Performance, composition, sound installations, and programming. I work as a professor of music technology at NTNU.
I am particularly interested in the interaction of composition and improvisation, and I use various custom software solutions for improvisatory interplay between me and the computer.
Another area of special focus for me is granular synthesis (what I'd like to term "particle synthesis" when merging all known forms of the granular technique). I use Csound and Python as my main tools, and I've designed some opcodes for the Csound language.
In the past I have worked with the groups Krøyt and Motorpsycho.

MANAGEMENT:
Little Big Sister
Silje Larsen Borgan: silje@littlebigsister.com
Guttorm Raa: guttorm@littlebigsister.com

BOOKING (Europe excluding Nordics):
The Agency Group Ltd.
julesdelattre@theagencygroup.com

BOOKING (Nordics):
TimeOut Agency 
Thomas Olavsen: thomas@timeoutagency.no 

Label:
Mouchiouse Music under exclusive licence to Warner Music Norway

PAMELA Z is a San Francisco-based composer/performer and media artist who works primarily with voice, live electronic processing, sampling technology, and video. A pioneer of live digital looping techniques, she creates solo works combining experimental extended vocal techniques, operatic bel canto, found objects, text, digital processing, and MIDI controllers that allow her to manipulate sound with physical gestures. In addition to her solo work, she has been commissioned to compose scores for dance, theatre, film, and new music chamber ensembles including Kronos Quartet and the Bang on a Can Allstars. Her large-scale multi-media works have been presented at venues including Theater Artaud and ODC in SanFrancisco, and The Kitchen in New York, and her media works have been presented in exhibitions at the Whitney Museum (NY) , the Diözesanmuseum (Cologne), and the Krannert Art Museum (IL). Her multi-media opera Wunderkabinet – inspired by the Museum of Jurassic Technology (co-composed with Matthew Brubeck) has been presented at The LAB Gallery (San Francisco), REDCAT (Disney Hall, Los Angeles), and Open Ears Festival, Toronto. Pamela Z has toured extensively throughout the US, Europe, and Japan. She has performed in numerous festivals including Bang on a Can at Lincoln Center (New York), Interlink (Japan), Other Minds (San Francisco), La Biennale di Venezia (Italy), and Pina Bausch Tanztheater Festival (Wuppertal, Germany). She is the recipient of numerous awards including a Guggenheim Fellowship, the Creative Capital Fund, the CalArts Alpert Award in the Arts, The MAP Fund, the ASCAP Music Award, an Ars Electronica honorable mention, and the NEA and Japan/US Friendship Commission Fellowship. She holds a music degree from the University of Colorado at Boulder. For more information visit www.pamelaz.com

Ambient electronic
Improvisational process



Combine guitar tone super scientist and sound designer Bernt Isak Wærstad with cellist-gone-electronics-nerd composer Amund Ulvestad, and what do you get?

Unsurprisingly, you get Vingelklang. 

Digging deep in the wilderness of free improv and experimental electronic music, the duo has developed an uncanny ability to crossbreed the familiar with the profoundly strange. The resulting creature, limbs of bad cabaret piano, faint guitar reminiscences, motorized music boxes, gasps and drones, head of bleeps and bloops, will no doubt scare and delight in equal measures.

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