Really cool, the piano line is absolutely great

Love how your vocals match perfectly with the piano. Good job!

Missing a love1 thinking of the type beat memories

Very relaxing song!  Great vocals and I like all the supporting instruments.

Terre sous tension

Ronin

(Translation above)

Encore une merveilleuse musique que Debra Buesking https://soundcloud.com/debra_buesking/ephemeral-piano-day-2022 m'a autorisé à paroler. Grâce lui soit rendue.

Another wonderful piece of music that Debra Buesking https://soundcloud.com/debra_buesking/ephemeral-piano-day-2022 allowed me to write some words on it. Thanks be to her.

Le sablier cassé

Je t’ai laissée partir il y a 1000 ans
Avais-je tort ou raison ? Maintenant,
Je sens que le temps me fait des reproches
Sans aucune pitié.

Ma déraison avait-elle raison ?
Pourras-tu un jour me le pardonner ?
Car mon cœur me traite de tous les noms
Qu’il sort, tout chauds, de sa broche…

Mais, 1000 ans, c’est seulement hier
Et plus j’y pense, moins j’en suis fier.
Je voudrais retrouver le sablier
Pour l’arrêter, le casser !

Si j’arrivais à retourner le temps
Je n’y toucherais plus pendant 1000 ans
Mon cœur ne battra que pour te revoir
Il ne vivra que d’espoir

Si je ne te revois pas
Le monde ne sera
Qu’un désert inhabité
Qu’un sablier cassé…

Myckaël Marcovic le 22 septembre 2021


The broken hourglass

I let you go a thousand years ago
Was I right or wrong? Now,
I feel that time is reproaching me
Without any mercy.

Was my folly right?
Can you ever forgive me?
For my heart calls me all kinds of names
That it takes out, all hot, from its spit...

But, 1000 years, it is only yesterday
And the more I think about it, the less proud I am.
I would like to find the hourglass
To stop it, to break it!

If I could turn back time
I wouldn't touch it again for a thousand years
My heart will only beat to see you again
It will only live on hope

If I don't see you again
The world will be
An uninhabited desert
Only a broken hourglass...

Myckaël Marcovic on September 22, 2021

Le sablier cassé (Myckaël Marcovic / Debra Buesking) (new version)

Disposable Music and Collectible Razors is the second album by Labobros, realeased on the 20th December 2021. This is an experimental album in terms of sounds, music styles and languages.

So many collaborations from every part of the world like: Cesareo (Elio e le Storie Tese), Paolo Tofani (Area International Group), Mourad Musset (La Rue Ketanou), Jinian Wilde (David Cross Band), Peter Lacey, Jade Marie, Pasquale Nigro, Alfonso Sacchetti, Benigno Grillo, Roberto De Rosis, Natale Novellis, Serafino Zangaro, Vero Luz, Joe Figg, Gabriele Vignati.

Disposable Music and Collectible Razors

Tramonto Giapponese

Lyrics to the song: Awakening good feelings, fighting is part of life, and seeing the best of you. Cherish the bad and good times, if you think about giving up, think again! you are capable! Believe in yourself.

Real dreams, who believes what they point to?
I dreamed that I was better than today, maybe I am or not, but I live in peace.

Along the road of this life I reinvented myself, changing plans and moving away from the disguised ones.. Ah! How I got it right. I'm stronger now, I put pieces of myself together and remade my story, that's life.

Real dreams, who believes for what they achieve, I dreamed that I was better than today, maybe I am or not, but I live in peace.

Real dreams

We shouldn't have to fight.
The piles of skulls must show it.
Who cares who's really right?
Nobody really knows it.
The road out of this place.
Littered with bones like you and me.
The dreams that floated high.
Same as dreams that sink to ground.

This is a road to nowhere.
It's all a route to now.

A spaceman in the clouds,
knows that he matters nought.
A twinkling in the eye.
Your time has come around.
The bell tolls out for thee.
The bells keep ringing out.
The cowboys and the cows.
Are dust to blow around...,

This is a road to nowhere.
It's all a route to now.
We're all on a road to nowhere.
There isn't even hell.

