Fires

With the luminous participation of Eva Dambry-Royou.  thanks to her. 

and for the first time the use of an Irish bouzouki, a beautiful instrument thank you Stéphane

We don't talk about posies

Burn the past

Inspired by the recent victory of the French Volleyball team at the last Olymics and their outsanding coach Laurent Tillie, with a  wink  to this  fantastic French jazzy funk  track  https://www.youtube.com/watch?v=RdkFZO4w8i8

La Gagne (come on ! )(Remastered)

mp999

Magic of Nothing

16 Min (16 Minutes And Done)

Organic Psychedelic Trance Live for No Sequence  , Free Improvisation with Lyra-8 , the PIPE , Theremin and Djembe !!

Music : https://orientallove.bandcamp.com/track/drive-away-evil-spirits-live-nepo-2021-08-18
Short Video : https://www.instagram.com/p/CSyD_IWDslv/?utm_source=ig_web_copy_link
New Album Release !! : https://orientalloveakakayatakada-ia.bandcamp.com/releases

通常のライブセットであるモジュラーやリズムマシーンなどを外し、シーケンスを全く使わない完全即興ライブです。

Video

悪霊退散 (Drive away evil spirits ) Live !! @ NEPO吉祥寺 2021-08-18

The time is now. Well, mid-September anyway and nearly ten o’clock at night. The year is, ah, not now. In fact long enough ago that air-conditioning was not yet a common occurrence in a Greenwich Village cocktail lounge.
          The front door and a side door are both propped open. It was warm during the day but now a cool breeze carries in the softening sounds of the street and carries out snippets of conversation, music and some of the cigarette smoke.
          There is a quartet; drums, bass, guitar and a guy that splits time between a piano and vibes. This is the first time they’ve played this number. Dave (leader, vibes and piano) played the song for Roy, his boss, only a few days earlier. “Not bad Davey ya think you can shrink the melody to under a octave and a half and make it a little less busy in spots?” “Ah come on Roy. It’s just barely over and not that busy. Can I take it to Marty for some lyrics?” “Nah, I need him to finish the stuff on his desk already. Take it over to Sal. He might be able to sell it as an instrumental.”
          A young woman and her date are sitting quietly talking at a small table by the window. It’s not their first date but the end of a more casual relationship and the beginning of something else. She’s talking about a previous group outing or more specifically a girl who came named Mary. She thinks, in a subtle way. Although not particularly perceptive, he laughingly notes her obvious dislike of Mary and asks why. She admits to her flimsy subterfuge but defends herself by stating that Mary is chasing him. He laughs even harder “come on, Mary hardly knows me.” Of course he’s wrong and Mary is but his obliviousness makes her happy.
           After a few drinks he takes takes her for some coffee and pastries. He gets a napoleon and an expresso. She gets a coffee light and sweet and a cannoli. While he’s wondering whether or not she likes him enough to sleep with him. She’s dreaming of names for their children. She only nibbles an her cannoli. She’s killing time until it’s too late to catch her train. When it gets close she tells him a story. After her parents divorce she moved with her broke mother to a new town. Out school clothes shopping she saw a dress, too expensive for their means, that she fell in love with. Her mom, feeling sorry for her, decides to indulge her. She wears to to the first day of school and is teased so ruthlessly that she never wears it again but won’t tell to her mother why. Completely enraptured by the story he doesn’t notice the time until it’s to late to make the train. The next one is not due for hours so he invites her back to his apartment. She then wolfs down her dessert and they go. There is a moment after getting punched in the face, when that metallic taste of blood floods your mouth, that your senses are heightened and you are fully there in that moment. That night was the flip side of that same coin. The next day she worries that, swept up in passion, she might have driven him off to some other girl. But in his mind there are no other women and there wont be. Sometimes she will still hum the melody, the simpler parts, but she no longer remembers where she heard it. Long forgotten by everybody else it now only exists, in fragments, in her mind.

Pop Tart

Please support me on a streaming platform near you:

Apple Music:
https://music.apple.com/dk/album/sigfus/1598365947?l=da

Spotify:
https://open.spotify.com/album/44yQrvCwAdhdd9oxf1h0ha?si=cdFaKXTXT3m-nE0oBdSMlg

YouTube music:
https://music.youtube.com/playlist?list=OLAK5uy_ml03CY2F02mKhuWzXSWVL_oz656uPnKYs&feature=share

Thank you!

Descendant

LYRICS BELOW

janine levinson - vocals, drums
jose freitas - vocals, guitar, bass, grand piano
david levinson - guitar, guitar synth


Wandering through a forest of ones
Cold and alone; the comfort of zeroes
Ones and zeroes

Up overhead, the pattern of ones
Flat and arranged; the rhythm of zeroes
Ones and zeroes

At night I dream of the analog

Keep your thoughts to yourself
Hide your thoughts for yourself
Keep the thoughts in your head

Spend your thoughts on yourself
Keep your mind to yourself
Thoughts are all we have left
. . . all we have

Mining my soul for pieces of gold
File me away;  a matrix of zeroes
Ones and zeroes

At night I dream of disorganization
The chaos of heartbeats
The mayhem of breathing
And the rhythm of digestion

Keep your thoughts to yourself
Hide your thoughts for yourself
Keep the thoughts in your head

Keep your mind to yourself
Hide your thoughts for yourself
Keep your thoughts in your head

[Ones and Zeroes]

Jose Freitas - Vocals, Guitar, Bass, Piano, Keys
David Levinson - Guitar
Janine Levinson - Vocals, Drums, Percussion

Ones And Zeroes (I Dream of the Analog)

This is a lovely song written and produced by my friend John Wright. John is not on SC, so I thought I'd showcase his brilliance on my page. Some other credits include the beautiful voice of Clare O'rourke. Bass part is played by Tony Harwood. John played nearly everything else. I added a couple of acoustic guitar strums. I hope you like!

Call me (by John Wright)

French Duet
All songs :Claudio Pereira
 Excepted : ***  Waiting around to die ( Townes Van Zandt )*** Palaces of Montezuma ( Nick Cave)
Arrangements and production : Stéphane Dambry.

Claudio : acoustic Guitar & Vocals
Stéphane : Electric guitars, Bass, pianos, accordion, violins, orgue, mandoline Banjo , backing vocals .

Additional musicians  :  Gene Clarksville ( Piano & Guitars ) Eva Dambry-Royou ( Vocals) 
and Eric Magontier ( Bass on Swimming with sharks)
Loic Kohler ( Bass on Chocolate farms)
MY SILLYDOGFISH on Man on the Moon and Complete unknown

We don't talk about posies

BLUEBIRDS from MONTEZUMA