Spotify: http://spoti.fi/2G9taXP  
Apple Music: http://apple.co/2E0OMF0  
Bandcamp: http://bit.ly/1CdU6ee

Slight Nightmare is an ambient/experimental sound project from a Melbourne based Nick Bunting. 

slightnightmare.bandcamp.com

facebook.com/slightnightmare

Purchase Magnetic Domain releases:
https://magneticdomaintapes.bandcamp.com

Magnetic Domain is a short run cassette label focusing on textural music. 

Releases:
Chad Munson - Albedo - MD-001 
Will Kaufhold - Drone for Four Synthesizers - MD-002 
Mehta Youngs - Hypnica - MD-003 
pulsewidth - Ocean Of Surveillance - MD-004

Formed in 2006 in Saskatoon, Saskatchewan, Slow Down Molasses rank among Western Canada’s finest musical exports. Their third album, 100% Sunshine, will be released on September 2, 2016 on Noyes Records, and forges new sonic territory for the band while retaining their unique hybrid of ’90s Anglophilia and contemporary Canadian rock. 2015’s Burnt Black Cars was hailed as “drug-drenched psych-pop” by Q magazine and “immediately memorable and timeless” by The Line of Best Fit, with the band going on to share the stage with the New Pornographers, Swervedriver, Built to Spill, Preoccupations (fka Viet Cong) and the Besnard Lakes. Veterans of festivals across North America (SXSW, CMJ, NXNE, Sled Island) as well as European (Incubate, End of the Road, Liverpool Sound City, Great Escape, Reeperbahn, Nouvelle Prague), the band are renowned as a euphoric live experience, with Exclaim praising their “huge, stadium-ready sound and colourful presence”. Slow Down Molasses are singer/guitarist Tyson McShane, drummer Jordan Kurtz, bassist Chris Morin, guitarist/keyboardist Aaron Scholz, guitarist Levi Soulodre and keyboardist/singer Jeanette Stewart.

Band contact: slowdownmolasses at gmail dot com
Management contact: emily at southernbird dot com

https://chadmunson.bandcamp.com

Chad Munson is a multi-instrumentalist and producer from the Canadian prairies. At the age of 7 he received a malfunctioning analog synthesizer. Listening to the broken synthesizer drift, drone and distort sparked a fascination with texture that has defined his musical output since.

Munson has been producing textural music since 1998 and released his first full length under his foal moniker in 2004 on Andrew Duke’s Cognition Audioworks imprint. The sounds he creates are centred around digital signal processing analog synthesizers, lap steel guitar and field recording. His compositions are an exercise in deep listening which explore the boundaries of organic and synthetic sound, through chance processing and exact programming.

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