by Beatrix Weapons (https://soundcloud.com/beatrixweapons )

He renacido para deshacer el desesperado grito de ayer y convertir mis huesos en suciedad del año 1432. Nadie oye los N000monsters caer muertos y vencidos por el sufrimiento humano y su decadencia. Aniquilar el presente es solamente una apuesta débil y desfavorecida. Coge el vuelo conmigo y vence lo indispuesto y atroz con la mirada más hostil que tengas. El deseo ha desaparecido, ya no queremos nada. Xttttrxlp111111.

I have been reborn to undo the desperate scream of yesterday and turn my bones to dirt from the year 1432. No one hears the N000monsters fall dead and defeated by human suffering and decay. Annihilating the present is only a weak and underdog gamble. Take the flight with me and defeat the indisposed and atrocious with the most hostile look you have. The desire has disappeared, we no longer want anything. Xttttrxlp111111

You Can Cry Velvet And Pink Water

Beatrix Weapons * You Can Cry Velvet And Pink Water

@wasmusic-1
The second katharsis release of the year is the EP “Chasms Where Streams Fall And Disperse” by Italian artist POL100, coming out on February 28th. On its five tracks, POL100 takes you on a deep reflective journey through his meditative sound design, by combining uncanny airy pads with stuttering effects and delicate synth melodies.

With each track named after a mineral, the artist aims to interpret how the flow of water sliding through the rocky veins of the earth creates unique textural objects. The technological nature of our planet is embodied by digital and organic ambiances throughout the EP. This very ambient sound expression is novel to the artist, whose latest release was the intense clubby EP “Sepsis” on Bound Centre in September 2020.

Mixed by Jacopo Massaretti
Mastered by jjjacob
Artwork by jjjacob
Video for Onyx by Cecco Meraviglia

Chasms Where Streams Fall And Disperse

Amethyst

POL100 - Amethyst

Stellar new mix by her majesty AMÆMI (@user-293688157)

SF.MIX.24 Tracklist

Lechuga Zafiro - Alguna Vez
Medulasa - Carrion Regardless 
kiara oxley - Kiara-Sex (Scream More And More (Put A Dick In Your Pussy)
Alizzz - Flex
b31b111 - luvtapexxx 
ASTRID GNOSIS - GORE LUST
O.L.I.V.I.A - 1=1 
Aghnie - Lipstick Thriller 
Hatechild, CHAi-t - Un Novio
ECSTASYA - SPLIT 
kittenbear - M0R3 TH4N U C0ULD 3V3R KN0W

SF.MIX.24 – AMÆMI

CLAM012 | SINERAW - EMULATION OF US

Sineraw... nonlinear speculations on human nature... and beyond . . .

https://clam-pressure.bandcamp.com/album/clam012-emulation-of-us

@sineraw

WWW.CLAM.LIFE

SINERAW - SEXUAL EXPANSION

Chain Riddle (2018)

@ytem
@djlindax
a rare collection of slow-ish dancehall, trance & rnb influenced beats

Honeymoon Phase 008 • Dj Lindax invite Ytem

Natalia Paruz - Another Earth
Jordi Savall - Prière (Fantaisie D'Après Anonyme XVè)
MYEN - GUT HEALER
Réelle - Luciferian
Réelle - UNKNOWN
Réelle - Crush Them
Réelle - Gotika
Phurpa - 02(3+)
MYEN - 4101 Paws (Roly Porter x Arca Blend)
MYEN - EXUBERANCE
MYEN - VOW
Réelle - Pvssy
KAVARI feat. MYEN - Amber Resin
Réelle - Butterfly
MYEN - LITANY LOOP
Réelle - Platino Cleancut
MYEN - BAGHNAKH
KAVARI - Run or Crawl (MYEN REMIX)
MYEN - BEVEL KIA
Réelle - Choice
MYEN - DRAPE
KAVARI - Maimed
MYEN - KNEELING
MYEN - ALABASTER

MYEN Live Audio Hypnosis for KAOS KIA, 10.04.2022

PM RADIO - NTS - PRISON RELIGION T-A-K-E-O-V-E-R (25.05.22)

I did a sample challenge this month , it was pretty fun 

Go follow @cartelmusiccollective is dope asf

CLAWS X CARTEL SAMPLE CHALLENGE 1 WEEK

...I’m making music in real time (as opposed to tracking and then arranging) by using an instrument, homemade, or more accurately, “gambiarra,” in Brasilian Portuguese, to be played and heard live. I want to transition from an in-studio process to a live and improvised situation. I will be performing or, in other words, responding, in the moment to the actions I am making, rather than looking backwards and taking the best from pre-recorded material and re-composing it. In the 2004 interview I aspired to make new sounds or music, etc. Now I would substitute “explore” for “make.” Trying for “the new” is understood but “how” is more important.

