Name: Pawel Strzelecki: 3. Finale [Bassoon Sonata (2018)]. by Pawel Strzelecki, Ph.D.
Duration: 6 min 4 s
Description: The third movement of the Sonata for Bassoon and Piano (2018).

The third movement of the Sonata for Bassoon and Piano (2018).

Pawel Strzelecki: 3. Finale [Bassoon Sonata (2018)].

Stone Heart

This precious piece is particularly suitable for driving through a city in a modern car. An older model can also work if it has hi-fi audio.

Everyday Streetlife

Here for your enjoyment is the final part of the Happy Chocolatier trilogy.

The Happy Chocolatier

Happy Chocolatier No. 03

spiky dream

"Unversuchte Kraft"

„Und niemand weiß, wie weit seine Kräfte gehen, bis er sie versucht hat." 
— Johann Wolfgang von Goethe

Ein Lied über den Moment, wenn Zweifel verstummen und ungelebte Möglichkeiten erwachen. Über die Angst, die vom Fahrer zum Beifahrer wird. Über Samen, die zu Licht werden, wenn wir endlich loslassen.

Still wie Nebel liegt die Schwere – bis ein Riss die Stille bricht.

🎻 Chamber Folk Duett
🎹 Piano, Acoustic Guitar, Cello, Violin, Acoustic Bass, Soft Percussion

Musik & Text: Viktor & Edeltraud Trncik
© 2025

Für alle, die noch nicht wissen, wie weit sie gehen können.
Für alle, die es herausfinden wollen.

#ChamberFolk #Duett #VTmusic #EdeltraudTrncik #Goethe #UnversuchtKräfte  #AcousticMusic #FolkMusic #GermanMusic #Songwriter #IndependentArtist
———————————————————————————-

Lyrik: (The English translation is below the German lyrics)
Still wie Nebel liegt die Schwere
Nicht bedrückend, nur vertraut
Diese alte, kalte Leere
Die sich selbst ein Nest gebaut

Kribbeln vor dem ersten Sprunge
Stimme flüstert laut ihr „Nein“
Doch die Seele singt die junge
Was könnt’ es sein?

Ein Riss durchbricht die Stille
Wie Sonnenlicht durch grauen Tag
Und plötzlich weicht der Wille
Der Neugierde nach einem neuen Tag

Unversuchte Kräfte wachen
In mir auf wie Morgenrot
All die ungelebten Träume
Brechen durch die alte Not

Staunen, pures Kinderstaunen
Kinderstaunen
Was möglich ist, wenn Grenzen fallen
Nicht gewonnen, nein … gefunden
Der Berg war nie zu hoch …
… für meinen Willen!

Unversuchte Kräfte fließen
Wie ein Strom durch meine Brust
Samen, die zu Blüten sprießen
Aus dem Mut zur Lebenslust

Die Angst sitzt still daneben
Nicht mehr Fahrer, nur noch Gast
Ich weiß nicht, wo die Grenzen leben
Und das ist keine Schwäche … das ist Kraft 

Still wie Nebel lag die Schwere
Jetzt liegt Frieden, warm und weit
In der Tiefe meiner Seele
Lebt die unversuchte Kraft


English translation:
Silent as fog lies the heaviness
Not oppressive, just familiar
This old, cold emptiness
That has built itself a nest

Tingling before the first leap
A voice whispers loudly "No"
But the soul sings the young one
What could it be?

A crack breaks the silence
Like sunlight through a gray day
And suddenly the will gives way
To curiosity for a new day

Untried powers awaken
In me like the dawn
All the unlived dreams
Break through the old hardship

Amazement, pure childlike amazement
Childlike amazement
What is possible when boundaries fall
Not won, no... found
The mountain was never too high...
...for my will!

