For an 'ambient track' this has a lot of balls Chris. I REALLY like it.

I like this a lot.  Reminds me of Coil :-)

gettin some boards of canada vibes here, great stuff

Really interesting stuff... drony and random but engrossing

The five string bass had me fooled. Nice work!

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Reposters Playlist 232 (Repost 4 Repost)

Recorded in February 2024 as part of the RPM Challenge.

A mix of very slowed-down field recordings I've made
of birds in my neighborhood recently. 
The roaring sound is Steller's jays, and the plaintive
sound heard twice is flicker.

B LLOON S

The Jungle of 37th Avenue

Recorded in February 2024 as part of the RPM Challenge.

Experiments with a recursive composition idea: each sound
event triggers more sound events.  Made with Csound.

Recurse 1

Recorded in February 2024 as part of the RPM Challenge.

Experiments with a recursive composition idea: each sound
event triggers more sound events.  

Made with Csound.

Recurse 2

Recorded in February 2024 as part of the RPM Challenge.

This uses the same technique as track 1 (Pianno).
The source sound is harmonics played on my acoustic guitar
tuned to E flat/A/E flat/G/B/E flat.

Guittar

Recurse 4

Recorded in February 2024 as part of the RPM Challenge.

This started with a bit of code I wrote to generate quasi-chaotic
sounds, very noisy.  I then mixed the results "by hand", 
changing speed of playback, and doing other pretty standard
things to try to give the track as much variety as possible
(for a noise track).

Desperate

Recorded in February 2024 as part of the RPM Challenge.

Source sound was recorded inside a spinet piano I had access
to briefly in Gig Harbor, Washington.  

I cut the recording into chunks, then assigned two 
measures to each chunk (proxies for "pitch" and "loudness"),
thus mapping each chunk to a point in 2D space.
I then created a path connecting all of these points using
a greedy, nearest neighbor method.
The path then determined the sequence of the chunks in 
the output.
This was done with different chunk length, and possibly
different starting points, and the layers mixed together.

Pianno

Recorded in February 2024 as part of the RPM Challenge.

I wanted to see what repeated bits with changing envelopes
would sound like.  Lots of layers, a bunch of 
pitches all at a ratio of 4/3.

When it was done, I hacked it quite a bit to shorten it and
reduce monotony and then added reverb by convolving it with
a recording I made in a stairwell I know that has 4+ seconds
of reverberation.  I used my umbrella, and recorded the reverb
when I hit the floor with it.   You can hear the umbrella
hit a number of times in the track: I'm not sure why.

Enveloppe

Heavy wind, rain and thunder in Provence, South Of France. Recorded from under a canopy with two large plane trees on either sides of the microphones.

Gear: 2x Schoeps CCM4 L in ORTF

Recording Location: 43°56'19.3"N 5°23'22.9"E

Thunder and rain in Provence during summer.

Number seven.  I took a slightly different approach with this piece, layering four or five sounds to make each gong strike and building up the drone from 15 channels of voice (Becca and I).


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The Overall Immobility of Things

I set out to lighten my playing style by learning the Lydian mode.  I created a piano backing track to practice against, plugged in my guitar, and played the opening lead note-for-note the first time through; I guess it had been developing subconsciously as I worked with the piano.  I listened back and immediately got sidetracked with developing additional sections, finalizing the arrangement, and producing Awakening.  

I'm going to avoid getting overly dramatic about why I named it Awakening but to bookend the idea:  the first section reminds me of waking up, stretching and getting started; while in the final section, you're making your way down the road to whatever adventure awaits.

Awakening

Back to something more downbeat again. Various synths alongside Magix Upright Bass, Bass Machine, Space Pad and Piano. Midi mangled melancholy, with a quirky touch.

Thanks for listening, if you do.

Day By Day - Nick Harris 2017

Nine spread-out clusters of three different pitches.

RPM2021                       

Rust Smut Mildew Mold

These recordings are all demos.

Interested in the dark side, the quirky side, but mainly in that buttery biscuit bass.

Bassist and composer from Belfast.

Fancy a collaboration? Drop me a line.

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The Overall Immobility of Things

Mysterioso

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