NOVEMBER  2020

🎼⚔️✨

ThingsILike... Inspiring discoveries

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My collaboration with the brilliant Konokunok & the Seven Babes from the Sunny Cave (2014).
Jew's Harps by Gyula Bódis www.soundcloud.com/discratebye
Snaithilicious guitars, bass, beats and production by TIJ www.soundcloud.com/barry_snaith
I'm channeling the great Robert Fripp here, Gyula is channeling the great Gyula!

Bodisity (click for VIDEO link)

Phsychedelic Chillouttime

Concluding "Hope" theme for the mini documentary "A Neighborhood At The Limit", commissioned by Parallaxi, realised by DesTV, directed by Giorgos Skandalaris. Screened at Olympion / Thessaloniki / 10 June 2015.

- This track was later on expanded and adapted to the 8.1 surround system of "Start Fellowship Celebration" held in Labattoir, Thessaloniki, May 12 2016. Photo by Angelos Zymaras

Special thanks to Elisso Papastrati (violin) and Charalambos Papadopoulos (Cello)!

A Neighborhood At The Limit - Hope Theme (extended)

First cover of Vassilis Tsitsanis’ “Kathe Vradi Panta Lipimeni (Κάθε Βράδυ Πάντα Λυπημένη)” for the theatrical play M.A.I.R.O.U.L.A. (Μ.Α.Ι.Ρ.Ο.Υ.Λ.Α.) directed by Yiannis Paraskevopoulos. This comeback of the theatrical group “Nees Morfes” premiered on February 12th 2016 at “T Theatre (Θέατρο Τ)”, Thessaloniki, Greece.

Kathe Vradi Panta Lipimeni Ι (Tsitsanis cover)

Free Download

Caravan

Music backing track : @Dacca
Lyrics vocals guitar additions & mastering: Me

Lyrics:
Get up and look around can you feel all the sound 

pulling me into the grand scene of a daydream

No worries no frown in the sounds where I'm found

Living it up in every moment life's a scream

 

Daydream take me away. .

Repeat. .

Daydream with you I stay

 Here I sit not givin a s*** lol

Daydream (with Dacca)

Daydream - Dacca

Music by: tHE bLUE rOOM : all songs ©
Vocals:  Sanna  & Mark Bryan

Also on Autumn 2017 Carnaby Street Vol 9 - Lounge Masters
www.loungemasters.org


Copyright bryan © 2017

Keep It Simple

Jörg and Mani came over with this brilliant short Rocker  ....
Just added Bass and a little Synth, Mani played a mean Guitar and what you hear is the result!
Rock on!
Music by Mani, Jörg Hünninghaus and Reinhard Gleisner
Guitars - Mani, Drums - Jörg, Bass and Synth - Reinhard
Cover by Reinhard Gleisner

Pow R. Toc H. - Masters

Pow R. Toc H. Feat.Mani - Manic

I'm So Glad. "La Mort" with Mark Joneschiet-Bass; Mike Pierce-Guitar, Backing Voice; Steve Pierce-Voice; John Vallejos-Drums. Cream cover. Recorded live 1973.

Mazama

I'm So Glad

An Accidental Album

Pipa Dreams

Irie my friends , 
today something calm and a little jazzy . 
Wish you a nice chill and mega thanks for the love and share :)
Check my other tracks as well ;)

Blue Spirit

new losthapilot 2019
https://soundcloud.com/user-891959780/sets/losthapilot-2019-releases

subscribe on new youtube: www.youtube.com/channel/UCwqg4soWFGyQ0QPj5ZofanA

spotify: open.spotify.com/search/losthapilot
itunes: itunes.apple.com/us/artist/lostha…?ign-gact=3&ls=1

real fans/supporters ((sign up for my email list)), working on giving away free stuff too! mailchi.mp/22175f4a4f72/emaillostahpilot

1^PILOT - NU~WAV~ {Wrpd n Scrwd} *aug2017

Listen to SEVEN DAYS:
https://ovosound.io/sevendays

Instagram: https://www.instagram.com/partynextdoor
Twitter: https://twitter.com/partynextdoor
Website: http://partyomo.com
Facebook: https://www.facebook.com/Partyomo
YouTube: https://soundcloud.com/partynextdoor
Spotify: https://play.spotify.com/artist/2HPaUgqeutzr3jx5a9WyDV

Download

Bad Intentions

Stream/Download: https://maddecent.fm/ontherun 
Follow Mad Decent Weekly on Spotify: https://maddecent.fm/weeklyspotify

Fresh off his “Embrace” collaboration with Australian duo Carmada, NGHTMRE has quickly returned with another hot single, “On The Run” featuring PASSEPORT. Fully equipped with mesmerizing lyrics and PASSEPORT's ethereal vocals, the track also features a stunning electric guitar riff that descends into an electro-seductive drop, paired with some soft bass and NGHTMRE’s signature melodic-driven style. “On The Run” is the perfect blend of harmonic and enticing sounds that are just too irresistible to ignore.

