Formed in October 2012, High North is an instrumental rock band that combines hypnotic soundscapes with epic riffs. A trio of guitar, drums, and bass/ chapman stick, they use a myriad of pedals and effects to create out-of-this-world sounds that are one-third composition, one-third jam, and one-third stream of consciousness. Drawing from psychedelic, space, fusion, and progressive influences, they use projections on stage and frequently go off on musical tangents. Their music transitions between cinematic and dreamy, to exploding walls of sound and alien-infused madness. Every show is different, as they feed off the energy of the audience and the environment. Their chemistry on stage is undeniable, as they are always able to dig deep and venture into unexpected musical landscapes.

wow! 372 followers! Thanks heaps people! Please listen to my music and share if you like it!
I will upload something GOOD just to say THANKS! one of these days soon I swear!

Welcome to my soundcloud page. Here you'll find my songs, demos, ideas etc. Some are complete, some are not. I play all instruments on these tracks(except live tracks), which are recorded in my band's practice room. I hope you enjoy the music. 

The Dark Afterglow is an art project which was founded in 2011 by the austrian musician Alexander Herzog, born 1991. He writes, records and designs everything on his own as a one-man-factory. His songwriting is very spontaneous and instinctive. All tracks are written and recorded at his home with the most minimal equipment you could find to keep the truth of music at the highest point.

https://thedarkafterglow.bandcamp.com/follow_me

www.soundcloud.com/ssdk-records
www.soundcloud.com/sprocketnyc
www.soundcloud.com/mzmw

Combining the sophistication of classical music with the emotional power and broad reach of pop has been a lifelong pursuit for Bernard Weinstock.

As a child, he was drawn equally to the Tschaikovsky and Beethoven albums in his parents' record collection as to the lyrical Israeli popular music of the 1970s. A transformative experience was listening to Rick Wakeman's "Journey to the Center of the Earth" at age 11; hearing the Moog for the first time was stunning and opened his mind to the complexities possible within the progressive rock genre. While exploring the masterworks of Brahms, Bach and Rachmaninoff as a piano student, he was also absorbing the experimental sounds of Emerson, Lake and Palmer and Yes, and the rhythmic drive of Led Zeppelin and Meatloaf. Among pianists, Keith Jarrett became a role model for his ability to "speak music spontaneously" through his wide-ranging improvisations.

Weinstock has complemented these early influences with a diverse array of professional experiences. After studying piano performance at Julliard and the Manhattan School of Music, he honed his improvisational skills as a modern dance accompanist. For more than a decade he worked with such dance luminaries as Norman Walker, Carmen de Lavallade and Gemze deLappe in companies including Alvin Ailey, the Eglevsky Ballet, and the Adelphi and Hofstra University dance programs. The intense creativity of the experience confirmed that composition, rather than classical performance, was his true calling, and he began pursuing other avenues of musical expression. He has since scored music for Court TV, an independent film, and a documentary for the Taiwanesse government.

"Evening - Piano Solos", Weinstock's debut album, showcases both his compositional brilliance andvirtuosity at the keyboard. "Evening" was met with considerable critical and popular success, including a live performance on CBS television in New York. In 2005, music from "Evening" was used by the CBS "Early Show" during its coverage of Pope John Paul II's final illness. Weinstock is now recording his second album. Other current projects include the score for an upcoming PBS documentary, chamber-style compositions for piano and wind instruments, and experiments with the pipe organ. He also appears in New York-area live performances. 

We're not the best, but we're pretty good.

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