Fragmento Feat. Yvu (LAZA Remix)

Scalper

@yunismusic - Matgarabsh, Ha! متجربش (taken from '1PLACE4BEATS - EGYPT' EP, out on the 2nd of June via @radiochiguiro)

YUNIS is a renowned Egyptian producer who explores his country's folklore heritage through the lens of electronic music, reinterpreting traditional wedding songs and sounds connected with Mawlid celebrations by pairing Ney flutes, keyboards, vocal samples and more with synthesizers. His brand new track, however, showcases different angle of his work as 'Matgarabsh, Ha!' is a raw and intensive beast centered around the frenetic, thumping drum rhythm. The song  comes as a part of second installment of '1PLACE4BEATS' series curated by French label Radio Chiguiro which aims to put the light on electronic music scenes in different countries around the world.

[PREMIERE] YUNIS - Matgarabsh, Ha! متجربش (Radio Chiguiro)

𝐒𝐖𝐈𝐍𝐄 𝐏𝐑𝐄𝐌𝐈𝐄𝐑𝐄 ➤ @remiseria-temperley via @santasedelabel

【 Buenos Aires-based producer Remisería Temperley made his 2021 LP debut with “Grupo Vocal Roña” (you can listen here) already showcasing from the beginning a style both personal and experimental, under the criollo overtones of "chacareras", "candomble" and "batucadas". 

【 Remisería's style is very unique, hard-hitting and intensive. If you are not familiar with Latin American music styles, and experimental, underground club music, you might not be ready for it. But when you enjoy innovative and interesting rhythms and hard club bangers, you will be amazed by his production.

● You can read more here https://swinedaily.com/remiseria-temperley ●

∎ ∎ ∎

[Swine Premiere] Remisería Temperley - USUCAPION (Santa Sede)

An Evening with The Pleasure Boyz marks the debut release from London duo The Pleasure Boyz, a collaboration years in the making between borderlandstate (@borderlandstate) and Coen (@coenofficial). Forged in the dead of night at a particularly explosive edition of Houghton festival, the two long-time friends were brought together by a mutual love of borderline piss-take music. It's fast bangers only.

An Evening With The Pleasure Boyz is available across all digital platforms from 20th September 2024.

The Pleasure Boyz - Daddichill [ACEN063]

releases October 4, 2024

“Hypocrite" is the latest album by Taipei-based producer B E N N, responding to the exploration of humanity.

He endeavors to structure the chao, transforming the sensations of his surroundings into a multitude of emotional expressions into this album, which is offering a comprehensive collection of works reflecting his personal journey of artistic evolution.

Music by B E N N
www.instagram.com/bnnw_tw

Mastering by Imaabs
www.instagram.com/imaabs

Artwork by Alfacentauri
www.instagram.com/alfacenttauri

Remixes by:

Cand.i.e.
www.instagram.com/cand.i.e

Mente3000
www.instagram.com/mente_3000

Sajo Bkule
www.instagram.com/sajj0_

OS76
www.instagram.com/os7seis

Release date:
4 October 2024

@infinitoaudiolabel

Hypocrite

B E N N - What [Infinito Audio Network]

Néctar & Neón

Lima Limón (Locación Secreta)

dru-1’s “preshuh” was composed in the artist’s home of Trinidad during Carnival of 2024. Reflecting on the experiences and influences that shaped the record, UK-based artist Drew Lovett recalls inviting friends to stay with their family during the festivities, experiencing overproof rum, pan bands, card games, and doubles. Community and a celebration of sociality seem to shimmer through the EP’s bass-ridden tracks, evident not-least in the prominent sound bites and vocals recorded on-site from those close to the artist during the Carnival.

The project unfolds across six tracks, each composition draped in FM synthesis and layered over gritty basslines. “preshuh” builds upon the
vision realized in the artist’s debut project, a 4-track EP released on Why Be’s Yegorka in 2024. This record punches with more technical precision, making a mature statement that feels cohesive and intentional, while retaining its playful essence. Lovett collaborates with Marta Rosa on percussion for the final three tracks—“maco queen,” “palance,” and “a4s.”

Despite its moody basslines and clear roots in the UK club scene and Hard Drum, Lovett’s EP is infused with a spirit of optimism and revelry. The EP opens with echoes of “toma!” and other indistinct cries, as timbale taps gradually build alongside jerky basslines in “diastema.” The subsequent track “corbeaux,” takes a more atmospheric approach, leaning further into lush melody progressions. Breath-like chirps fade in and out of the mix, allowing different melodic and percussive elements to shine at various moments. “Libido” calls the listeners to commune on the dancefloor, led by a steady four-on-the- floor rhythm. The hypnotic chant, “We come together,” repeats with quiet assurance, woven through a backdrop of filtered basslines and dissonance. Crunchy, sputtering synths wind in and out of the soundscape, teasing a sense of chaos and rapture, grounded by the steady rhythm beneath. In “maco queen,” the record seems to reach a point of climax; jittering bass sounds overtake the atmosphere immediately. “Hey!” and “Ha!” shout over the flurries, punctuating the frenzy, while intricate low-end patterns and hand drums introduce moments of organic warmth. Percussive taps and clinks imagine an impromptu gathering of people jamming together. Here, Lovett seems to call us to let loose, to shout, to dance, to revel in excitement. The fifth track, “palance” unfolds over a steady four-on-the-floor rhythm, with intertwining synth lines that emerge and recede unpredictably, engaging in a dynamic interplay akin to an animated conversation among close friends. The EP concludes with “a4s,” a vibrant, infused with Soca and Dembow breaks track that brings key elements from earlier songs—vocals, claps, and heavy basslines—crafting a dynamic yet cohesive finale.

Experienced in full, Lovett’s EP is a call to togetherness—a sonic invitation to gather, move, and celebrate without restraint. Infused with the frenetic energy of the carnival where it was conceived, the project unapologetically embraces the dancefloor, urging bodies into motion, and spirits into communion. Beneath its pulsating rhythms lies
a deeper longing—not just for revelry, but for connection. In a world still relearning the rhythms of closeness, it asks: How do we rebuild the spaces where joy and community once thrived? 

Artwork by Lucas Owen
Mastering by TB-Mastering
Words by Manolis Elijah Sueuga

dru-1 - a4s

DRILL INSTRUMENTAL BEATS - FREE BEATS - FREEDL

Obsidian

LOFI PHONK INSTRUMENTAL BEATS - FREEDL CCBY

Data

UK GARAGE x SAMPAGNE x 01099 - halfpipeprod

@imgonebaby
mysticstylezproductions@gmail.com

Scalper

Jetty

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