Something about Stevie Wonder’s “Overjoyed” struck Marcus Canty at 11 years old. Where basketball shorts and Kobe Bryant once held a special place, Stevie’s Motown groove stepped in.

“At first I liked music, then it grew into love,” he says with a laugh. “Singing just grabbed me. I started singing gospel music, but Stevie Wonder really drew me in. Then once I got a little bass in my voice, I started going into Luther Vandross’ music too.”

For the 21 year-old who won the hearts of America on Fox’s “X Factor” talent show, it appears music loves him back.

“When I grabbed the microphone at the ‘X Factor’ audition, a whole other person came out,” he recalls. “I love performing for huge crowds but I started performing like I never had before.”

With enough talent to transform Rihanna into a shy fan admitting she “had to look away” as he sang to her, Canty is ready to share his smooth tenor with the world on his upcoming debut album, guided by his idol Epic President Antonio “L.A.” Reid.

Born in Washington, D.C., Marcus Canty was raised by his mother in Palmer Park, Maryland along with his older sister in a full house with their aunt and her three children.

“Family is huge for us,” Canty says. “We were all so close, my cousins were like my brothers. By the time I was seven or eight, they moved away and I became more of a mama’s boy. It wasn’t the best neighborhood, but my mom kept me out of the streets.”

Growing up Marcus’ father was around about 10% of the time, so his mother signed her son up for basketball to provide him with positive male role models. Basketball quickly became Marcus’ first love, despite performing in church plays at New Hope Baptist in Forestville, MD since he was in diapers.

“I always remembered everyone’s lines, I was in the zone at three years old,” he recalls.

But by his early teens, music began to creep in. Raised on a diet of Al Green, the O’Jays and Wonder thanks to his grandmother, Canty hit the talent show circuit and signed up for a show called “Talent Rock.” This talent competition marked the first of many accolades as Marcus was named top ten in the vocal category, print modeling and won an acting scholarship to New York’s School for Film & Television. At eleven years old, Marcus won second place with a rendition of Yolanda Adams’ “Still I Rise,” as he beat out competitors twice his age at the non-televised portion of Amatuer Night At The Apollo. By fifteen, Marcus now performed televised in front of the notoriously tough audience at “Showtime At The Apollo” and sang Trey Songz’ “Gotta Go,” which landed him second place.

“That was a breaking point for me, I knew singing was what I wanted to do,” Marcus says of ditching his basketball dreams and recording music with his cousin Deric. “I was like ‘I’m not going to be 6’5” so I should go where the money is.”

In 2009, Canty was chosen over hundreds of highschool seniors across the nation by the National Foundation for Advancement In The Arts – YoungArt (which recognizes and supports America’s most talented 15-18 year olds in the visual, literary and performing arts), and inducted into the organization.

After graduating high school in 2009 and exhausting the performance circuit around his native Washington, D.C., Maryland and Virginia area, where he opened for Bow Wow, B5 and Hurricane Chris, the young tenor connected with an independent label from the Motor City.

“I went to Detroit and started working with a company called MVR Entertainment on an album that we were going to shop around to labels,” he recalls.

But while crafting what he hoped would garner a major label deal, Marcus heard about the “X Factor” auditions and saw his chance at stardom. And once he learned that music executive Antonio “L.A.” Reid would be serving as a judge and coach on the talent show, it seemed all too perfect. Upon graduating highschool, Marcus was faced with an ultimatum that left him at a crossroad. Implemented by his mother, Marcus was given two years to pursue a career in music and if he was not successful within that two year frame he would then have to go to school. It was at this moment that Canty knew his back was up against the wall and that he had to nail his X Factor audition.

“In my first audition, I was just excited to be so close to L.A. Reid,” Marcus says of his first audition in Seattle. “When I was a kid, I was always trying to get music to L.A. before I met him. My ideal label situation was him at the head of the company.”

After wowing “X Factor” judges Paula Abdul, Nicole Scherzinger, Simon Cowell and Reid with an explosive rendition of “I Wish,” Reid encouraged the Maryland native to try compositions outside of his comfort zone.

“On the show, L.A. challenged my mind and my voice, he was a father figure and a friend. During Rock ‘N’ Roll week on ‘X Factor’ I wanted to do Tina Turner’s ‘Proud Mary,’ when I played it for him, he agreed that it was huge record,” Marcus recalls. “But then he showed me Janis Joplin’s ‘Take Another Little Piece of My Heart’ and it opened my eyes to versatility.”