The instrument’s creation is, itself, an exploration. I can never quite wrap my head around it. I am enjoying being lost. I travel step by step, try a decision, usually walk back, then forward again, on each sound generating component. My energies have gone into the creation of the interface between man and machine. It's a monster getting larger by eating itself.

For instance, there are midi converters, which only understand perfectly tuned chromatic input. There is a theremin component, which can be tuned to doric instead of chromatic scale for some added drama. Meanwhile two CD turntables that I scratch are manually wired into the same midi note converters. Cramming two input devices together makes more output unpredictability, with overloaded notes dropped.

The "gambiarra," now called Step.4D™, has reached a stage of completion where Parker could begin performing on it. Recordings (and some additional explanation) can be found on his website. He has been too prolific for me to keep up with all the recorded performances but I made some notes on a single piece, "STC.lives.solo12.2.9.21" [Soundcloud link] to try to convey the flavor:

A lazy description might be dark ambient or punk ambient but I think of ambient as minimal work ("a tint" to use Eno's phrase) and St Celfer's is more substantial.
"STC.lives.solo12.2.9.21" is atmospheric but has structure. There are two distinct movements. The first half could be a loose jazz ensemble (Parker's work has been compared to Bitches Brew-era Miles) riffing on simple notes with digital, time-stretching fillips and enhancements; the second half is more drone-y and builds to a dense, chord-like timbre.
It must be emphasized that this isn't a band and there is no post-production reassembly: it's one person playing a multi-faceted, self-feedbacking instrument, and it's all done with a single pass. Yet it sounds like group activity.

If I had to venture an electronic music precedent I might say Tod Dockstader. The official Kenneth Goldsmith/Ubuweb narrative about Dockstader is that he was music production guy who taught himself tape music in the early 1960s and "was denied access to the major electronic music centres because of his lack of academic credentials." Dockstader self-released his own music and eventually acquired a rep and entered the canon. Dockstader used the term "organized sound" and that's what St Celfer's "STC.lives.solo12.2.9.21" reminds me of. There are similarities in timbres and moods. But whereas Dockstader was all about slow, painstaking studio assembly of multitracked sounds in a continuous-sounding flow, St Celfer makes the work in a single take. The "assembly" is making an instrument that creates its own variables and accidents and conveys an impression of dense multitracking."

www.tommoody.us/archives/2021/03/26/st-celfers-step-4d-instrument/ 

Bandcamp

Appreciate you being here ❤️ if you’re into the sound, show some love with a like & follow 🙏
--------------
Disclaimer:. (The vocals/elements are based on generic models — no real voices were intentionally imitated.)
It features AI-generated vocals/audio elements, integrated into original compositions that include:
self-written lyrics
a fully original storyline and all narrative content — entirely imagined, written, developed, and refined by me
personally created musical elements, instrumentation, arrangement, sound design, mixing, and mastering
all conceptual and creative ideas
Each track has been individually produced through significant original creative work and artistic direction.

--> all elements generated using AI-based vocal/audio tools, which are used under a valid commercial license. The final production has been substantially transformed through original creative input, including composition, lyrics, arrangement, sound design, and mastering. All rights to the finished work are reserved. Any reuse, reproduction, or modification is only permitted with explicit permission.

All rights reserved. No commercial use. Downloads disabled.
Reuse, reproduction, or redistribution — in whole or in part — without prior written permission is strictly prohibited


- INTERLUDE -

𒀭DJ BOOKINGS: booking.myen@gmail.com
𒀭https://myen.bandcamp.com/album/karner
𒀭funeral music, sonic tulpamancy ฏ๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎๎