Classical guitar and piano

Ambient Broadcast - July 6, 2024

Delicious Soundscapes Part II

Mythmaker

I'm Happy (Piano Cover)

Audio Music Library for Videos – FREE DOWNLOAD!

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Max Bruch – Violin Concerto No. 1 in G Minor, Op. 26: (Mvt. 1-2)
Movement 1: Allegro moderato
Movement 2: Adagio

Music: Max Bruch
Violin: Michael Herter
Grand Piano: Wanting Qiu
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Orchestral and Classical Music

Max Bruch – Violin Concerto No. 1 in G Minor, Op. 26: Allegro Moderato and Adagio

Dans cette pièce de piano, Albane explore le thème de la vitesse à laquelle l'amour peut disparaître.  "Albane" explore également le thème de l'absence de l'être aimé. Malgré la distance, l'amour peut rester fort et brûlant, comme le vent qui change sans cesse et qui emporte avec lui les rêves et les espoirs, laissant derrière lui seulement des souvenirs. Le piano est utilisé comme instrument principal pour exprimer l'émotion et la profondeur de ce sujet, offrant une gamme de tonalités et de textures pour créer une expérience musicale riche et puissante.

La musique intègre également une citation poétique de Albert Camus:

'L'amour est un vent qui souffle et qui change,
Qui emporte avec lui les rêves et les espoirs,
Qui ne laisse derrière lui que des souvenirs.'

Cette citation reflète la complexité des sentiments et des relations amoureuses, tout en mettant en valeur la passion et la force de l'amour.

Si vous appréciez cette musique, n'hésitez pas à vous abonner à la chaîne YouTube, à liker et à partager les vidéos, et à laisser des commentaires pour aider au référencement de la chaîne. Si vous souhaitez entrer en contact pour une collaboration ou toute autre raison, vous pouvez le faire en envoyant un message à l'adresse mail suivante:

Contact : Mythmakerprod@gmail.com

Merci pour votre soutien et votre intérêt pour la musique!

Albane - Dark Piano Solo

La terre se transforme en or dans les mains du sage

Manon - Mythmaker

La mélodie délicate du piano se mêle aux accords chauds des violons, créant une harmonie qui semble à la fois familière et novatrice. "Lou" est comme un parfum précieux qui persiste, ses notes se révélant lentement, nous plongeant dans une réflexion profonde.

A chaque nouvelle écoute, on découvre de nouvelles subtilités, comme si on revivait un souvenir précieux sous un nouvel angle. C'est cette beauté perpétuelle qui rend "Lou" si spéciale, comme une photographie bien-aimée que l'on peut regarder encore et encore, découvrant toujours quelque chose de nouveau.

"Lou" est une boucle infinie de beauté et de nostalgie, une composition qui ne cesse d'évoquer et de capturer l'essence des souvenirs et des émotions les plus profondes.

Deus Sive Natura

Lou - Mythmaker and Antonio Giardina

Written: 2022-23
Duration: 30'
for piano trio (violin, cello, and piano) and orchestra (2-2-2-2 / 4-2-3-1 / 3 percussion, timpani, strings)
Commissioned by Neave Trio
World Premiere: Mostly Modern Orchestra with Neave Trio, JoAnn Falletta, conductor, Mostly Modern Festival, Arthur Zankel Music Center, Helen Filene Ladd Concert Hall, Skidmore College, Saratoga Springs, NY, June 17, 2023.
Publisher: Bill Holab Music

As we live through a sixth mass extinction, it is not difficult to question whether we can act as good stewards of our earth. While I often feel a sense of despair — how could we have messed this up so badly? — my thoughts are often, perhaps irrationally, tempered by a sense of optimism. Maybe we can fix this, or at least that’s what I tell myself. Triple Concerto is essentially an exploration of these emotions. As a scenic point of departure, the entire work also uses three types of geographical regions as inspiration.

Triple Concerto is structured a bit differently than a traditional concerto. An introduction and three larger movements are interspersed with three small trio-centric movements that loosely function as either a prelude, interlude, or cadenza. These three smaller movements also exist as a stand-alone version for the piano trio that may be performed as a sort of “teaser” for the concerto on a chamber music concert.

The first movement, Introduction, loosely evokes a sunrise. Toward the end of the movement, bird song melodies from around the world are incorporated and performed by the winds. This leads to a movement entitled Chorale Prelude, focusing on the piano trio, leading to a joyful third movement, Bright Pastorale, filled with bright, sunlit bell-like chords and sounds reminiscent of birdsong. Moments of despair begin to appear as the movement progresses. The movement ends darkly, like an overcast sky before a storm. The fourth movement, Interlude, echoes the beginning, focusing on the trio once again and evoking a sense of longing, the sound of a more innocent time. Tundra, the fifth movement, is cold, dark, and bleak but with swaths of color. A sense of sadness and loneliness permeates this movement, at times represented by various mournful effects such as bent notes created by dipping tubular bells in water and glissandi in the strings and brass.

After the fifth movement, the trio performs a virtuosic Cadenza, full of grief and rage but with signs of hope. This leads to the final movement, entitled Summit. Ascending lines suggest climbing a mountain, both literally and figuratively. After a brief climax, eleven bell-like chords sound one after the other, symbolizing the chimes of the Doomsday Clock. The winds perform birdsong once again, perhaps of songbirds that may soon become endangered or even extinct. In a nod to Haydn’s Symphony No. 45 (his “Farewell Symphony”), the players leave the stage one by one until all that is left are the trio and conductor.

