* MOVEMENTS/Compositions Fragments ( https://audiolover.com/genres/classical/what-is-movement-in-classical-music/ )

° Selected originals, performed on Baroque period instruments, mixed with some adaptations, transcriptions^ & modern interpretations ( ^ including Bach's own of others - https://soundcloud.com/crossovermedia/vivaldi-on-bach-transcribing ) 

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° PC Loudness Equalization "ON" will level track volume differences.. 

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https://www.bach-leipzig.de/en/neutral/johann-sebastian-bach-%E2%94%80-chronology

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https://www.spiritsound.com/music/bachchildren.html

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http://www.jsbach.net/catalog/

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https://imslp.org/wiki/List_of_works_by_Johann_Sebastian_Bach

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https://www.bach-leipzig.de/en/bach-archiv

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https://theonlinemetronome.com/blogs/12/tempo-markings-defined

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JOHANN SEBASTIAN BACH *

Bach: Brandenburg Concertos

Brandenburg Concerto no. 1 In F major , BWV 1046: Allegro

Bach: Sei suonate à cembalo certato è violoncello piccolo solo

Sonata No. 2 in A Major BWV 1015: III. Andante un poco (Transcription for violoncello piccolo and continuo)

Cédric Pescia, piano / Klavier

Producer: La Dolce Volta
Distribution: Outhere
Management: Andrea Hampl (ahampl@konzertdirektion.de)

JS. BACH // French Suite No.2 in C minor, BWV 813 - Sarabande

Johann Sebastian BACH (1685-1750)
Sonata BWV 1031
Sicilienne

DUO CORD'EOLE
Fanny MAYNE, Querflöte
Nicolas FAURE, Violoncello
www.duocordeole.com

Johann Sebastian BACH (1685-1750)- Sicilienne BWV 1031

Bach: Sonates en trio, BWV 525-530 (Alpha Collection)

Sonata No. 2 in C Minor, BWV 526: II. Largo

Bach: Fantaisies chromatiques, sonates & transcriptions

Sonata No. 4 in E Minor, BWV 528: II. Andante

Bach: Sei Solo a Violino senza Basso accompagnato - II

Sonata per violino senza basso accompagnato No. 2 in A Minor, BWV 1003: III. Andante

Sonata per violino senza basso accompagnato No. 3 in C Major , BWV 1005: III. Largo

Bach: Clavier Übung I

Partita No. 1 in B-Flat Major, BWV 825: II. Allemande

Bach: Partitas

Partita II in C Minor, BWV 826: IV. Sarabande

Bach: Ouvertures

Ouverture in C Major, BWV 119R (Reconstructed from the Opening Chorus of Cantata BWV 119 "Preise, Jerusalem, den Herren")

Bach Coltrane (Alpha Collection)

Cantata Vergnügte Ruh, beliebte Seelenlust, BWV 170: Aria No. 1

ÜberBach by Arash Safaian. Performed by Sebastian Knauer, Pascal Schumacher, Zürcher Kammerorchester

ÜberBach

I. Aria (After Aria, Cantata "Vergnügte Ruh, Beliebte Seelenlust", BWV 170)

Bach: An Italian Journey

Concerto in D Minor, BWV 974: II. Adagio

Weihnachtsoratorium BWV 248
Eröffnungschor der 1. Kantate

Neumeyer Kammerchor & Consort
Leitung Felix Koch

Livemitschnitt vom 3.12.2011

Jauchzet, frohlocket! J.S.Bach

1685 – Bach, Händel, Scarlatti - 75 for 75

J. S. Bach: Partita No. 2 in C minor, BWV 826, Capriccio

Bach on the Lute, Vol. 4

Suite No. 6 In D Major (after BWV 1012): IV. Sarabande

Discover now! http://smarturl.it/BachHarpsichord2

Concerto in F Minor, BWV 1056: II. Largo

Celebrating Bach

Double Concerto in C Minor, BWV 1060: III. Allegro

Oboe Concerto in D Minor, BWV 1059: I. Allegro

Mixed sessions & archived containers in playlists of...

Polyphony in Baroque Period Music
https://brevemusicstudios.com/the-evolution-of-polyphony/

Buddhism as Philosophy by Alan Watts
https://archive.org/details/buddhismreligion00watt

Psychedelic Trance DJ Sets & Mixing Sessions 
#psychedelictrance

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NOTE : If you are intending to follow me on this platform after listening to my ENIGMA remix in the hope that I will produce more of the same - please do not, thank you - I've grown out of the need for DJing... Happy days to all ! 

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Introduction to the Baroque Era/Period Music

The Baroque era 1590 - 1750, spanning from the late 16th century to the early 18th century, was a time of artistic grandeur and musical innovation. This period in music history is characterized by its ornate and intricate compositions, elaborate melodies, and the use of various instruments to create a rich and dynamic musical tapestry.

Baroque music is known for its use of dramatic contrasts, ornamentation, and emotional intensity. Composers of the Baroque era aimed to create music that evoked powerful emotions and stimulated the senses. This led to the development of new musical forms and styles, such as the opera, oratorio, and concerto.

The Baroque era brought about significant changes in music composition. Composers began to explore complex harmonies, intricate melodies, and the use of contrasting textures to create depth and expressiveness in their compositions. This era also saw the emergence of virtuosic instrumental music and the establishment of the basso continuo as a standard practice in music composition.

https://sscm-jscm.org/jscm-issues/

JOHANN SEBASTIAN BACH *

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