Annie Kerr creates improvised soundworlds using violin, piano and text in performance, session work and studio collaborations with dancers, artists, actors and filmmakers. She plays in regular and ad hoc combos with musicians in Brighton and London.

Her graphic score Four fleck flock for 4 musicians of any ability has been widely performed and used in educational settings.

Her poetry and prose has been published in literary journals, anthologies, read on BBC radio 3 and performed at Brighton’s Theatre Royal. She is a longtime member of Sussex Symphony Orchestra and Brighton’s Safehouse Collective.

Jamie Sturrock is a scottish artist based in Brighton,UK.  His work explores shifting perceptions of ritual and time.  Electronics, guitar and voice create the palate that Jamie works from, extracting influences from obscure world music traditions, technique studies for conceptual instruments and metaphysics.  

SuttleinMeta emerges from the visionary terrain of artist, musician, composer and producer, Jamie Sturrock. The title of the project is an intentional trigger to assist in re – imagining conceptual potential through language usage.  A magical form of expressing, planting the seed of wonder. What is the subtle of beyond? Encapsulating hypnotic works that interpret kaleidoscopic visions, heart – space intimacy and felt experience. Bass nurtured environments cradle the sub – strata of overarching long form progressions and shifts.
SuttleinMeta’s performance choreographies and sparse acoustic poignancy allude to chamber music for electronic instruments. The music distils psychedelic motifs and intuitions residing at the juncture of avant – club and ambient electronic music for the discerning oneironaut, revealing conduits of post genre extrapolation.  
 SuttleinMeta output resonates with the artist’s yearning for boundary dissolution of genre and industry expected norms. Whilst evoking a contemplative, electro shamanism acknowledging the future archaic.

An introspection unfolds, revealing a multitude of pathways towards luminous dimensions. Forms materialise that emanate multi-spectral vibration. Fusing cycles of evolving syntheses, centrifugal momentum builds then disperses, leaving space to gaze. Architecture of crystalline structures and geometries, present themselves then dissolve under the threshold of awareness.

Shaun Blezard is a composer and improviser working with digital technology. Currently his interest lies in smart technology and his playing is based around an iPhone and iPad. Touch screen technology, accelerometers and wireless technology are opening up so many avenues of exploration in music and it is becoming much more like playing a traditional instrument.

Shaun has been working with digital/electronic music for 20 years, starting with basic samplers in the 90’s, through various versions of laptop set ups, fx boards and current smart technology. Starting in the world of ambient dance, he has evolved into a skilled electronic musician, playing a range of styles from sound art installations to full on free improv, pushing for new ways of expression working with new technologies and how they integrate with traditional instrumentation.

He has played with range of contemporary artists including Matthew Bourne, Ryoko Akama, Keith Jafratte, Charlie Collins, Shelley Knotts, Kalendar, Anton Hunter, Mick Beck, Martin Archer, Rachel Musson, Julie Kjær, Stephen Grew, Steve Lewis, Seth Bennett, Herve Perez, Susan Matthews and Yoko Miura

Exploring the boundaries of working with string, wood, body and breath, Annie Kerr and Jamie Sturrock work together as Myriad's flight, performing new compositions and improvisations.

Myriad&#x27;s flight is following

Myriad's flight is following