ABOUT THE SONG

First I tried to make a calypso song. But I was unable to do it... So I changed it into a 80's style track.

My daughter Daphné (5) wanted to sing on that song, so I recorded her.

Made with Ardour (DAW), Rosegarden (midi), Hydrogen on Ubuntu Studio. I used my voice and my guitar.

Lyrics and music by Buma.
Performed by Daphné & Buma.

LYRICS

Smiling to my kids
and hiding from the sun
But something came to me
I Was remembering

But something came to me

I will try
I will fight for that
I will try
Caribbean style will heat my frozen kind
That’s music we don’t mind
Can I try from the past ?
That’s music we don’t mind

“Ch-ch-ch-changes” in my room
Wrote this list for that man
That’s all my crowded mind
Will fight to succeed

I will try
Can I try from the past ?
That’s music we don’t mind

Avant les limules (feat. Daphné)

SUPPORT LABOR UNIONS

>>>>> VIDEO >>>>> https://youtu.be/cVy1UTIQ-S8 <<<<< LIKE & SUBSCRIBE <<<<<

Consider that this song is ten iterations of a pattern, representing the hands of the laborer as well as ten-based systems of measurement.

Credits:
--------------------------
PS Perkins: Guitars, bass, vocals, floor tom set 2, howl 1
R Thomas: Synth Guitars, backup vocals, floor tom set 1, snare drum, hi hats, howl 2
Mixed and Mastered by Mystic Tape Deck

Lyrics
--------------------------
I cut the tree and I hammer the nail
I fetch the water and I carry the pail
Harvest the wheat, and I bundle the bale

Fasten the saddle, the bridle and bit
I shoe the horses and I shovel their shit
I dig forever in the bottomless pit

I'm turning wrenches and I'm fueling the jet
My brow is furrowed and it's blistered with sweat
I'm on a boat with a hook and a net

I'm in the engine room, I'm driving the train
I'm climbing poles in the wind and the rain
I load containers from a towering crane

Repair the derricks for the men who get paid
I'm tugging triples up a slippery grade
I built the factory where the factories are made

I'm in the kitchen now preparing your meal
With hogs to slaughter and potatoes to peel
I hone the blade and I sharpen the steel

BARDS:Of The Shimmering Seraphs

The Laborer

MON ÂME SŒUR
Composition : C. S.
Parolier : Alain Varlet
Arrangement musical Yannick Cluseau


Mon âme, ma muse, ma vraie musique,
Mon concerto pour quatre mains,
Passion infuse et si unique,

Tu fais écho à mes refrains 
C’est ton amour qui te trahit 
Ce petit quoi qui me séduit. 

Refrain
L’envie, sous mes doigts, se diffuse,
Pianissimo, en doux écrits. 
Mon âme-sœur, alter-ego,


Ma mélodie toute en liesse, 
Lame de fond qui, crescendo, 
Sape le front de nos faiblesses ;

De ton regard si maternel 
A tes attentions si mutines, 
Ma vie, dans tes bras, s’émerveille
Et peut se lire entre les lignes. 

Refrain
L’envie, sous mes doigts, se diffuse,
Pianissimo, en doux écrits. 
Mon âme-sœur, alter-ego,

Mon amoureuse et seul trésor,
Ma symphonie toute en bémols, 
De ce duo en cœur à corps,
	
	Pont 
	Ni Arlequin, ni Colombine, 
	On n’fait plus qu’un entre les rimes ; 
	De ta tendresse indélébile 
	Et tes sourires à livre ouvert, 
	Ont mis mon âme à découvert. 

L’envie, sous mes doigts, se diffuse,
Pianissimo, en doux écrits. 
Mon âme-sœur, alter-ego,

Alain VARLET

MON ÂME SŒUR

Composed, performed and mixed by Julien Vescovi

Cello by Aude Declaf 
https://soundcloud.com/luce-faedda

Softwares and instruments used :
- Studio One 6
- Korg SV2
- Real Guitar 6
- Steven Slate Drums 5
- Waves Bass fingers
- Arturia Analog V
- Arturia Pigments 3
- Izotope Iris 2
- Percussions (bongos and triangle)

PHAROS XXIII (feat. Aude Declaf)

Here' a collab with the multi talented https://soundcloud.com/ipg1

You Can find the original vocal here;

https://soundcloud.com/ipg1/modern-times-vocals-150-bpm

Cover art created at https://www.canva.com/

IPG1 X RiZLiX - Modern Times

Moves like the ocean

Dragon2024

Saxophone improvisations from 1987's Resonance.
www.jh0st.com/resonance

"And indeed there will be time
For the yellow smoke that slides along the street,
Rubbing its back upon the window-panes;
There will be time, there will be time
To prepare a face to meet the faces that you meet"

- TS Eliot, The Love-Song of J. Alfred Prufrock

Resonance

05/05/1987

Talking Of Michelangelo (Resonance 1987)

à défaut de pouvoir remettre le monde à l'endroit, chercher l'envers : une nature encore à peu près préservée, un endroit pour rêver ( à l'envers ? )

la Brière un matin

not just another girl

Basement tea party

A Christmas Gift From New York (feat. Michael Cunio)

AVANT GARDE | GUTTER PROG | GARAGE JAZZ

Some of our art is made on computers, some of it is made by hand. We are particularly interested in that gray area in between where you cant really tell. All of what we create here is one work laid out in segments, all connected. The Mystic Tape Deck universe is vast and explores all manner of adding meaning to our lives, while pondering meaninglessness.

Please consider supporting our project and helping us complete the work. We make books and cds that go with them. We also have a graphic novel and a custom oracle deck in the works. All part of the story.

A Multimedia Puzzle-Story Of An Immortal Being's Struggle To Define And Exert Their Will Upon A Wholly Deterministic And Ambivalent Multiverse, And The Strange Cult Who Loves Them.

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Greetings to you: readers, beaders, seekers, wanderers, wonderers, outsiders, rebels, fantasy gamers, freaks, mythologists, philosophers, appreciators, creators, perpetuators of beauty, coveters of mysterious objects, collectors of counter culture, the curious, the questioners, the unusual, the unique, the star children, the light workers, shadow integrators, diviners, alchemists, hermits, monks and popes, the saviors and prophets, the builders and destroyers of worlds, the old ones, the young ones, the rollers of boulders, the sun orbiters, the morning star dewdrops and twinkle toed dreamers of dreams, you mystic shining beacons, you crossers and denizens of the void, reality shapers, universe makers and underworld freaks.

"A prominent feature of avant-garde music is to break through various rules and regulations of traditional culture, in order to transcend established creative principles and appreciation habits. Avant-garde music pursues novelty in musical form and style, insisting that art is above everything else; thus, it creates a transcendental and mysterious sound world. Hint, metaphor, symbol, association, imagery, synesthesia and perception are widely used in avant-garde music techniques to excavate the mystery of human heart and the flow of consciousness, so that many seemingly unrelated but essentially very important events interweave into multi-level structures and forms."