Describing his sound as R&B with a pop twist, Marcus looked up to the showmanship of Michael Jackson, Janet Jackson and Usher.

“The audience needs to feel every note you’re singing, and you felt what they were saying,” he says.

Now as he preps his own album, Marcus hopes to collaborate with Timbaland, Jimmy Jam and Terry Lewis and even Quincy Jones.

“I’ve worked with Kuk Harrell, JQ and Johnta Auston so I’m already blessed,” Marcus says.

The young singer’s first single, following his departure from “X Factor” as a semi-finalist, is “Won’t Make A Fool Out Of You.” The Think Like A Man soundtrack cut shows off Canty’s pristine vocals and smooth tenor over polite keys, light snaps and a bouncing bassline as he promises to be honest and kind to his lady. “Shorty” boasts tender strings and lovestruck lyrics with Canty inviting his long-lost love interest to return to their “love nest.” Light drums and high keys guide the two-step friendly “You Make Me Dance,” where Marcus’ layered chorus tells a lucky woman that she “makes him want to be with her all day.”

“I want a classic album and it’s tough to get that out the gate, but I think it’s possible,” Marcus says with confidence. “It’s about telling stories and there aren’t many in music today. But I want to tell stories that connect with people in my own way.” 

S.O. was born in Brooklyn, New York on August 3, 1983 where he lived in the Flatbush neighborhood (which was also once home to Talib Kweli, Busta Rhymes and Shaggy amongst other notables) with his parents and older brother. At the age of 2, his father left, and he, his brother, and his mother moved in with his grand-parents in the Bed-Stuy neigborhood (once home to Jay-z, Biggie Smalls, and Lil’ Kim amongst others).

Growing up in Brooklyn, S.O. was exposed to many different genres of music, especially rap. Ironically, S.O. didn’t become interested in rap music until he moved to Prince George’s County, Maryland at the age of 10 when his aunt bought him a computer. He would find lyrics to popular rap songs, memorize them, and then rap them to his friends in class and in the hallways in elementary and middle school. He eventually started writing his own lyrics as well as making beats on his computer.

From middle school through high school, S.O. engulfed himself in the world of rap music, freestyling and writing his own lyrics to any beat he could get his hands on. But it wasn’t until a year after high school when his girlfriend at the time gave birth to his son, that S.O. got serious about his music and started pursuing it as a career.

Over the years, S.O. (who started going by the moniker ‘S.O.’) aligned himself with a couple of different individuals and groups, attempting to earn money with his music as well as other various business ventures, none of which panned out. Eventually, he found himself alone and thoroughly disappointed with the way things were going. S.O. decided he would focus on something that could put some money into his pockets immediately, and so he fell back from rapping, and focused his efforts on becoming a hip-hop producer instead.

In 2009, S.O. custom built his own computer and mini home recording studio in his bedroom and began selling beats and letting other local artists record at his studio. It was during this time that he met Stan Villier, who was at the time, an A&R for an independent record label based in Jacksonville, Florida. Even though S.O. claimed he wasn’t rapping anymore, Villier recognized his talent through hearing some of the songs S.O. had previously recorded.

Soon after S.O. began producing tracks for Villier’s artists, issues with the label came up. This prompted Villier, along with long-time friend and rapper, Akeem ‘A’ Brodie, to sever ties with the label and form their own record label – 757 Entertainment.

At the same time, S.O.’s talent and passion for rapping lead him to make yet another transition, and much to Villier’s delight, S.O. came from behind the mixing board and went back inside the recording booth.

In April of 2009, with the backing and support of 757 Entertainment, S.O. began recording songs for his first mixtape entitled, “The Proposal”. The Proposal was released August 2010. However, due to insufficient funds and resources to properly promote the mixtape, it didn’t go very far.

After some differences with the label, S.O. decided to part ways and stopped doing music all together. Until February 2013 when he resurfaced by recording a remix to Drake’s “Started From The Bottom”. The remix seamed to catch on quickly racking up over 300 listens and 80 downloads on his soundcloud account with zero promotion.

Realizing that there was a huge over saturation of free rap mixtapes on the market, S.O. decided pull The Proposal mixtape, dump 95% of the tracks from it, and turn it into an EP. The first single from the EP is “Amazing Girl”, a seductively bouncy smooth-type track with beat production by Pusher Productions.

The Proposal EP is set to be released in Fall 2013.

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