FOLLOW NGHTMRE
Facebook: https://facebook.com/nghtmre
Twitter: https://twitter.com/NGHTMRE
SoundCloud: https://soundcloud.com/nghtmre
Instagram: https://instagram.com/nghtmre
Web: http://www.nghtmre.com/
YouTube: https://youtube.com/nghtmre

FOLLOW PASSEPORT:
Facebook: https://www.facebook.com/passeportmusic
Twitter: https://twitter.com/passeportmusic
SoundCloud: https://soundcloud.com/passeportmusic
Instagram: https://www.instagram.com/passeportmusic/
Web: https://www.passeportmusic.com

FOLLOW MAD DECENT:
Facebook: https://www.facebook.com/maddecent
Twitter: https://twitter.com/maddecent
SoundCloud: https://soundcloud.com/maddecent
Instagram: https://www.instagram.com/maddecent/
Web: http://maddecent.com
Subscribe to Mad Decent on YouTube: https://maddecent.lnk.to/YouTube

On The Run (feat. PASSEPORT)

NGHTMRE - On The Run (feat. PASSEPORT)

Bassoon Enough

- Official digital release on 27/12/2017

https://torresp2b.wixsite.com/matziz-compositeur/m-z


you can support the project and pre-order it at this address:

https://matzizrecords.bandcamp.com/album/prisme
by clicking on "Pre-order now"


Thank you for your attention.

Prisme

Perception (Reception)

>> memory corrupt

track art by Ash Thorp
https://www.behance.net/gallery/32430975/LOST-BOY

Let's Get This Bread

Rem sleep

M'Z, is a solo project shaped by a wide variety of music :
Canterbury, Progressive, Rock in opposition, Metal, Electronica, Space rock, Noise, Jazz, free-rock, Ambient, Psyche, Heavy, Punk, Drum'n bass...

My name is Mathieu Torres and I am also a guitarist and composer in various artistic projects:
La théorie des cordes / Zhorhann / The diogenes / Matziz / Dirt in the wind / Urban BallShit / Inland Motel / Collectif La Barraque / Aux arts etc / Dirt and Cpu / no Skeletons / composer of music for the image...

The driving idea of ​​this particular project is to create parallels between poetic or philosophical concepts and music, without setting aesthetic barriers.

Born from the vital need to create, at the end of 2017, M'Z has since performed around fifty dates (Streets/Markets/Café-concerts (Cave a rock - L'usine à musique - Le Maquis - Red turtle café...)/Festivals (Résistance/Semaine jaune...)Off /Marciac - Bourges / Various support concerts...)
and released 4 albums, 1 EP and 2 singles which received very good press
(Diego Pinheiro Review - ProfilProg - Athos di MAT2020 - Autopoeitican - COREandCO webzine - AM: Plified - areARock - Mazik - Plus PROG de Vous - Eternal Terror - L'oreille à l'envers - Exposé . org - DPRP . net - The Elite Extremophile - Litzic...)

"Prisme" the first album, made the link between Colors, feelings and Music,

"L'autopsie du dogme" the second, attacked the music industry while working to analyze dogma in general and psychoanalyzing the members of M'Z in this quagmire in passing,

"Cool is watching you" (EP) was interested in demolishing, in music and lyrics, the idea of ​​the "Cool" posture that seems to be a norm in the era of social networks and the "start-upized" world

"La Nef" (single) as for it, tried to extract a source, more or less healthy, of the need for human spirituality, when it is freed from religious doctrines
"Hympécita" (single) paid tribute to an animal friend.

"La Civilisation de la Graine" the third was a musical reflection on the essence of our patriarchal organizations and our tendency to organize ourselves into civilizations, certainly elegant but undeniably unjust, ephemeral, violent and rickety. 8 pieces to try to analyze these phenomena.

And finally 'Emancipés du Vides ?'(emancipated from the void?) The fourth album, is a melancholic reflection on our emotional abysses, on the difficulty of extricating ourselves from our various attractions for nothingness, our inability to look at the mental waste that we produce without going through the guilt box, a critique of normalization, of the conformism of the hollow positivism praised by our overly marketed minds in search of the fastest path to "A Meaning". Finally, it symbolizes the vital necessity of finding our lost naivety.

Perception (Reception)

MZ