I don't think on the world,
When I'm no longer in it.
and if I try to think on death.
I just can't see much in it.
I do not think of frying pans,
somebody making love to you,
I do not sit and think and about.
All the people waiting to die.

This is a road to nowhere.
It's all a route to now.
We're all on a road to nowhere.
There isn't even hell.

A Road To Nowhere

Miles To Go

Live acoustic recording of original song "Lollipops & Lullabies" by Hurdy Gurdy Men

studio version here: https://soundcloud.com/hurdy-man/lollipops-lullabies

Lollipops and Lullabies (lyrics)

Your missing penance for the seventh time and it's bound to rain
your heart is aching for the seventh time as you watch it break

Your hand is reaching for the nearest door as you watch it shake
your mind is searching for the freest thought that it just can't make

If I could find a way to break through all the chains about you now
It's just so hard to breath where others simply refuse to see her now

You once were promised such a great reward, and you just can't wait
and all those things you held so dearly close, now you simply hate

Two steps you say goodbye to lollipops and lullabies for now
and there was no one there to idolize or compare to now

Your missing penance for the seventh time and it's bound to rain
your heart is aching for the seventh time as you watch it break

Lollipops & Lullabies - Maya and Daniel (live acoustic version)

I aimed for a caribbean feel using skank guitar, organ bubble, bass and percussion punctuated by a trombone chorus. I also added a sort of descant using a sampled accordeon to complement the voice. Overall I planned this as a response to what I could hear in the vocal line. For this reason the trombone riffs and snare patterns were totally improvised while listening to the voice.

tim holden

Neev Seawall Remix (ath)

Featuring: 
Vladimir Velichkov - kaval & kaval percussion 
James Hill - trumpet 
see Video: https://youtu.be/iIfAsIhmriA?si=XLp2QzItMyShY51i

THEME: 
As humans, we take ourselves far too seriously. Our world has always been divided by those who feel that their own voice is the only true voice. Monsters brutally rule others through ideologies, politics and money. 

Humans delude themselves of their own self-importance. Yet, “on the scale of worlds or galaxies - humans are inconsequential, a thin film of life on an obscure and solitary lump of rock and metal.” (Carl Sagan) 

Perhaps by understanding our universal insignificance, we can find the courage to more kindly behave towards one another, and to preserve and cherish our “pale blue dot” in the universe, the only home we’ve ever known. 

About VLADIMIR VELICHKOV (Bulgaria) 
Vladimir is a virtuoso musician performing on the kaval musical instrument, as well as a composer and professor at the Bulgarian Music Academy in Plovdiv, Bulgaria, where he teaches “Kaval, Chamber Ensembles, Orchestra and Theoretical Disciplines”. He has a doctorate degree in “The Art of Kaval - Tradition and Modernity”. 

The kaval is a woodwind instrument, characteristic of Bulgarian folklore music. Extracting sound and tone from the kaval is extremely difficult. Vladimir achieves an extremely varied sound by using new techniques such as playing two or three notes simultaneously while singing into the instrument; using the “voiced air column” effect where the whistling of air passes through the instrument at a certain pitch and a melody is played - the so-called “whistling wind” effect; overflow of several registers in one or two octaves; and playing percussion effects. https://youtube.com/@VladimirVelichkov0205?si=i6ZhJEmvSR4Z5HIF 

About JAMES HILL (USA) 
Born into a musical family in Burbank, California, James began playing the trumpet at the age of nine and never stopped! “James creates a beautiful and compelling array of musical landscapes - fusing genres, styles, instruments, and rhythms into intensely evocative compositions. His music is punctuated by stellar and often haunting trumpet interludes or overlays. There are certain beautiful and pointed experiences in life on earth that should not be missed, and must be savoured…. The music of James Hill is one of these experiences.” (R. Sebastian Bennett) https://youtube.com/@tcabstudio?si=o_z3iUDQi4K3FMty

Infinitesimally Insignificant

This is my newest original song. This was all put together and recorded at home. I hope you enjoy!