Triple Concerto was commissioned by the Neave Trio and premiered by the trio and Mostly Modern Orchestra, JoAnn Falletta, conductor, at Mostly Modern Festival in Saratoga Springs, NY.

– RP

Movements:
I. Introduction
II. Chorale Prelude
III. Bright Pastorale
IV. Interlude
V. Tundra
VI. Cadenza
VII. Summit

Triple Concerto, "Summit" for Piano Trio and Orchestra (World Premiere)

Cassandre

Laura - Antonio Giardina and Mythmaker

In a word; Dynamic. A difficult production because of the rapid changes to level and pitch. Uses just one synth instrument (Thank you Vital Synth-Matt Tytel, thank you Mr. Bill) with sampled Rototoms and Drums. Let it lift you. Let it move you. [Ver. 32 -Master]

Forgiveness Act Two

Music for Content Creators – DIRECT DOWNLOAD from SoundCloud!

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Title: Quartet No. 59 in G Minor (Rider), Opus 74, Finale: Allegro Con Brio
Live concert recording
Music by Joseph Haydn
Genre: Classical, Quartet
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Video: 

Joseph Haydn's Quartet No. 59 in G Minor, also known as "Rider," Opus 74, features a dynamic finale marked "Allegro Con Brio". The term "Allegro Con Brio" indicates a lively and spirited tempo. In this concluding movement, the composer employs energetic rhythms and melodic intricacies, creating a vibrant and engaging musical experience. The quartet showcases Haydn's mastery of form and structure, with the finale serving as a lively culmination of the entire work.

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CLASSICAL and NEOCLASSICAL

Joseph Haydn – Quartet No. 59 In G Minor (Rider), Opus 74, Finale Allegro Con Brio

Monumental Times was inspired by my dear cat, Ziggy. Evolving from past mistakes, isolation from society, current crazy worldly affairs.

All songs written, arranged, produced, mixed, mastered: Daniel Lars 
All instruments: Daniel Lars

Monumental Times

Grand Hall of Heavenly Gates

Someone who has 'Gone By' haunts you but makes those memoirs of her worth reliving differently, leaving a sense of a little wonder. Making up the way to release 'Gone By', this time featuring a talented pianist and friend Analise Mifsud.  
📸📹Cher Camilleri
🎬🎧Mirko Galea

Gone By

Gone By - Franco Tartaglia ft. Analise Mifsud

A twelve part adventure inspired by our cyclical measurement of time.

Once Around the Sun - June

Searching for the Mystical Sound

Imagination

Far from the coast

Harmonic Glitch

This one was started in 2016, and back-burnered 'til now. Strong synth groove and unexpected trappy percussion give it a tangible sense of drive and movement. Not related to the artist/singer AViVA in any way. 

[Ver. 49_UAD]

Aviva

in my eyes
of ice and mint
quench my thirst
i am the desert

And in her scent
a calling card
taste of the woods
and the open ocean

in her voice, the peyote cry,
of the Indian fire, and what the north wind made

in her eyes inside the lashes
those water tears are your prison

the sad was sad but after her
words on the paper in a song
and you listen

fingers hold iridescent rings
each one is suitable for every situation

the man she loves
knows a thousand ways
to use the tie
between madness and passion

Invio: 19 ore fa19 ore fa
SK
nei miei occhi
di ghiaccio e menta
placare la mia sete
sono il deserto

E nel suo profumo
un biglietto da visita
sapore di bosco
e l'oceano aperto

nella sua voce, il grido del peyote,
del fuoco indiano e di ciò che ha fatto il vento del nord

nei suoi occhi dentro le ciglia
quelle lacrime d'acqua sono la tua prigione

il triste era triste ma dopo di lei
parole sulla carta in una canzone
e tu ascolti

le dita tengono anelli iridescenti
ognuno è adatto ad ogni situazione

l'uomo che ama
conosce mille modi
usare la cravatta
tra follia e passione

Ice Mint

Sk & Tubo    Ice Mint   (Testo di Sk)

🌞⛱🌊🔥🕺🏼🌬⚡🌕🌈🍦💓🎶⁂©
🎸©Lyricist, Mixing, Mastering, Pro License & Creator: Lady ElectroTrek
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TITLE: A TALE TOO TALL
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LYRICS:
(Verse 1)
I climbed a hill that touched the sky
The clouds bowed down as I walked by
The sun applauded every step
A story too big to forget

(Verse 2)
The river whispered my own name
Said you’re the one who bends the flame
I lit the stars with just one hand
And danced across the desert sand

(Chorus)
Oh I’m the one who caught the breeze
I lassoed lightning with such ease
A tale too tall but oh so sweet
I made the world skip to my beat

[Verse 3]
The mountains knelt to let me pass
I painted rainbows on the grass
The moon once asked me for advice
I told her shine and don’t think twice

(Bridge)
The ocean said it knew my face
It swore I gave it all its grace
The winds they carried every word
Of every song I sang unheard

(Chorus)
Oh I’m the one who caught the breeze
I lassoed lightning with such ease
A tale too tall but oh so sweet
I made the world skip to my beat

I Made The World Skip To My Beat

A Tale Too Tall

You know music ? Then you know my wife.(please listen to her carefully =)

mythmakerprod@gmail.com

ps: thanks for all support! Love you guys !Take care.