Untried powers flow
Like a stream through my chest
Seeds that sprout into blossoms
From the courage to enjoy life

Fear sits quietly beside me
No longer the driver, just a guest
I don't know where the boundaries lie
And that's not weakness... that's strength 

Silent as fog lay the heaviness
Now lies peace, warm and wide
In the depths of my soul
Lives the untried power

Unversuchte Kraft

Qualquer coisa que faça quase sentir

Well  (Håkan) ….. synths, beats and co-composition
https://on.soundcloud.com/ar1bZ5l5jRJSHsLJke
Surfers like Us  (Artur) ….. guitar, mix and co-composition 

The cover image - Milky Way - downloaded from Pixabay

Hi Everyone!
This is another joint track by our duo and the first one after a slightly longer break. 
We invite everyone to take a ride on the cosmic highway through the Milky Way. For now, it's all happening in our imagination, but one day... in the future... who knows?
We refer here to our previous songs (especially “Winter Trip”) and surf-ambient sounds, but we also try to add new elements and textures. 
We hope you enjoy our new project! 
Have a nice trip! 🌔

Milky Hi-Way (w/Well)

Connect with everyone involved in the track easily here:
https://on.soundcloud.com/bjBEJXbup8ocVscWsl

Cast of Characters:
The Beautiful Dark -- @thebeautifuldark -- Carl — vocals, lyrics, acoustic guitar and composition
Mistermark-- @user-432503709 -- Mark –- VST strings and mellotron 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – upright double bass, plucked and bowed
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
J.J. Terrell– @j-j-terrell – piano
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson custom T model electric guitar, Danelectro baritone electric guitar, and e-bow
Llanpsych -- @llanpsych -- Tez – production, mix, and mastering
 
Carl came up with this song at the beginning of November on his acoustic guitar, and shared it with the rest of us shortly after. Carl is a songwriting supernova, in case you're unfamiliar with our newest addition to the team. We're always excited and grateful to get to work on his music. 
  Mark was first to add his parts, although he tweaked them throughout the process. His work can be heard in the dramatic string arrangement and mellotron at the crescendo. Josh was next to jump in, adding his new upright bass to the song. He played not only the plucked part, but the bowed part in the strings section, too. Ken came along next with his perfect drums to complete the rhythm section. JJ wanted in on this, too, so he added the foundational piano you hear throughout. Last, but not least, Stephen dropped in his electrifying guitar solo and the accompanying textural chords using is Danelectro baritone guitar, followed at the very end by his magical e-bow part. 
  Once it was all in the bag, we asked Tez to produce and mix it for us, which he did in his always expert fashion. 
  This is our latest song of which Carl is the author. He's been making music with us for the past half a year now, and we can't get enough of his abundant creativity. We hope you enjoy listening to this as much as we enjoyed creating it.
  Also, Carl had this to say about his lyrics, "Labels and putting each other in a particular box is causing big problems on the planet. The song's meaning is born from trying to take labels out of our lessons. In a polarized world, the song pines how we will likely learn lessons properly if we leave ego out of what we are trying to learn. Maybe our art has more relevance for future generations if we do that instead of bolting it to the current people or ideas causing us problems."
Original lyrics by The Beautiful Dark:

Let's play cards
You lying runt
Word poker perfect
A joker to hunt
Motor makeup mouth
Dadless brain itched
Orange sith can shout
Cycle of old child bewitched

Leave out the names
Remove their power
Lessons find refrain
Fake turned to flower

All liars die
'As honest tongue
Dinnseanchas signs our true right and wrong
Transmutation
Time understood
Truth trump card for hate
More blossomed love

Leave out the names
Teach tomorrow's hour
Lessons find refrain
Pure honest power

Lies from power
Carry hidden agenda
Justice can save us from these malady members
Unless they break our sacred norms
They've changed the game with iron fisted porn

Leave out the names
Control our stream
Lessons mute ego
Brutes turn to dream

The system protects us from crazy one
One system collective
Agreement by sum
Normals described
Standards of power
Transmutation of evil
Never named gives real flower

Let's label our love
Let's teach that today
Let lessons of dove
Show us our way

Leave out the names
Remove their power
Lessons find refrain
Fake turned to flower

Leave out the names
Teach tomorrow hour
Lessons find refrain
Pure honest power

Leave out the names (Eclectic Collective)

android's dream

[ 7 ]

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 128 pieces: 12 symphonies (2017-2024), 3 symphonic poems (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

Pawel Strzelecki: 3. Finale [Bassoon Sonata (2018)].

Pawel Strzelecki, Ph.D.

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