What's Been Will Come

Blue Collar, Blue Ball Blues

(Translation above)

Tailleur de vers (auteur), compositeur de chansons françaises à la recherche d'interprètes.
Membre SACEM

J'ai toujours chanté depuis tout petit des chansons de toutes sortes d'abord en colonies de vacances, puis à l'école en tant qu'élève, puis dans la chorale de mon lycée et du conservatoire de Saint-Maur-des-Fossés, où j'ai aussi travaillé la clarinette, et, après avoir fait musicologie à la Sorbonne Paris IV, pendant 39 ans en tant que professeur d'éducation musicale dans les écoles élémentaires de la ville de Paris (aujourd'hui à la retraite) avec un répertoire pour enfants, de variété ou de chansons que j'ai écrites pour mes élèves.

C'est sans doute ce qui explique mon éclectisme tous azimuts  :
- musique classique : Double concerto pour violon, violoncelle et cordes, Nostalgia, Étude en forme d'hommage, Hymne à l'humanité, Promenade,
- chanson française : le Sablier cassé, Promenade vespérale, Depuis la nuit des temps, Au pays des oiseaux, À deux doigts du bonheur, La Mine d'or, La Vie est telle, Amoureux de ton désir, etc., 
- tango  : Insomnie, Tango passion, 
- samba : Version sans bas, 
- bossa nova : Cueille la nuit, la Sirène endormie, 
- jazz : Marchand d'illusions, Miaou, le Rubis, 
- funk : Love, Love, Love, 
- rap symphonique (si, si, ça existe !) : la Langue râpeuse, 
- biguine : la Fraise Tagada, les Fourmis,
- EDM : la Tête dans les étoiles,
- dance music : La Danseuse étoilée, C'est un feu d'artifices,
- pop : Freelance love, L'amour en freelance, Allume ta vie, On danse, We dance, Preuves d'amour, Zone interdite,
- disco : Enfants de la batterie, 
- rock : Une vie dense, 
- musiques d'ambiance :  Fujara, Romances sans parole,
- reggae : J'aurai ta peau,
- java : Je doute, Le crabe à 1000 pattes,
- danse traditionnelle française : La Bourrée
- world music : Invitation au voyage, Mon dernier t'aime

J'ai eu la chance et l'honneur de faire partie de deux ateliers d'écritures avec Chantal Grimm,  et de Claude Lemesle !

Verse cutter (author), composer of French songs looking for performers.
Member SACEM

I have always sung all kinds of songs since I was a child, first in summer camps, then at school as a student, then in the choir of my high school and at the conservatory of Saint-Maur-des-Fossés, where I also worked on the clarinet, and, after studying musicology at the Sorbonne Paris IV, for 39 years as a music education teacher in elementary schools in the city of Paris (now retired) with a repertory of children's songs, variety songs, or songs that I wrote for my students.

This probably explains my eclecticism :
- classical music : Double concerto for violin, cello and strings, Nostalgia, Étude en forme d'hommage, Hymne à l'humanité, Promenade,
French song : le Sablier cassé, Promenade vespérale, Depuis la nuit des temps, Au pays des oiseaux, À deux doigts du bonheur, La Mine d'or, La Vie est telle, Amoureux de ton désir, etc., 
- tango : Insomnie, Tango passion,
- samba : Version sans bas, 
- bossa nova : Cueille la nuit, la Sirène endormie,
- jazz :  Marchand d'illusions, Miaou, le Rubis, 
- funk : Love, Love, Love, 
- symphonic rap (yes, it exists !) : la Langue râpeuse, 
- biguine :  la Fraise Tagada, les Fourmis, 
- EDM : la Tête dans les étoiles,
- dance music : La danseuse étoilée, C'est un feu d'artifices, 
- pop : Freelance love, L'amour en freelance, Allume ta vie, On danse, We dance, Preuves d'amour, Zone interdite,
- disco : Enfants de la batterie, 
- rock : Une vie dense, 
- ambient music : Fujara, Romances sans parole, 
- reggae : J'aurai ta peau,
- java : Je doute, Le crabe à 1000 pattes,
- traditional French dance : La Bourrée.
- world music : Invitation au voyage, Mon dernier t'aime

I had the chance and honor to be part of two writing workshops with Chantal Grimm, and Claude Lemesle!

Le sablier cassé (Myckaël Marcovic / Debra Buesking) (new version)

Myckael Marcovic

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