anyway I want it to. Like, for instance, I could go like this.

Lorn - DEAD CHICKS

🎵🎶 'Sleep' (Royalty-free music)🎶🎵
A dreamy, wofting ambient piano track with slightly wonky strings adding a floating atmosphere. Like flying through a dream!

🔽Download 'Sleep' for free from my library here: http://bit.ly/2ZxOHWt

🎵 You can also listen here: 
▶ Spotify: https://spoti.fi/2UhhPwq
▶ Apple Music: https://apple.co/34hpgbw
▶ Amazon Music: https://amzn.to/2ZuvjWA
▶ Tidal: http://bit.ly/2NJaW5P
▶ Google Play: http://bit.ly/2Lipzdv
▶ YouTube: http://bit.ly/2Ldbm1k

This track is released under Creative Commons Attribution, meaning you can use the track in your projects (including commercial projects) as long as you credit me. More info here: bit.ly/2mF9RPX

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▶ Want to show your support for my Creative Commons music library? Become a patron on Patreon: bit.ly/2eFfLhn

▶ This track was supported by generous $5+/month Patreons:
Achim Lammers, Adhi Hargo, Brandon Michael, Claire Nicholls, Dean Thomson, Fallen, Harith Alshuwaykh, Ismael Sola Unzu, Jasiek Vetulani, JulienD, Justin Hawley, Kennith Nichol, Michael Tucker, Postandfly, Tim Robinson, Tough Soles, Vaggelis Papantoniu…

… and this months new crew of patreons: Andrès Cuellar Wills, Catherine Lecourtois, Jose-Pedro Mora-Encinas, Leslie Gideon and Sachin RP. 

▶Also thanks to my Twitch subscribers (bit.ly/2CGgrvJ): kennithnichol, ramboproduction, timherber, syropian, jvetulani, cortexreader, gunfalfvn, effane, badgey, spaceyblurr, gobishi and thesilencenoise. 
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www.scottbuckley.com.au/library

Free Download

Sleep (CC-BY)

Fragment of The Shattered Records: https://soundcloud.com/the-shattered-records

Consistently inconsistent. Not giving up anymore, not for anyone.

Parallelism

MyMemoriesAreLost